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	<title type="text">PopMatters: In Person</title>
	<subtitle type="text">Live event articles</subtitle>
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	<updated>2012-02-09T15:22:34Z</updated>
	<rights>Copyright (c) 2012, PopMatters.com</rights>
	<id>tag:popmatters.com-in-person,2012:02:10</id>
	<entry>
<title type="html">Pan African film festival going strong at 20</title>
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<id>tag:popmatters.com,2012:pm/article/154421-pan-african-film-festival-going-strong-at-20/23.154421</id>
<published>2012-02-09T15:35:49Z</published>
<updated>2012-02-09T15:35:49Z</updated>
<author><name>Susan King</name></author>
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<img src="http://images.popmatters.com/news_art/e/education-of-auma-obama.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Ayuko Babu, cofounder and executive director of the Pan African Film & Arts Festival, which kicks off its 20th anniversary Thursday, peppers his conversation with the word &#8220;explosion.&#8221; &#8220;We African people, we intend to tell our stories whether it is on the continent of Africa or the diaspora of the United States or the diaspora of Haiti,&#8221; he said. &#8220;People are really intent on telling our story, giving us a sense of where we have been and where we are going. It is exploding all over the planet. There is an explosion in the Caribbean and an&#8230;]]></content>
</entry>
<entry>
<title type="html">ReelAbilities Day 1: 'Body and Soul' and 'Defining Beauty'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154409-reelabilities-day-1-body-and-soul-and-defining-beauty/" />
<id>tag:popmatters.com,2012:pm/review/154409-reelabilities-day-1-body-and-soul-and-defining-beauty/5.154409</id>
<published>2012-02-09T14:35:34Z</published>
<updated>2012-02-09T14:35:34Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/body-and-soul-1.jpg" /><br /><p><i>Body and Soul</i> and <i>Defining Beauty: Ms. Wheelchair America</i> both feature admirable subjects who have "overcome obstacles," and also take refreshingly unconventional approaches to these subjects.</p>
"I can't answer the questions people sometimes ask," says Mariana Tembe. When people ask how she gets dressed on her own, or how she takes a bath, she can only say that she does it like they do. She dresses her young son, then sits him on the bed beside her, combs his hair and then combs her own. "For me, it's essential to be pretty," she smiles. Mariana lives just outside Maputo, Mozambique's capital city, where, she explains, it's not easy getting around in her wheelchair. As she makes the way to the bus stop, the camera in Body&#8230;]]></content>
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<title type="html">Crickets, Comets, Flames, 3 other bands will enter Rock Hall of Fame</title>
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<id>tag:popmatters.com,2012:pm/article/154423-crickets-comets-flames-3-other-bands-will-enter-rock-hall-of-fame/23.154423</id>
<published>2012-02-09T14:18:20Z</published>
<updated>2012-02-09T14:18:20Z</updated>
<author><name>Randy Lewis</name></author>
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<img src="http://images.popmatters.com/news_art/c/crickets.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Let&#8217;s hear it for the band. The Rock and Roll Hall of Fame has decided to induct six bands whose high-profile leaders previously made it into the hall individually, in recognition of the critical role those musicians played in the history of pop music. Buddy Holly&#8217;s Crickets, Bill Haley&#8217;s Comets, James Brown&#8217;s Famous Flames, Gene Vincent&#8217;s Blue Caps, Hank Ballard&#8217;s Midnighters and Smokey Robinson&#8217;s Miracles will join their frontmen as full-fledged members of the Hall of Fame at this year&#8217;s induction ceremony, slated for April 14 in Cleveland. &#8220;These inductees are pioneers in the development of the&#8230;]]></content>
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<entry>
<title type="html">'Portlandia': The Tour: 18 January 2012 - Chicago</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154123-portlandia-the-tour-in-chicago/" />
<id>tag:popmatters.com,2012:pm/review/154123-portlandia-the-tour-in-chicago/5.154123</id>
<published>2012-02-09T14:00:06Z</published>
<updated>2012-02-09T14:00:06Z</updated>
<author><name>Allison Taich</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/reviews_art/p/portlandia_078.jpg" /><br /><p>Fred Armisen and Carrie Brownstein were not out to throw a big production, nor re-enact characters and sketches. Instead they were onstage as Fred and Carrie, real people with a knack for casual conversational comedy looking to hang out.</p>
Fred Armisen and Carrie Brownstein, the visionaries behind Portlandia, took their hit television show on a five stop, sold-out US tour in January. In case you are unfamiliar Portlandia is a sketch comedy that debuted on the Independent Film Channel (IFC) in January 2011. The show parodies and chronicles characters one may find walking the streets of Portland, or any hip metropolitan area for that matter. Armisen, a veteran of Saturday Night Live, and Brownstein, vocalist/guitarist of Sleater-Kinney and Wild Flag, not only created and wrote the show, but also starred in it. Portlandia stopped by The Hideout in Chicago&#8230;]]></content>
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<entry>
<title type="html">Grammys 2012: Funny how the comedy category has changed</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154373-grammys-2012-funny-how-the-comedy-category-has-changed/" />
<id>tag:popmatters.com,2012:pm/article/154373-grammys-2012-funny-how-the-comedy-category-has-changed/23.154373</id>
<published>2012-02-08T19:35:07Z</published>
<updated>2012-02-08T19:35:07Z</updated>
<author><name>Deborah Vankin</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/g/grammys3.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; The comedy category at the Grammys is a funny thing... In the unwired, pre-cable era, comedy recordings on vinyl were a core way for comics to reach mainstream audiences. &#8220;The Button-Down Mind of Bob Newhart&#8221; not only won a Grammy in 1961, it beat every musical release for album of the year. Two years later, Vaughn Meader&#8217;s &#8220;The First Family,&#8221; did the same. Now fewer comedians are recording proper comedy albums on major labels and are instead turning to DIY options such as YouTube, Twitter and podcasting, as well as TV specials, to get their jokes out&#8230;]]></content>
</entry>
<entry>
<title type="html">The other Academy Awards</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154379-the-other-academy-awards/" />
<id>tag:popmatters.com,2012:pm/article/154379-the-other-academy-awards/23.154379</id>
<published>2012-02-08T17:35:17Z</published>
<updated>2012-02-08T17:35:17Z</updated>
<author><name>Brian Crecente</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/t/the-interactive-achievement-awards.jpg" /><br />McClatchy-Tribune News Service (MCT) -- Last month the Academy announced their award nominees, but you likely didn&#8217;t hear about it. Later this month, they&#8217;ll host a red-carpet awards show, but chances are you won&#8217;t be watching. While the Academy Awards features all of the fanfare and glitz that Hollywood can muster packed into a single night, this Academy&#8217;s award show for video games doesn&#8217;t get quite the same attention. The Interactive Achievement Awards still has a red carpet, and does feature one Hollywood star, but the show won&#8217;t be televised or garner the same sort of attention as the Oscars that it quietly proceeds. The&#8230;]]></content>
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<entry>
<title type="html">Oscars 2012: Best picture nominees were predictable, and predictability is not a good thing</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154375-best-picture-nominees-were-predictable/" />
<id>tag:popmatters.com,2012:pm/article/154375-best-picture-nominees-were-predictable/23.154375</id>
<published>2012-02-08T15:35:26Z</published>
<updated>2012-02-08T15:35:26Z</updated>
<author><name>Patrick Goldstein</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/o/oscar-statuettes-11.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; If you read even half as many stories, blog posts, Facebook entries and tweets about the Oscar nominations as I did, you already know that there was hardly any shocking news involving the nine films that earned a best picture nomination. As Kristopher Tapley, the resident pundit at the In Contention blog, put it the morning of the nominations: &#8220;The nominees are in and the surprises are few and far between.&#8221; Why were the army of breathless Oscar prognosticators so underwhelmed by the news on nomination day? Because they&#8217;d long ago made a dead-on forecast of the&#8230;]]></content>
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<entry>
<title type="html">The Old 97's: 28 January 2012 - Charlottesville, VA</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154068-the-old-97s/" />
<id>tag:popmatters.com,2012:pm/review/154068-the-old-97s/5.154068</id>
<published>2012-02-08T14:00:24Z</published>
<updated>2012-02-08T14:00:24Z</updated>
<author><name>Justin Cober-Lake</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/o/old_97s_2011.jpg" /><br /><p>The Old 97's use two decades of experience to make being professional feel like anything but that.</p>
The music had started when I finally got inside the theater, but an unusual number of people were already filling the main floor. Given that the show started before the announced time and openers The O's were unlikely to have produced such an audience, I could only guess that last April's remarkable Old 97's show was good enough to make fans bring their friends, and to get there in time to claim a good spot. I made my way to the front and realized that The O's were doing a pretty good job holding a restless crowd. An alt-country sort&#8230;]]></content>
</entry>
<entry>
<title type="html">Grammys 2012: Adele is poised for Grammy coronation</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154312-grammys-2012-adele-is-poised-for-grammy-coronation/" />
<id>tag:popmatters.com,2012:pm/article/154312-grammys-2012-adele-is-poised-for-grammy-coronation/23.154312</id>
<published>2012-02-07T15:35:15Z</published>
<updated>2012-02-07T15:35:15Z</updated>
<author><name>Greg Kot</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/a/adele4.jpg" /><br />Chicago Tribune (MCT) -- No artist owned 2011 quite like Adele, and she&#8217;s poised to sweep the major awards at the Grammys next weekend (8 p.m. EST Feb. 12 on CBS). If she does, she would become the first performer since the Dixie Chicks in 2007 to win awards for album, song and record of the year. The surest bet is Adele&#8217;s ubiquitous &#8220;Rolling in the Deep,&#8221; a favorite to win in the best song category (for songwriting) as well as best record (which honors the performer and producer). Despite massive radio airplay across multiple formats, the song still feels fresh &#8212; perhaps because&#8230;]]></content>
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<entry>
<title type="html">Twin Sister: 29 January 2012 - Austin, TX</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154169-twin-sister-29-january-2012-austin-tx/" />
<id>tag:popmatters.com,2012:pm/review/154169-twin-sister-29-january-2012-austin-tx/5.154169</id>
<published>2012-02-07T07:00:02Z</published>
<updated>2012-02-07T07:00:02Z</updated>
<author><name>Ryan Lester</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/t/twin_sister_2011.jpg" /><br /><p>Twin Sister is a talented and smart collective of musicians, but their set at the Mohawk showed that they still have a long way to go before they can enter the realm of "captivating live act".</p>
When reviewing live music, one can only hope that a performance will either be excellent, good enough to write about, or terrible. In any of these three scenarios, there is usually an abundance of things that a writer can point to as being responsible for the quality of a show. However, when a performance is so overwhelmingly mediocre that you are basically scraping for words to describe it, it makes for a frustrating challenge that can cause problems for even the most seasoned of journalists. This particular conundrum came to me in the form of Twin Sister&#8217;s performance at the&#8230;]]></content>
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<title type="html">Music in Motion Series Kicks off with Freedom Rider Commemoration Concert</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154159-music-in-motion-series-kicks-off-with-freedom-rider-commemoration-co/" />
<id>tag:popmatters.com,2012:pm/post/154159-music-in-motion-series-kicks-off-with-freedom-rider-commemoration-co/15.154159</id>
<published>2012-02-06T21:00:34Z</published>
<updated>2012-02-06T21:00:34Z</updated>
<author><name>Comfort Clinton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/l/lou-reed-2012.jpg" /><br />Dailymotion, the internet&#8217;s second largest video destination, which boasts 1.2 billion video views worldwide, introduced its latest offshoot: Music in Motion on February 1st. The new music movement will emphasize pairing music with charity causes, and will feature unique artist presentations, as well as exclusive playlists created by various artists. The focus of the debut series for Music in Motion is music from protest movements, and so fittingly, Hal Willner&#8217;s Freedom Rides Concert: Music of the Civil Rights Movement inaugurates the franchise. Willner&#8217;s concert event, which took place on September 15th as a benefit for the Clinton Foundation, served to&#8230;]]></content>
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<title type="html">Sundance 2012: This year&amp;#8217;s Sundance Film Festival was a family affair</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154231-sundance-2012-this-years-sundance-film-festival-was-a-family-affair/" />
<id>tag:popmatters.com,2012:pm/article/154231-sundance-2012-this-years-sundance-film-festival-was-a-family-affair/23.154231</id>
<published>2012-02-06T17:35:28Z</published>
<updated>2012-02-06T17:35:28Z</updated>
<author><name>Colin Covert</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/sundance_film_festival3.jpg" /><br />Star Tribune (Minneapolis) (MCT) -- Winnowing thousands of entries to showcase the most significant, film festivals serve as a time capsule, focusing attention on the values and concerns of the moment. Many of the most notable entries at this year&#8217;s Sundance Film Festival, which ran Jan. 19-29, stress the primal importance of home and family. Opening-night films included &#8220;Hello I Must Be Going,&#8221; starring Melanie Lynskey as a demoralized, divorc&#233;e who moves back in with her parents and &#8220;Wish You Were Here,&#8221; an Australian suspense thriller starring Joel Edgerton as a man clinging to a shattered marriage. Family isn&#8217;t a new concept, but it seemed&#8230;]]></content>
</entry>
<entry>
<title type="html">M.I.A.&amp;#8217;s halftime gesture said to be &amp;#8216;a case of adrenaline&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154227-m.i.a.s-halftime-gesture-said-to-be-a-case-of-adrenaline/" />
<id>tag:popmatters.com,2012:pm/article/154227-m.i.a.s-halftime-gesture-said-to-be-a-case-of-adrenaline/23.154227</id>
<published>2012-02-06T14:19:06Z</published>
<updated>2012-02-06T14:19:06Z</updated>
<author><name>Todd Martens</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/m/mia-superbowl.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; In early 1989 Madonna was the center of controversy over the religious imagery in the video for her &#8220;Like A Prayer.&#8221; Twenty-two years later the song brought her Super Bowl halftime performance to an end with the all-together unifying message of &#8220;world peace,&#8221; and it was her collaborator M.I.A. who was suddenly finding herself in the center of a media fracas. The politically inclined pop star, whose real name is Maya Arulpragasam, flashed the middle finger when cameras briefly focused on her during Madonna&#8217;s halftime show, inspiring apologetic statements from NBC and the NFL. &#8220;There was a&#8230;]]></content>
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<title type="html">Super Bowl XLVI: Did This Year&amp;#8217;s Show Live Up to the Hype?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154221-super-bowl-xlvi-did-this-years-show-live-up-to-the-hype/" />
<id>tag:popmatters.com,2012:pm/post/154221-super-bowl-xlvi-did-this-years-show-live-up-to-the-hype/15.154221</id>
<published>2012-02-06T14:00:55Z</published>
<updated>2012-02-06T14:00:55Z</updated>
<author><name>Jessy Krupa</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/super-bowl-madonna.jpg" /><br /><p>Arguably the biggest sporting event of the year (sorry, Olympics!), the Super Bowl telecast is usually the highest-rated program of the year. Did this year&#8217;s show live up to the hype?</p>
Arguably the biggest sporting event of the year (sorry, Olympics!), the Super Bowl telecast is usually the highest-rated program of the year. Last year&#8217;s mix of highly hyped commercials, a modern halftime act, and an interesting match-up of teams made Super Bowl XLV the most-watched show in TV history. Therefore, all eyes were on NBC last night for Super Bowl XLVI. Did this year&#8217;s show live up to the hype? Read on to find out. Pre-Game The festivities kicked off with a good, old-fashioned country duet of &#8220;America The Beautiful&#8221; sung by Miranda Lambert and Blake Shelton. The married couple&#8230;]]></content>
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<title type="html">They Might Be Giants Slay on Tour: 28 January 2012 - Los Angeles</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154149-they-might-be-giants-slay-on-tour-28-january-2012-los-angeles/" />
<id>tag:popmatters.com,2012:pm/review/154149-they-might-be-giants-slay-on-tour-28-january-2012-los-angeles/5.154149</id>
<published>2012-02-06T07:00:03Z</published>
<updated>2012-02-06T07:00:03Z</updated>
<author><name>Melissa Bobbitt</name></author>
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<img src="http://images.popmatters.com/reviews_art/t/tmbg30thsplash.jpg" /><br /><p>Weird was good at the seminal silly band's 30th anniversary gig.</p>
It was like something out of a Charlton Heston movie. On one side of the battlefield, damn dirty apes raised their hairy fists in defiance of their human oppressors. On the opposing end, the people united to overcome this newly empowered foe. Between these warring factions patrolled a deadly laser beam that would indiscriminately slice through anything in its path. And this wasn't even the weirdest thing that happened at They Might Be Giants' 30th anniversary show. John Flansburgh and John Linnell are skilled stewards of tomfoolery. So perhaps they sing songs about their drummer's secret identity being Whitney Houston&#8230;]]></content>
</entry>
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<title type="html">The Barbaric (and Poetic) Yawp of Shelby Lynne</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154017-the-barbaric-yawp-of-shelby-lynne/" />
<id>tag:popmatters.com,2012:pm/post/154017-the-barbaric-yawp-of-shelby-lynne/27.154017</id>
<published>2012-02-03T16:00:53Z</published>
<updated>2012-02-03T16:00:53Z</updated>
<author><name>George Russell</name></author>
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<img src="http://images.popmatters.com/news_art/n/notesfromroad-shelbylynne-splsh.jpg" /><br /><p>Shelby Lynne performs live for you on 6 February 2012.</p>
Most critics interpreted Peter Weir&#8217;s Dead Poet&#8217;s Society as a mournful critique of the vitality-destroying technocratic social structure of '50s America. While it's certainly mournful, the film makes a more important, overlooked point. As John Keating leaves the classroom to his students defying their autocratic headmaster&#8217;s orders by standing on their desks, he is not leaving in wistful triumph, but utter defeat. His defeat is symbolic of the final and definitive passing of one era in human history to another. Namely, poetry had died. And with it, its ability to express the range and depth of pre-electronic human emotion. Radio,&#8230;]]></content>
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<title type="html">Bruce Springsteen and the E Street Band to perform at Grammys</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154144-bruce-springsteen-and-the-e-street-band-to-perform-at-grammys/" />
<id>tag:popmatters.com,2012:pm/article/154144-bruce-springsteen-and-the-e-street-band-to-perform-at-grammys/23.154144</id>
<published>2012-02-03T15:35:57Z</published>
<updated>2012-02-03T15:35:57Z</updated>
<author><name>Todd Martens</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/bruce-springsteen-sp2.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; The recording academy and Grammy producers have unveiled a flurry of Grammy performers this week, beginning Tuesday with a return to the stage for Adele and a Katy Perry announcement on Wednesday. Thursday, the curtain was pulled back on one of the telecast&#8217;s rock &#8216;n&#8217; roll acts: Bruce Springsteen and the E Street Band, who are gearing up for a new tour. Springsteen isn&#8217;t nominated for any new works &#8212; &#8220;The Promise: The Darkness on the Edge of Town Story&#8221; is, however, in the running for best boxed or special limited edition package &#8212; and instead has&#8230;]]></content>
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<title type="html">Jeff Mangum of Neutral Milk Hotel: 27 January 2012 - Washington D.C.</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154043-jeff-mangum-of-neutral-milk-hotel-27-january-2012-washington-d.c/" />
<id>tag:popmatters.com,2012:pm/review/154043-jeff-mangum-of-neutral-milk-hotel-27-january-2012-washington-d.c/5.154043</id>
<published>2012-02-03T07:00:04Z</published>
<updated>2012-02-03T07:00:04Z</updated>
<author><name>Corey Beasley</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/j/jeff_mangum.jpg" /><br /><p>The reclusive songwriter returns for his first tour in over a decade.</p>
It is difficult to say just how much all of this MEANS. Did you know, in my entire career as a critic of music, I have never used all caps in a review? You didn&#8217;t know it, because why would you, and I&#8217;m not sure it&#8217;s even true -- but it definitely FEELS true. Jeff Mangum playing music again is an all caps event. Mangum, the songwriting force behind Neutral Milk Hotel, last performed with that group in 1998. Since then, Neutral Milk Hotel&#8217;s second and final proper album, In the Aeroplane Over the Sea (1998), has achieved a level&#8230;]]></content>
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<title type="html">'Hotel Project': The Internationalists and Neighborhood Productions &amp;#8211; New York</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154044-hotel-project-the-internationalists-and-neighborhood-productions-new/" />
<id>tag:popmatters.com,2012:pm/review/154044-hotel-project-the-internationalists-and-neighborhood-productions-new/5.154044</id>
<published>2012-02-03T07:00:02Z</published>
<updated>2012-02-03T07:00:02Z</updated>
<author><name>Betsy Kim</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/reviews_art/h/hotel_project2.jpg" /><br /><p>My proximity to the actors heightened both the comedy and tragedy, for us all.</p>
Do you agree with the following statement? Theatre presents a special art form because of the actors' personal, intimate relationship with the audience. They share in the same, live moments, unique to that performance because every performance with a different audience is different. I've often heard or read this idea, expressed by people who work in theatre. As I felt understanding theatre largely depends upon similarities of audiences' experiences, I disagreed. Until now. If you are literally one of the lucky few who has the chance to see the site-specific performance, Hotel Project, immediately snap up your opportunity. I emphasize&#8230;]]></content>
</entry>
<entry>
<title type="html">Nneka Announces Tour + Download Remix of "My Home"</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154055-nneka-announces-tour-download-of-my-home-remix/" />
<id>tag:popmatters.com,2012:pm/post/154055-nneka-announces-tour-download-of-my-home-remix/15.154055</id>
<published>2012-02-02T19:00:44Z</published>
<updated>2012-02-02T19:00:44Z</updated>
<author><name>Sachyn Mital</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/reviews_art/n/nnekacielosplash.jpg" /><br /><p>Nneka teases a new album and offers up a remix for you to download.</p>
On January 17th, Nneka previewed a few of her new songs in New York's tiny club, Cielo. The line was long to get in when the doors opened for the free show since the bouncers were strict about checking coats. It even creating some difficulty for Nneka and her friends but it wasn't long after that she began her short, intimate performance. 

Shortly after, she announced a proper US tour to support the US release of her latest album, Soul is Heavy out at the end of February.]]></content>
</entry>
<entry>
<title type="html">Pre-Super Bowl rush maximizes advertisers&amp;#8217; reach but sacks viewers&amp;#8217; sense of surprise</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154089-pre-super-bowl-rush-maximizes-advertisers/" />
<id>tag:popmatters.com,2012:pm/article/154089-pre-super-bowl-rush-maximizes-advertisers/23.154089</id>
<published>2012-02-02T18:35:47Z</published>
<updated>2012-02-02T18:35:47Z</updated>
<author><name>Steve Johnson</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/super-bowl-2012.jpg" /><br />Chicago Tribune (MCT) -- Here&#8217;s a new thought: Will the Super Bowl, the culmination of months of planning, research and spending, be kind of an anticlimax? By the time the game airs Sunday on NBC, most everybody who really wants to will have seen the event&#8217;s most anticipated advertisement, Volkswagen&#8217;s follow-up to the peewee Darth Vader-starring,&#8221;Star Wars&#8221;-themed commercial that topped most ratings of the ads that aired during last year&#8217;s big game. In the belief that the game is now just a point on the marketing continuum, VW planned to release the ad Wednesday morning, letting the world know just how dogs and &#8220;Star&#8230;]]></content>
</entry>
<entry>
<title type="html">J&amp;#243;hann J&amp;#243;hannsson &amp; Wordless Music Orchestra Perform 'The Miners' Hymns'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154047-johann-johannsson-wordless-music-orchestra-perform-the-miners-hymns/" />
<id>tag:popmatters.com,2012:pm/post/154047-johann-johannsson-wordless-music-orchestra-perform-the-miners-hymns/27.154047</id>
<published>2012-02-02T16:30:00Z</published>
<updated>2012-02-02T16:30:00Z</updated>
<author><name>Sachyn Mital</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/reviews_art/j/jjminershymnsplash.jpg" /><br /><p>A rare, live performance of <i>The Miners' Hymns</i>.</p>
Last year, I attended a screening of The Miners' Hymns during the Tribeca Film Festival. I was drawn to Bill Morrison&#8217;s silent film because Iceland&#8217;s J&#243;hann J&#243;hannsson composed the original score. The music suited the film well -- I wrote &#8220;Morrison&#8217;s curation is aided by J&#243;hannsson&#8217;s dignified composition to majestically illuminate a more universal message&#8221; -- but did not render as resounding an impact as normally occurring in J&#243;hannsson&#8217;s separate work. The sound was guided by the narrative and constrained by the movie theater&#8217;s speakers. This year, J&#243;hannsson was making one of his infrequent and brief trips to the United&#8230;]]></content>
</entry>
<entry>
<title type="html">Common and Atmosphere Make Freezing History at Colorado&amp;#8217;s Red Rocks</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154041-winter-on-the-rocks-27-january-2012-red-rocks-park/" />
<id>tag:popmatters.com,2012:pm/review/154041-winter-on-the-rocks-27-january-2012-red-rocks-park/5.154041</id>
<published>2012-02-02T07:00:04Z</published>
<updated>2012-02-02T07:00:04Z</updated>
<author><name>Matt Farley</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/reviews_art/w/wotrsplash.jpg" /><br /><p>Minneapolis indie rap crew Atmosphere seemed an iffy choice to headline the landmark show, but the capacity crowd welcomed the group as if they were a St. Bernard carrying the world&#8217;s largest brandy cask.</p>
In more than a century of live events, Colorado&#8217;s Red Rocks Amphitheatre had never put on an official winter show before this year. So when the venue announced Icelantic&#8217;s Winter on the Rocks, a January concert featuring Atmosphere and Common, rap fans weren&#8217;t the only ones marking their calendars. Given Denver&#8217;s boundless love of Red Rocks, inclement weather and oddball hip-hop, perhaps the biggest surprise is that the event didn&#8217;t happen sooner. But even among the most diehard of snow bunnies, you could sense some quiet hesitation. There&#8217;s a reason Red Rocks takes the winter off, and it is called&#8230;]]></content>
</entry>
<entry>
<title type="html">David Lee Roth is on the loose with Van Halen on album and tour</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154027-david-lee-roth-is-on-the-loose-with-van-halen-on-album-and-tour/" />
<id>tag:popmatters.com,2012:pm/article/154027-david-lee-roth-is-on-the-loose-with-van-halen-on-album-and-tour/23.154027</id>
<published>2012-02-01T18:35:32Z</published>
<updated>2012-02-01T18:35:32Z</updated>
<author><name>Geoff Boucher</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/v/van-halen.jpg" /><br />Los Angeles Times (MCT) -- PASADENA, Calif. &#8212; It&#8217;s an old joke, but when David Lee Roth delivers the punch line it sounds more like a mission statement: &#8220;How many lead singers does it take to put in a lightbulb? One. You hold the bulb and wait for the world to revolve around you.&#8221; Missing from the joke is how the singer is left standing there in the dark waiting for his proper wattage. On Feb. 7, Interscope Records will release &#8220;A Different Kind of Truth&#8221; and, as the world turns, it will represent the first Van Halen studio album featuring Roth as lead singer&#8230;]]></content>
</entry>
<entry>
<title type="html">Musical amateurs and big-names stars perform at Sundance in hopes of landing gigs in film projects</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154028-musical-amateurs-and-big-names-stars/" />
<id>tag:popmatters.com,2012:pm/article/154028-musical-amateurs-and-big-names-stars/23.154028</id>
<published>2012-02-01T15:35:33Z</published>
<updated>2012-02-01T15:35:33Z</updated>
<author><name>Amy Kaufman</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/sundance_film_festival3.jpg" /><br />Los Angeles Times (MCT) -- PARK CITY, Utah &#8212; Singer-songwriter Erin Barra shelled out around $4,000 to travel to the Sundance Film Festival this month. The 26-year-old had to pay her own way from New York City, plus cover expenses for her tour manager and the two musicians who accompanied her to Utah. She hired a publicist to help her get local press, even though only one of the six shows the Salt Lake City native booked in her home state was a paying gig. &#8220;If I can meet somebody out there who puts music into film and we develop a relationship, then the investment&#8230;]]></content>
</entry>
<entry>
<title type="html">Adele will perform at the Grammys</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154031-adele-will-perform-at-the-grammys/" />
<id>tag:popmatters.com,2012:pm/article/154031-adele-will-perform-at-the-grammys/23.154031</id>
<published>2012-02-01T13:50:39Z</published>
<updated>2012-02-01T13:50:39Z</updated>
<author><name>Todd Martens</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/a/adele4.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Sidelined since early October to deal with vocal cord trauma, British singer Adele will return to performing shape at the Feb. 12 Grammy Awards. Whether the artist would be cleared to sing after undergoing November surgery had remained one of the biggest questions heading into the ceremony, to be held at Staples Center in downtown Los Angeles. Yet the Recording Academy put speculation that Adele would sing on the telecast to bed Tuesday morning, announcing that the singer would perform for the first time in nearly five months on the Grammy stage. &#8220;It&#8217;s an absolute honor to&#8230;]]></content>
</entry>
<entry>
<title type="html">Antony &amp; the Johnsons: 'Swanlights' with Symphony Orchestra: 26 January 2011 - New York</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/153908-antony-the-johnsons/" />
<id>tag:popmatters.com,2012:pm/review/153908-antony-the-johnsons/5.153908</id>
<published>2012-02-01T07:00:03Z</published>
<updated>2012-02-01T07:00:03Z</updated>
<author><name>Maria Schurr</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/reviews_art/a/antony_012612_095w.jpg" /><br /><p>Thank a higher power that Antony is a singular artist; if every singer-songwriter were to undertake similar projects, <i>Swanlights</i> would have not have been nearly as special.</p>
When Antony Hegarty finally spoke at the outset of his awe-inspiring Swanlights performance at Manhattan&#8217;s Radio City Music Hall on January 26th, his first words were, &#8220;Well that&#8217;s the bulk of the show over; I&#8217;m so fucking glad!&#8221;. Any conscious person in attendance would have been a fool to disagree. The rapt state of the Swanlights spectators all but enhanced the power of Antony&#8217;s performance. Although the hour and a half long piece -- performed with the 60-piece Johnsons Orchestra before a sold-out audience -- appeared seamless, the handiwork, ambition, and planning that went into the production was deeply felt.&#8230;]]></content>
</entry>
<entry>
<title type="html">Heavyweight acts figure to make 2012 a big concert year</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153957-heavyweight-acts-figure-to-make-2012-a-big-concert-year/" />
<id>tag:popmatters.com,2012:pm/article/153957-heavyweight-acts-figure-to-make-2012-a-big-concert-year/23.153957</id>
<published>2012-01-31T21:35:10Z</published>
<updated>2012-01-31T21:35:10Z</updated>
<author><name>Randy Lewis</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/bruce-springsteen-sp2.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Promoters of the Coachella Valley Music and Arts Festival raised eyebrows in the concert business last fall when they decided to clone the three-day gathering and make it a six-day, two-weekend affair, but doubters fell silent as tickets sold out shortly after going on sale earlier this month. And that&#8217;s not the half of it. &#8220;There were enough buyers in queue online that we probably could have added two more Coachella weekends and another Stagecoach weekend,&#8221; said Randy Phillips, president of AEG Live, the concert promotion giant that works in conjunction with Goldenvoice to put Coachella and&#8230;]]></content>
</entry>
<entry>
<title type="html">Curiosity drives Madonna, with new film, album and Super Bowl show</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153940-curiosity-drives-madonna-with-new-film-album-and-super-bowl-show/" />
<id>tag:popmatters.com,2012:pm/article/153940-curiosity-drives-madonna-with-new-film-album-and-super-bowl-show/23.153940</id>
<published>2012-01-31T20:35:57Z</published>
<updated>2012-01-31T20:35:57Z</updated>
<author><name>Rebecca Keegan</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/m/madonna_we.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; On a fall afternoon in New York&#8217;s Central Park, hundreds of curious onlookers and paparazzi watched as two comely young actresses, Abbie Cornish and Andrea Riseborough, performed a scene on a park bench. When a rock band sound check across the park disrupted the scene, the movie&#8217;s director trotted off to ask the band for a reprieve. &#8220;The entirety of Central Park followed her,&#8221; said Riseborough, &#8220;and left Abbie and I sitting on the bench, at which point we just looked at each other like, &#8216;Well, this obviously isn&#8217;t where it&#8217;s happening.&#8217;&#8221; That filmmaker has held crowds&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance 2012: Documentary bears witness to the breakup of LCD Soundsystem</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153945-sundance-2012-documentary-bears-witness-to-the-breakup-of-lcd-sounds/" />
<id>tag:popmatters.com,2012:pm/article/153945-sundance-2012-documentary-bears-witness-to-the-breakup-of-lcd-sounds/23.153945</id>
<published>2012-01-31T19:35:37Z</published>
<updated>2012-01-31T19:35:37Z</updated>
<author><name>Steven Zeitchik</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/shut-up-and-play-the-hits.jpg" /><br />Los Angeles Times -- PARK CITY, Utah &#8212; Rock stars tend to exit the public stage in one of two ways: with a burst of drama or by fading away on sad-sack tours. James Murphy, the elusive frontman of the indie-rock band LCD Soundsystem, tried a third way: retiring on top. In February 2011, with the band&#8217;s internal dynamics smooth and commercial fortune smiling upon it, Murphy, for seemingly no good reason, announced that he was breaking up the group. He made one last media appearance (on Comedy Central&#8217;s &#8220;The Colbert Report&#8221;), played a final show at Madison Square Garden and called it a&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance 2012: From &amp;#8216;Beasts&amp;#8217; to &amp;#8216;Ice,&amp;#8217; wonder wins out at Sundance</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153947-sundance-2012-from-beasts-to-ice-wonder-wins-out-at-sundance/" />
<id>tag:popmatters.com,2012:pm/article/153947-sundance-2012-from-beasts-to-ice-wonder-wins-out-at-sundance/23.153947</id>
<published>2012-01-31T14:35:38Z</published>
<updated>2012-01-31T14:35:38Z</updated>
<author><name>Kenneth Turan</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/beasts_of_the_southern_wild.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Every year the story is the same: Sundance satisfies and disappoints in equal measure, depending on how you look at it. It disappoints because the spirit of this film festival is uncompromisingly messianic, determined to persuade you that each and every film it shows is a wonder of the age. Maybe, but maybe not. That passion extends to the proliferation of awards, which in this year&#8217;s Saturday night ceremony in Park City, Utah, threatened to reach astronomical proportions. Twenty-eight were handed out that night, not to mention the previously announced Alfred P. Sloan prize for science and&#8230;]]></content>
</entry>
<entry>
<title type="html">Fashion risk-takers steal the show at SAG Awards</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153956-fashion-risk-takers-steal-the-show-at-sag-awards/" />
<id>tag:popmatters.com,2012:pm/article/153956-fashion-risk-takers-steal-the-show-at-sag-awards/23.153956</id>
<published>2012-01-31T14:27:22Z</published>
<updated>2012-01-31T14:27:22Z</updated>
<author><name>Booth Moore</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/e/enter_sag-awards_76_la.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; The style stakes are heating up this red carpet season, and at the SAG Awards on Sunday night, it was the risks that paid off. The sea of sameness we saw at the Golden Globes gave way to major individualized fashion statements. Emma Stone&#8217;s dress &#8212; by Sarah Burton for Alexander McQueen &#8212; was a total knockout because of its &#8220;exploding lace&#8221; bustier, as the fashion house describes it; and the fresh, mid-calf length, all the better to showcase a killer pair of peep-toe shoes. Michelle Williams&#8217; red Valentino gown was distinguished by the twist of a&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;The Help&amp;#8217; wins big at SAG Awards</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153905-the-help-wins-big-at-sag-awards/" />
<id>tag:popmatters.com,2012:pm/article/153905-the-help-wins-big-at-sag-awards/23.153905</id>
<published>2012-01-30T14:14:04Z</published>
<updated>2012-01-30T14:14:04Z</updated>
<author><name>Nicole Sperling</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/t/the-help-poster.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; The Screen Actors Guild handed out three of its five film awards Sunday night to performers in the 1960s civil rights drama &#8220;The Help,&#8221; injecting a little excitement into the Oscar race. The cast of the film received the group&#8217;s top honor, the SAG ensemble award. Viola Davis was named best lead actress and Octavia Spencer best supporting actress for their roles as black maids in the adaptation of the best-selling novel by Kathryn Stockett. The triumph of &#8220;The Help&#8221; was seen as a bit of a setback for &#8220;The Artist,&#8221; an homage to the black-and-white films&#8230;]]></content>
</entry>
<entry>
<title type="html">Slamdance 2012 Announces Winners</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/153830-slamdance-2012-announces-winners/" />
<id>tag:popmatters.com,2012:pm/post/153830-slamdance-2012-announces-winners/15.153830</id>
<published>2012-01-27T23:45:50Z</published>
<updated>2012-01-27T23:45:50Z</updated>
<author><name>Comfort Clinton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/slamdance2012.jpg" /><br /><p>Slamdance Film Festival, begun in 1995, has become a yearly event, taking place, &#8220;coincidentally&#8221;, at the exact same time as Sundance, in scenic Park City, Utah.</p>
Sometimes rejection is the best motivator. This was certainly the case for filmmakers Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter, who took their rejection from the Sundance Film Festival and channeled it into the creation of their own, alternative film festival. Slamdance Film Festival, begun in 1995, has become a yearly event, taking place, &#8220;coincidentally&#8221;, at the exact same time as Sundance, in scenic Park City, Utah. Run and operated with the mantra of &#8220;by filmmakers, for filmmakers&#8221; in mind, the Festival, which aims to showcase truly independent films, has drawn quite a following in its 18 years&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance 2012: &amp;#8216;For Ellen&amp;#8217; director So Yong Kim takes on family troubles</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153784-for-ellen-director-so-yong-kim-takes-on-family-troubles/" />
<id>tag:popmatters.com,2012:pm/article/153784-for-ellen-director-so-yong-kim-takes-on-family-troubles/23.153784</id>
<published>2012-01-27T15:35:31Z</published>
<updated>2012-01-27T15:35:31Z</updated>
<author><name>Kenneth Turan</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/for_ellen1.jpg" /><br />Los Angeles Times (MCT) -- PARK CITY, Utah &#8212; Have breakfast with writer-director So Yong Kim, tell her how remarkable her new film is, and you&#8217;ll see her put her menu in front of her face in embarrassment. But hearing compliments on the quietly exquisite &#8220;For Ellen&#8221; is something the filmmaker is going to have to get used to. It&#8217;s that good. The film, which premiered at the Sundance Film Festival this week, stars an excellent Paul Dano as the hard-edged and distraught Joby, a twenty-something hipster rock performer who&#8217;s lived only for his music and, on the verge of an unavoidable divorce, has to&#8230;]]></content>
</entry>
<entry>
<title type="html">Unknown Mortal Orchestra&amp;#8217;s Video for "Thought Ballune" + Tour Schedule</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/153491-unknown-mortal-orchestras-video-for-thought-ballune-plus-tour-schedu/" />
<id>tag:popmatters.com,2012:pm/post/153491-unknown-mortal-orchestras-video-for-thought-ballune-plus-tour-schedu/15.153491</id>
<published>2012-01-27T13:59:59Z</published>
<updated>2012-01-27T13:59:59Z</updated>
<author><name>Jane Jansen Seymour</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/u/unknown_mortal_orchestra1.jpg" /><br />Portland's psych rock trio Unknown Mortal Orchestra recently released a video for &#8220;Thought Ballune", co-directed by Jordan Blady and Ryan Knowles. This laid-back dance track gets a creepy house party treatment, which brings an added element to the song amidst a dingy setting. The song off a self-titled debut may have been created by New Zealand native Ruban Nielson&#8217;s home studio, but he told Rolling Stone that he didn&#8217;t want to go out on the road with a &#8220;totally substandard&#8221; live show. &#8220;I wanted people to be surprised at how good we were, not how bad we were.&#8221; Nielson begins&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance 2012: Comedies showcase women behaving badly</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153753-sundance-2012-comedies-showcase-women-behaving-badly/" />
<id>tag:popmatters.com,2012:pm/article/153753-sundance-2012-comedies-showcase-women-behaving-badly/23.153753</id>
<published>2012-01-26T16:35:05Z</published>
<updated>2012-01-26T16:35:05Z</updated>
<author><name>Steven Zeitchik</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/bachelorette.jpg" /><br />Los Angeles Times (MCT) -- PARK CITY, Utah &#8212; Dramas at the Sundance Film Festival for a long time came in two shades &#8212; dark and darker. At this year&#8217;s gathering, though, filmgoers are being treated to a cluster of very different movies: risque, female-driven comedies that would make the women of &#8220;Bridesmaids&#8221; proud &#8212; or blush. A film about three young women indulging in drugs and all manner of debauchery before the wedding of a disliked high school classmate? Check. A sometimes off-color look at two sisters with differing attitudes toward monogamy? Certainly. Two financially desperate twentysomethings who start a phone sex line from&#8230;]]></content>
</entry>
<entry>
<title type="html">Grammy nominee&amp;#8217;s social networking sparks controversy</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153752-grammy-nominees-social-networking-sparks-controversy/" />
<id>tag:popmatters.com,2012:pm/article/153752-grammy-nominees-social-networking-sparks-controversy/23.153752</id>
<published>2012-01-26T15:29:20Z</published>
<updated>2012-01-26T15:29:20Z</updated>
<author><name>Dan DeLuca</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/g/grammys3.jpg" /><br />The Philadelphia Inquirer (MCT) -- PHILADELPHIA &#8212; On the November night that nominations were announced on television for the 2011 Grammy Awards, Linda Chorney had a party at her house. Not that the 51-year-old songwriter from Sea Bright, N.J., seriously believed she would hear her name called. Sure, she had actively campaigned for her album, &#8220;Emotional Jukebox,&#8221; in the best Americana album category. And she had even taken the time to use Grammy365, a Facebook-like social-networking tool set up by the National Academy of Recording Arts & Sciences, to write to 1,500 members. But when she considered the competition &#8212; a field of 165 potential&#8230;]]></content>
</entry>
<entry>
<title type="html">Angels and Airwaves Bring Soaring Anthems to Hollywood</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/153718-angels-and-airwaves-bring-soaring-anthems-to-hollywood/" />
<id>tag:popmatters.com,2012:pm/review/153718-angels-and-airwaves-bring-soaring-anthems-to-hollywood/5.153718</id>
<published>2012-01-26T14:38:31Z</published>
<updated>2012-01-26T14:38:31Z</updated>
<author><name>Melissa Bobbitt</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/reviews_art/a/ava155splash.jpg" /><br /><p>The Blink-182 side project is shiny but lacks that certain something in a concert setting.</p>
The side project of Blink-182's guitarist and vocalist Tom DeLonge might as well be called Egos and Airwaves. Pomp, given the circumstances, absolutely enthralled the huddled masses of hoodie-wearing youth at the Avalon on January 23rd. But deep within the object of these kids' adoration lives an extremely vulnerable front man. The immensity of Angels and Airwaves' sound greatly complements the bigheadedness of DeLonge. Forget moving mountains; he'll move planets if it means he can bask more easily in the neon spotlight. This band, referred to as AvA by its minions (a nod to the singer's daughter Ava), is a&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance Film Festival is a lavish scene for on-screen struggles</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153711-sundance-film-festival-is-a-lavish-scene-for-on-screen-struggles/" />
<id>tag:popmatters.com,2012:pm/article/153711-sundance-film-festival-is-a-lavish-scene-for-on-screen-struggles/23.153711</id>
<published>2012-01-25T21:35:08Z</published>
<updated>2012-01-25T21:35:08Z</updated>
<author><name>John Horn and Steven Zeitchik</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/sundance_film_festival3.jpg" /><br />Los Angeles Times (MCT) -- PARK CITY, Utah &#8212; Step inside any theater at the Sundance Film Festival this week and you&#8217;ll find directors unspooling tales of economic despair, food shortages, collapsing healthcare and a broken justice system. But if the troubles of so many American have-nots leave you in the dumps, the festival&#8217;s corporate hangers-on have just the cure: endless canapes, on-the-house snow boots and iPads, and enough Grey Goose vodka, Sugar lip exfoliations and Paul Mitchell hairstyling touch-ups to make you feel like a million bucks. Over the last 10 years at the nation&#8217;s top festival for independent film there has been a&#8230;]]></content>
</entry>
<entry>
<title type="html">Oscars 2012: This time at the Oscars, comedies have reason to smile</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153704-this-time-at-the-oscars-comedies-have-reason-to-smile/" />
<id>tag:popmatters.com,2012:pm/article/153704-this-time-at-the-oscars-comedies-have-reason-to-smile/23.153704</id>
<published>2012-01-25T20:35:10Z</published>
<updated>2012-01-25T20:35:10Z</updated>
<author><name>Geoff Boucher</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/m/midnight_in_paris2.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Fans of comedy could look at the 84th Academy Awards nominations and debate whether the seltzer bottle is half-full or half-empty. Half-full: The comedies &#8220;Midnight in Paris&#8221; and &#8220;Bridesmaids&#8221; combined for six nominations while &#8220;The Artist,&#8221; a romance with a light touch, piled up 10 nominations on its own, including best film, director, lead actor, supporting actress and original screenplay. Half-empty: The crowd-pleaser &#8220;Bridesmaids&#8221; was left standing at the altar in the best-picture race even as &#8220;Extremely Loud & Incredibly Close&#8221; &#8212; a Sept. 11 drama jeered by many critics &#8212; sneaked in. Also, the edgy comedies&#8230;]]></content>
</entry>
<entry>
<title type="html">Oscars 2012: If LeBron can do it, why not the academy?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153706-oscars-2012-if-lebron-can-do-it-why-not-the-academy/" />
<id>tag:popmatters.com,2012:pm/article/153706-oscars-2012-if-lebron-can-do-it-why-not-the-academy/23.153706</id>
<published>2012-01-25T18:35:25Z</published>
<updated>2012-01-25T18:35:25Z</updated>
<author><name>Patrick Goldstein</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/o/oscars12.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; If the motion picture academy is really serious about improving its sagging TV ratings and transforming itself into a 21st century brand, it needs to start by giving a radical face-lift to Oscar nomination day. It&#8217;s hard to believe, in an era when nearly every media event imaginable is presented on prime-time TV, that the Oscar nominations, which in many ways offer far more snubs and surprises than the actual awards, are still being announced at 5:30 a.m. Pacific time in a presentation that had all the charm of a middle school assembly. This year we saw&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance 2012: Ben Lewin has a witty, sexually charged film to screen in &amp;#8216;The Surrogate&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153707-ben-lewin-has-a-witty-sexually-charged-film-to-screen-in-the-surroga/" />
<id>tag:popmatters.com,2012:pm/article/153707-ben-lewin-has-a-witty-sexually-charged-film-to-screen-in-the-surroga/23.153707</id>
<published>2012-01-25T16:35:39Z</published>
<updated>2012-01-25T16:35:39Z</updated>
<author><name>John Horn</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/t/the_surrogate.jpg" /><br />Los Angeles Times (MCT) -- PARK CITY, Utah &#8212; The Sundance Film Festival is famous for discovering fresh talent: Steven Soderbergh, Quentin Tarantino and Carey Mulligan among them. But one of the writer-directors most likely to make waves at this year&#8217;s festival hardly fits the mold. He&#8217;s 65-year-old Ben Lewin, a TV veteran whose last narrative film credit came 18 years ago. Lewin&#8217;s &#8220;The Surrogate,&#8221; which premiered Monday, is an affecting drama about a middle-aged disabled man who wants to lose his virginity, and anyone who sees it would scarcely guess that its author is of a certain age. The movie is filled with sharp&#8230;]]></content>
</entry>
<entry>
<title type="html">'Portlandia' The Tour: 20 January 2012 - Brooklyn, NY</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/153591-portlandia-the-tour-20-january-2012-brooklyn-ny/" />
<id>tag:popmatters.com,2012:pm/post/153591-portlandia-the-tour-20-january-2012-brooklyn-ny/27.153591</id>
<published>2012-01-25T16:00:58Z</published>
<updated>2012-01-25T16:00:58Z</updated>
<author><name>Jane Jansen Seymour</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/reviews_art/p/portlandia-bklyn-17.jpg" /><br /><p>Television comes to life on stage in similar surroundings.</p>
Portlandia The Tour stopped by a parallel universe at the Music Hall of Williamsburg on January 20 to present the live version of this cult hit on IFC. Portlandia has just started its second season, continuing on with a wide variety of recurring characters and quirky tag phrases. Starring the new comedy team of Fred Armisen (SNL) and Carrie Brownstein, the show provided fans with an up close and personal evening of bonding over this left-wing brand of bohemian skewering, which somehow never manages to cross over into pure malice. With the pair&#8217;s background in punk rock bands, there's always&#8230;]]></content>
</entry>
<entry>
<title type="html">Phenomenal Doc 'Senna' at Maysles Cinema on 25 January</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/153682-phenomenal-doc-senna-at-maysles-cinema-on-25-january/" />
<id>tag:popmatters.com,2012:pm/post/153682-phenomenal-doc-senna-at-maysles-cinema-on-25-january/15.153682</id>
<published>2012-01-25T14:07:02Z</published>
<updated>2012-01-25T14:07:02Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/senna1.jpg" /><br />Ayrton Senna was a star. As recounted in Asif Kapadia's terrific documentary, the Formula One driver was not only skilled and daring, but also charismatic and thoughtful. The film begins as he arrives from Brazil for the first time in Europe to compete in goo-kart races, and immediately draws attention, from other racers as well as media. "It was pure driving, pure racing," he says in an interview at the time, 1978. "There wasn&#8217;t any politics involved in it, no money involved either. Like it was real racing." The film goes on to consider the many ways that politics manifest&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance 2012: Spike Lee film polarizes Sundance festival</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153657-sundance-2012-spike-lee-film-polarizes-sundance-festival/" />
<id>tag:popmatters.com,2012:pm/article/153657-sundance-2012-spike-lee-film-polarizes-sundance-festival/23.153657</id>
<published>2012-01-24T17:35:36Z</published>
<updated>2012-01-24T17:35:36Z</updated>
<author><name>Steven Zeitchik</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/r/red_hook_summer.jpg" /><br />Los Angeles Times (MCT) -- PARK CITY, Utah &#8212; Spike Lee prompted a squall of controversy at the Sundance Film Festival when he accused the Hollywood studios of &#8220;know(ing) nothing about black people&#8221; after a screening of his new film, which polarized audiences and critics. Lee&#8217;s movie, &#8220;Red Hook Summer,&#8221; which he directed and co-wrote, is about an Atlanta boy who goes to live with his preacher grandfather in a Brooklyn housing project one summer. It had its world premiere here Sunday night, followed by a question-and-answer session with filmmakers. Asked by actor-comedian Chris Rock, who was seated in the audience, if his movie would&#8230;]]></content>
</entry>
<entry>
<title type="html">Politics set aside for Haiti&amp;#8217;s International Jazz Festival</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153656-politics-set-aside-for-haitis-international-jazz-festival/" />
<id>tag:popmatters.com,2012:pm/article/153656-politics-set-aside-for-haitis-international-jazz-festival/23.153656</id>
<published>2012-01-24T15:35:02Z</published>
<updated>2012-01-24T15:35:02Z</updated>
<author><name>Jacqueline Charles</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/h/haitis_international_jazz_festival.jpg" /><br />McClatchy Newspapers (MCT) -- PORT-AU-PRINCE, Haiti &#8212; The improvised scales of the soprano saxophone dance off the soundproof walls, creating a mosaic of sound fused by African and Haitian rhythms. This melange of Caribbean, American and European cultures is not what one immediately associates with Haiti, an island nation known for chaos and konpa , the slow, timed Haitian meringue swayed by horns and electronic keyboards. But the introduction of Creole jazz, and its growing popularity, represents part of this nation&#8217;s cultural rebirth. Here, inside a gingerbread architecture-inspired French cultural center rebuilt after the earthquake near the ruins of downtown, Creole jazz is having&#8230;]]></content>
</entry>
<entry>
<title type="html">Frostbite Roulette at Winter on the Rocks</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/153415-frostbite-roulette-at-winter-on-the-rocks/" />
<id>tag:popmatters.com,2012:pm/post/153415-frostbite-roulette-at-winter-on-the-rocks/15.153415</id>
<published>2012-01-24T15:05:51Z</published>
<updated>2012-01-24T15:05:51Z</updated>
<author><name>Jonathan Kosakow</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/a/atmosphere1.jpg" /><br />January in Colorado, to anyone who doesn&#8217;t live on the front range of the Rocky Mountains, seems like the coldest and stupidest time to be outside listening to music. But if you spend some time in or around Denver, you&#8217;ll know that&#8217;s not true. It might snow a foot on Monday, and hover between eight and ten degrees on Tuesday, but Wednesday, Thursday and Friday still have a chance of hitting 60. In fact, the entire winter is like one long game of frostbite roulette. On January 27, the first ever winter concert at the open air, naturally formed Red&#8230;]]></content>
</entry>
<entry>
<title type="html">10 reasons to watch the Oscars</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153655-10-reasons-to-watch-the-oscars/" />
<id>tag:popmatters.com,2012:pm/article/153655-10-reasons-to-watch-the-oscars/23.153655</id>
<published>2012-01-24T14:35:20Z</published>
<updated>2012-01-24T14:35:20Z</updated>
<author><name>Barry Koltnow</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/blog_art/o/oscars2011new1.jpg" /><br />The Orange County Register (MCT) -- Now that the silly Golden Globes are over, we can get down to the serious business of frivolity. In other words, it&#8217;s time to start discussing the Oscars. Before you know it, it will be Feb. 26, and you&#8217;ll be sitting in front of the television and screaming to anyone who will listen that you can&#8217;t believe those morons in Hollywood actually gave the best picture Oscar to a black-and-white silent movie with French people in it. This is not going to be a popular opinion &#8212; given many American&#8217;s distaste for black-and-white movies, silent movies and French movies &#8212;&#8230;]]></content>
</entry>
<entry>
<title type="html">I, Elizabeth: Metropolitan Ensemble Theatre - Kansas City, MO</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/153582-i-elizabeth-metropolitan-ensemble-theatre-kansas-city-mo/" />
<id>tag:popmatters.com,2012:pm/review/153582-i-elizabeth-metropolitan-ensemble-theatre-kansas-city-mo/5.153582</id>
<published>2012-01-24T07:00:03Z</published>
<updated>2012-01-24T07:00:03Z</updated>
<author><name>William Carl Ferleman</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/reviews_art/e/elizabeth1kc.jpg" /><br /><p>The talented actress Rebecca Vaughan studied the more troubled, realistic, autocratic, sectarian, personal, and paranoid aspects of Queen Elizabeth I.</p>
Recently, Kim Jong-il -- the Dear Leader -- passed into blessed oblivion. Subsequently, two important matters struck me: that both totalitarianism and theocracy are still, alas, alive and well. (And George Orwell found no distinction between the two).This presumed modern world simply accepts these malignancies on the stage. China, Iran, Syria, North Korea, Russia, and arguably the U.S., continue the proud tradition of sectarian-autocratic rule. In the &#8220;Christian nation&#8221;: The Patriot Act, covert prisons, &#8220;enhanced interrogation&#8221;, censorship, nukes, drones, empire. What a total answer to it all? But Queen Elizabeth I and Mr. Kim, in fact, had a great deal&#8230;]]></content>
</entry>
<entry>
<title type="html">Bruce Springsteen's "We Take Care of Our Own" from 'Wrecking Ball'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/153455-bruce-springsteens-we-take-care-of-our-own-from-wrecking-ball/" />
<id>tag:popmatters.com,2012:pm/post/153455-bruce-springsteens-we-take-care-of-our-own-from-wrecking-ball/15.153455</id>
<published>2012-01-23T20:00:00Z</published>
<updated>2012-01-23T20:00:00Z</updated>
<author><name>Sachyn Mital</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/reviews_art/s/springsteentcooo.jpg" /><br />The Boss has an announcement. Bruce Springsteen is releasing a new album (his 17th), Wrecking Ball on Columbia Records in March (5th March UK, 6th March US). The album will was produced by Ron Aniello with Springsteen and includes appearances from Rage Against the Machine's Tom Morello and former Pearl Jam member, Matt Chamberlain as well as members of the E Street Band. To coincide with the album, Springsteen has also announced a European Tour with plans for a US tour to come. He'll be stopping by SXSW as a keynote speaker before then. And out now, is the lyric&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance 2012: From shaky premise came candid film &amp;#8216;The Queen of Versailles&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153585-sundance-2012-from-shaky-premise-came-candid-film-the-queen-of-versa/" />
<id>tag:popmatters.com,2012:pm/article/153585-sundance-2012-from-shaky-premise-came-candid-film-the-queen-of-versa/23.153585</id>
<published>2012-01-23T18:35:10Z</published>
<updated>2012-01-23T18:35:10Z</updated>
<author><name>Kenneth Turan</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/q/queen_of_versailles.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; &#8220;In a way, it wasn&#8217;t a very good idea for a film,&#8221; Lauren Greenfield says, looking back. &#8220;I liked them and was fascinated but there wasn&#8217;t a story there. It was foolhardy to begin.&#8221; But as a celebrated Los Angeles-based photographer and a documentary director (&#8220;Thin,&#8221; &#8220;Kids + Money&#8221;), Greenfield has always followed her instincts, and they led her to David and Jackie Siegel, the protagonists of &#8220;The Queen of Versailles,&#8221; Greenfield&#8217;s candid and unsettling new film that was the opening documentary at the Sundance Film Festival on Thursday night. Jackie was the 43-year-old former beauty queen&#8230;]]></content>
</entry>
<entry>
<title type="html">Ryan Adams Offers Up New Video, "Chains of Love"</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/153418-ryan-adams-new/" />
<id>tag:popmatters.com,2012:pm/post/153418-ryan-adams-new/15.153418</id>
<published>2012-01-23T18:00:40Z</published>
<updated>2012-01-23T18:00:40Z</updated>
<author><name>Jonathan Kosakow</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/r/ryan_adams_2011.jpg" /><br />With his first truly exciting album in a number of years, and a tour on the way, Ryan Adams is making the most of his time right now. His 2011 album Ashes and Fire was highly regarded as one of the best records of the year, and his sold out, intimate shows late last year made him seem like less of a commodity than a rare stone. He just released his second video for the new single "Chains of Love" off Ashes, in advance of his tour, which begins on January 24. Check out the video and tour dates, below.]]></content>
</entry>
<entry>
<title type="html">Oscars 2012: George Clooney vs. Brad Pitt?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153583-oscars-2012-george-clooney-vs.-brad-pitt/" />
<id>tag:popmatters.com,2012:pm/article/153583-oscars-2012-george-clooney-vs.-brad-pitt/23.153583</id>
<published>2012-01-23T16:35:34Z</published>
<updated>2012-01-23T16:35:34Z</updated>
<author><name>Moira Macdonald</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/film-descendants-splsh.jpg" /><br />The Seattle Times (MCT) -- SEATTLE &#8212; On Tuesday, a lot of people &#8212; in Hollywood, and elsewhere &#8212; will be waking up early. The Oscar nominations will be announced at the ungodly hour of 5:30 a.m. Pacific time (8:30 EST) by actress Jennifer Lawrence (a nominee last year for &#8220;Winter&#8217;s Bone,&#8221; and star of the upcoming &#8220;The Hunger Games&#8221;) and Academy of Motion Picture Arts and Sciences president Tom Sherak. What names will be called? Who&#8217;ll be this year&#8217;s biggest snub? (Last year, in my book, it was Christopher Nolan being left off the director list for &#8220;Inception.&#8221;) Who&#8217;ll surprise? Who&#8217;ll make the most&#8230;]]></content>
</entry>
<entry>
<title type="html">'Space Coast' at The DocYard in Boston on 23 January</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/153580-space-coast-at-the-docyard-in-boston-on-23-january/" />
<id>tag:popmatters.com,2012:pm/post/153580-space-coast-at-the-docyard-in-boston-on-23-january/15.153580</id>
<published>2012-01-23T14:36:35Z</published>
<updated>2012-01-23T14:36:35Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/space_coast.jpg" /><br /><p>The DocYard in Boston showcases "what is innovative, interesting, and inspiring in documentary." <i>Space Coast</i> is all of that.</p>
"Here's me in pink stretch pants," notes Mary Bubb. She's a space reporter in Cape Canaveral, Florida, at the moment sharing some of her memorabilia with filmmakers Ross McElwee and Michel Negroponte. She smiles as she remembers a friend telling her, "Not everybody has their pink ass on the cover of Newsweek." Mary's recollections as a pool reporter provide something of a background for Space Coast, a film McElwee shot while he was still a graduate student at MIT in 1979. Like his subsequent, more famous documentaries, this one appears mostly observational, with subjects occasionally speaking directly to his camera,&#8230;]]></content>
</entry>
<entry>
<title type="html">Oscar race for best film: Is that all there is?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153501-oscar-race-for-best-film-is-that-all-there-is/" />
<id>tag:popmatters.com,2012:pm/article/153501-oscar-race-for-best-film-is-that-all-there-is/23.153501</id>
<published>2012-01-23T14:35:22Z</published>
<updated>2012-01-23T14:35:22Z</updated>
<author><name>Patrick Goldstein</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/blog_art/o/oscars2011new1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; If you&#8217;ve been watching cable news much lately, you know the defining narrative of the 2012 campaign: Conservative activists and pundits are unenthusiastic about the Republican presidential aspirants on the campaign trail. Mitt Romney may be close to locking up the nomination, but his supporters seem more pragmatic than passionate. And guess what? In conversations I&#8217;ve had with members of the motion picture academy in the last few weeks, they sound a lot like the GOP electorate. After surveying the likely Oscar best picture nominees, they&#8217;re wondering: Is this the best we can do? One academy member&#8230;]]></content>
</entry>
<entry>
<title type="html">Horton Foote&amp;#8217;s children make plans to ensure his legacy</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153497-horton-footes-children-make-plans-to-ensure-his-legacy/" />
<id>tag:popmatters.com,2012:pm/article/153497-horton-footes-children-make-plans-to-ensure-his-legacy/23.153497</id>
<published>2012-01-20T23:35:16Z</published>
<updated>2012-01-20T23:35:16Z</updated>
<author><name>Mike Boehm</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/h/horton_foote2.jpg" /><br />Los Angeles Times (MCT) -- SAN DIEGO &#8212; Audiences who see Horton Foote&#8217;s &#8220;Dividing the Estate,&#8221; opening Thursday at the Old Globe Theatre in San Diego, will experience two hours of a family&#8217;s comically desperate, talons-baring tussle over whether and how to cash out a 5,000-acre homestead in southeast Texas that&#8217;s been passed down from generation to generation. But behind the scenes, the story line is just the opposite. There, the agenda is a family&#8217;s unified, concord-filled effort to keep a theatrical legacy intact, celebrate it and carry it forward. Horton Foote&#8217;s two older children, Hallie and Horton Jr., are among the onstage combatants in&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance 2012: &amp;#8216;Wild&amp;#8217; film sales predicted at Sundance Film Festival</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153502-wild-film-sales-predicted-at-sundance-film-festival/" />
<id>tag:popmatters.com,2012:pm/article/153502-wild-film-sales-predicted-at-sundance-film-festival/23.153502</id>
<published>2012-01-20T18:35:07Z</published>
<updated>2012-01-20T18:35:07Z</updated>
<author><name>John Horn and Steven Zeitchik</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/sundance_film_festival2.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Every January, the Sundance Film Festival can be counted on for several things. The presence of a John Hawkes movie. &#8220;Intimate&#8221; dinner parties for some 200 people. And eternal sunniness about the film sales market. That optimism is running particularly high at this year&#8217;s event, opening Thursday in Park City, Utah. The country&#8217;s most prominent film festival is coming off one of its most robust markets ever, as more than two dozen independently produced movies landed distribution deals last January. More encouraging to sellers, not a single movie in this year&#8217;s high-profile premiere and dramatic competition sections&#8230;]]></content>
</entry>
<entry>
<title type="html">Philip Glass resurrects his classic &amp;#8216;Einstein on the Beach&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153486-philip-glass-resurrects-his-classic-einstein-on-the-beach/" />
<id>tag:popmatters.com,2012:pm/article/153486-philip-glass-resurrects-his-classic-einstein-on-the-beach/23.153486</id>
<published>2012-01-20T16:45:18Z</published>
<updated>2012-01-20T16:45:18Z</updated>
<author><name>Mark Stryker</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/p/philip-glass.jpg" /><br />Detroit Free Press (MCT) -- NEW YORK &#8212; Considering that &#8220;Einstein on the Beach&#8221; is routinely described as both a masterpiece and one of the most significant operas of the second half of the 20th century, it&#8217;s startling to realize just how rarely it gets performed &#8212; even allowing for the difficulties and expense of staging the piece. A co-creation of the innovative composer Philip Glass and visionary director Robert Wilson, the opera premiered in Europe in summer 1976, before exploding into American consciousness with two instantly legendary sold-out performances in November in New York at the Metropolitan Opera, rented by the creators. There was&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance 2012: Some films to watch at Sundance</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/153485-some-films-to-watch-at-sundance/" />
<id>tag:popmatters.com,2012:pm/article/153485-some-films-to-watch-at-sundance/23.153485</id>
<published>2012-01-20T14:30:59Z</published>
<updated>2012-01-20T14:30:59Z</updated>
<author><name>Kenneth Turan</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/sundance_film_festival2.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Sundance endures. Unlike the snows that routinely smother the mountain town of Park City, Utah, and then melt away, unlike the minor celebrities who gorge on gifting suites only to fade into oblivion, the Sundance Film Festival &#8212; now in its third decade &#8212; stubbornly remains. Yes, surface changes will happen. This year, the underappreciated New Frontier multimedia installations have moved to a new location at the Yard, and the old Park City Racquet Club venue has morphed into something called the MARC (Municipal Athletic & Recreation Center) Theatre. And there are always new, eccentric branding opportunities&#8230;]]></content>
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