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Music > Features > Let’s Go Crazy: Celebrating 25 Years of Purple Rain > Prince Let’s Go Crazy: Celebrating 25 Years of Purple RainA Track-by-Track Rundown of ‘Purple Rain’[1 June 2009] By PopMatters Staff
“Purple Rain” “Remember when we was young, everybody used to have those arguments about who’s better, Michael Jackson or Prince? Prince won!” With this quote, the great Chris Rock comes down firmly on the side of Prince Rogers Nelson in the battle of pop icons. But in 1983, the answer wasn’t so obvious. Michael Jackson was in the midst of Thriller-induced megastardom. Then, the summer of 1984 came along and with it, the pop culture ubiquity of Prince. He even captured two titles Michael Jackson never could: Movie Star and Rock Star. And no other song cemented his mythical status like that of the title track to a movie, an album and an era—“Purple Rain”. Recorded live at First Avenue, the Minneapolis club that hosted the Revolution vs. Time throwdowns in the movie, “Purple Rain” starts off simply enough. Technically an exploration of harmony in ballad format, it’s really just a man and his guitar, sounding lonely on purpose. The song has places to go—and go, it does. From resignation to urgency over an epic eight minutes and forty-five seconds—like gospel on rock & roll steroids. Prince builds emotion with his classic vocal take and busts the song in half with a ringing guitar solo, from which “Rain” intensifies with organs, cymbals and pleading. Finally, the song settles as piano and strings linger like sparks trailing the fireworks. Lyrically, the question that endures 25 years later can be summed up thusly: what the hell is he talking about? Is it an allusion to the “Purple Haze” of his idol Jimi Hendrix? A lyrical rip from America’s “Ventura Highway”? Is he just really into purple? Regardless, Prince deduced the great secret of mass acceptance by keeping the lyrics decidedly elliptical. He never explains this fantastical “purple rain” or why it’s got him so morose at the start. On one listening level, ignorance is bliss so just sing along. But if you delve deeper, more questions arrive than answers. In Thailand, the color purple represents mourning and Prince is certainly lamenting the end of a relationship through the first half of the song (“It’s such a shame our friendship had 2 end”). He seems the Prince of the Purple Heart, wounded in battle. As the song structure opens skyward, the lyrics reflect the change by discussing a larger relationship, that of a “leader” that will “guide” his prospects. Purple seems to take on the connotation of ultimate royalty—the King of Kings. Does Prince have a God complex? In one sense, he could be setting himself up as the Creator of this relationship. He “only wants to see you underneath the purple rain.” Kind of a poetic way of saying, “my way or the highway”. Or perhaps he’s contemplating his relationship with his Maker. Rain falls from the heavens after all. This reading seems a better fit for the spiritual transcendence reflected in the music. The definitive answer never comes though, and the song is all the better for it. In the end, that sense of mystery keeps the track universal. There’s something bigger at work within “Purple Rain”, the holiest of rock anthems.
Let’s Go Crazy: Celebrating 25 Years of Purple Rain
Related ArticlesLet’s Go Crazy: Celebrating 25 Years of Purple RainBy PopMatters Staff05.Jun.09 Some 25 years after it was released, PopMatters proudly celebrates Purple Rain in its entirety, looking at the album and film from every angle. Inside the RevolutionBy Evan Sawdey05.Jun.09 Hundreds have books have been written about Prince and the Revolution, looking for hints and clues about his life and motivations within his lyrics, his images, and film scripts. Yet there are two people who know Prince better than anyone else, and those are the people who were there when it all happened. Speaking exclusively to PopMatters, longtime prince manager Alan Leeds and Revolution keyboardist Matt Fink speak candidly about their experiences recording, filming, and making Purple Rain, and what it was truly like being inside the Revolution. Prince’s Anxiety of Influence and ‘Purple Rain’ in the Context of ‘80s Pop MusicBy James Fleming04.Jun.09 Harold Bloom's The Anxiety of Influence notes how that we often attribute artistic success to being able to reconstruct our influences to create something unique, yet, as we all know, it's much more complex than that. Analyzing similar conceptual ground covered by the Police and Michael Jackson prior to Purple Rain, James Fleming dissects Prince's reaction to these other artists landmark songs, and how he was able to manifest these other pop monoliths into his own, reactionary style.
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Comments
“Sadly, ‘Computer Blue’ remains the obvious dysfunction in this otherwise solid family unit.”
Bill, you have absolutely no idea what you’re talking about. Your “analysis” of this song is an obvious dysfunction in this otherwise solid web publication.
Comment by Rick Washington from Portland, OR — June 4, 2009 @ 1:58 pm