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Books > Features > 20 Questions > John Wesley Harding | Wesley Stace
Photo (partial) by Bill Wadman 20 QuestionsJohn Wesley Harding[23 March 2009] By PopMatters StaffThe talented songwriter, singer and internationally best-selling novelist from East Sussex, John Wesley Harding, has a new CD out now, Who Was Changed and Who Was Dead, and a new book coming out later this year, too. Bright, articulate and fearless – just the kind of artist we truly appreciate at PopMatters—while discussing “Cabinet of Wonders”, a theatrical production that brings musicians, authors, and other talented, intelligent people together at New York’s Le Poisson Rouge (through 15 April - then going on tour), Harding told Jim Fusilli of the Wall Street Journal, “In the world of books, being smart is considered a virtue. In rock, there’s a snobbery about intelligence.” (“Harding and His Cabinet of Wonders”, 18 March 2009). Harding talks with PopMatters 20 Questions about some of the art and the artists that he appreciates. 1. The latest book or movie that made you cry? Most recently, movie-wise, probably a British TV adaptation of Tess of the D’Urbervilles by Thomas Hardy (I’m talking about, like, yesterday.) The last opera was Massenet’s Thais at the Met: the end was quite overwhelming (and high camp). To see someone perfectly in charge, like Ute Lemper doing cabaret, or my sister, Melanie Stace, in her pomp onstage—that does it for me, too. 2. The fictional character most like you? Or Mister Dick in David Copperfield: odd ideas but essentially harmless. My wife says I’m like Willy Wonka. I think that’s a bit scary; she thinks it’s a big compliment because he’s a creative genius and a wiseacre with kids. So, that’s very kind of her. But I just think of a kind of crazily dressed psychopathic child murderer with a very sweet tooth. 3. The greatest album, ever? I could probably the say the same of Bob Dylan’s Highway 61 Revisited, Blonde on Blonde and Blood on the Tracks, but Rock Bottom always comes up top because it’s still worth telling people about it. The most recent “greatest album ever” that I heard recently is The Rotter’s Club by Hatfield and The North—same kinda bag. 4. Star Trek or Star Wars? 5. Your ideal brain food? I like research in dusty libraries. I love a book like How Mumbo Jumbo Conquered the World by Francis Wheen. That’s my kind of book. I am a devoted reader of The Times Literary Supplement. 6. You’re proud of this accomplishment, but why? 7. You want to be remembered for…? 8. Of those who’ve come before, the most inspirational are? 9. The creative masterpiece you wish bore your signature? 10. Your hidden talents…? 11. The best piece of advice you actually followed? 12. The best thing you ever bought, stole, or borrowed? What have I ever stolen? I stole a bottle of bourbon from a dressing room the other night, but was it mine or did it belong to the band before me? I didn’t really consider that. Either they’d left it, or it was mine. Either way, it’s here. The guitar I’ve used for almost every gig since 1988—a Takamine EN-10c, bought with my first music publishing advance—was clearly a good purchase. 13. You feel best in Armani or Levis or…? 14. Your dinner guest at the Ritz would be? 15. Time travel: where, when and why? 16. Stress management: hit man, spa vacation or Prozac? 17. Essential to life: coffee, vodka, cigarettes, chocolate, or…? 18. Environ of choice: city or country, and where on the map? 19. What do you want to say to the leader of your country? 20. Last but certainly not least, what are you working on, now? ![]() Related ArticlesFolk-rocker and novelist John Wesley Harding brings his storytelling to PhiladelphiaBy Dan Deluca27.May.09
Misfortune by Wesley StaceBy Shandy Casteel16.Jun.05 Misfortune is a musically rousing treat, hitting Dickensonian notes with Stace's wistful prose.
John Wesley Harding: It Happened One Night & It Never Happened at AllBy Seth Limmer28.Jan.05 An intimate evening is captured perfectly on It Happened One Night, while the companion disc It Never Happened at All lets loose more layered studio versions of much of the same material. The result is one warmly recorded and wonderfully reminiscent travel back in time, and one mistake that perhaps never should have happened at all. |
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