Rappers have always wrestled with the question of how to succeed in a society where the odds are stacked against them. The biggest difference now is that their middle class listeners have the same worries. [9.Feb.12]
By Michael D. Stewart
It's the turning of the final tide, the groundbreaking Blue Estate wraps issue #8, which closes the second volume of the collected editions, and launches issue #9, which opens the final volume. The stakes, and the value, couldn't be higher. [9.Feb.12]
By Jennifer M. Perdomo
Looking beyond the aesthetic surface of the series, what is the true motivation behind Mad Men’s frank depictions of these troubled social times? Is sexism being used as some sort of nostalgic trope, or does Mad Men actually delve deeper and explore these issues? [8.Feb.12]
By Kevin Dickinson
Granted, Link does “hiyah,” “eyah,” and “ahh” his way through all of his post-64-bit adventures, but no amount of elfish interjections can change his status as a silent protagonist. Is a failure to communicate much, a failure to communicate? [8.Feb.12]
Downton Abbey reveals not only the play of chance that often confounds choice, but the power of social class to confine choice within established boundaries -- and we're comfortable with that. [7.Feb.12]
