Recent Visual Arts Features

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Thursday, October 29 2009

Wonder: The Photos of Stephanie Chernikowski

Chernikowski's 35mm black-and-white stills (a sampling of which is included in the Museum of Modern Art’s Looking at Music: Side 2 exhibit this fall) exude more than just an appreciation for the magnetic personalities they capture, but also a sense of discovery.

Wednesday, July 29 2009

It’s All Too Beautiful

A suspicion of beauty is vital if one hopes to have any relation to it that isn't completely compromised; as Walter Benjamin said, beauty is the other side of the coin of injustice.

Thursday, May 14 2009

Art and Appropriation

Using trash to make art is a political statement, though not necessarily the one the artists may intend. The implicit message, reduce and reuse, runs counter to the consumerist impulse to always buy more.

Tuesday, April 7 2009

What We Write About When We Write About Art

On Edge exhibits a composite image of a younger, rougher New York: we know it existed, but it still has the power to shock and charm, like a photo of a beloved aunt as a teenager with cropped and blue hair.

Monday, March 9 2009

Punk Invades the Auction House

There were no shocking sales at the first-ever Christie's auction of punk and rock posters, but plenty of surprisingly good deals

Wednesday, January 28 2009

‘Art’: A Diminished Magnificence

Has any other art, even literature or music, ever exceeded the visual arts in its ambition, its richness, and its sheer beauty?

Wednesday, January 21 2009

Street Art’s Day in the Sun

In many ways Sheppard Fairey’s (designer of the famous Obama "hope" poster) work is an ad campaign making fun of ad campaigns. It’s his consistency of message that has earned him respect. He is the McDonalds of guerilla art.

Tuesday, January 20 2009

Linden Frederick and the Magic of Realism

There is a love in Linden Frederick's paintings – a love for, in the broadest sense, civilization and, in the narrowest sense, for the virtues of merely hanging in there.

Thursday, December 11 2008

Hong Kong Graffiti: Not for Lack of Inspiration

Subversive commentary should be thriving in Hong Kong. All the ingredients to spark graffiti are there -- the divides in social class, the thriving materialistic culture, and political antagonism with Mainland China.

Tuesday, November 25 2008

The ‘Murderous’ Art of George Baselitz

For Baselitz, the true artist is the eternal outsider. While he leads a good bourgeois family life, at his art he becomes a murderer, a man on the fringes of good society, a destroyer.

Monday, November 10 2008

Hung Up: The State of Rock Poster Art

With major labels fading and promotional budgets cut to the bone, can rock-concert poster art survive? Can it even thrive?

Wednesday, October 15 2008

Bruce Nauman and The Art of Thinking

In Bruce Nauman's art no complacency is allowed to reside. The complacent can only flee.

Wednesday, October 8 2008

(Super)flat Pop

Despite sharing a preoccupation with pop culture and commercialism, Takashi Murakami is no Andy Warhol.

Monday, September 15 2008

Jokerman Meets Mad Man

Bob Dylan helped change the way the 1960s sounded; advertising icon George Lois changed the way it looked. It's only fitting that their paths have crossed several times since

Friday, June 13 2008

Flying Alone: Edward Hopper and America’s Night Side

Isolation is more than being alone. That is why the greatest and most discomforting presentation of isolation can be found in Hopper's paintings that include more than one person.

Wednesday, April 2 2008

Thaw: Russian Art from Glasnost to the Present

Fears and rumors of increasing state control insinuate that the most recent Russian thaw, as represented at this exhibit at the Chelsea Art Museum in New York, might turn out to be just that: a limited period of freedom.

Tuesday, March 11 2008

Identity Thief: “There’s Banksy”

If people knew who he was, if they could point and whisper, “There’s Banksy” as he gingerly squeezed tomatoes at his local supermarket, would his art lose its power?

Friday, October 12 2007

The Lost Generation and the Art of Living

Sara and Gerald Murphy inspired an astonishing array of the century’s greatest writers and artists; they helped float, inspire, and otherwise sustain the likes of F. Scott Fitzgerald, Ernest Hemingway, Picasso, Ferdinand Leger, Man Ray, Cole Porter, John Dos Passos and Dorothy Parker, to name but a few.

Monday, August 27 2007

Wyndham Lewis: The Irascible Enemy

Wyndham Lewis brought a scintillating intellect to his artistic endeavors. If only we could let him loose on the majority culture of our time.

Monday, July 2 2007

The Master of Light and Shadow

Rembrandt reaches into the dark spaces of his subject and exposes the subject's inner self, thereby confronting the viewer with the somewhat unsettling presence of another human being.

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