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	<title type="text">PopMatters: Watch</title>
	<subtitle type="text">Film and television reviews, features, columns, and news.</subtitle>
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	<updated>2012-02-14T19:06:20Z</updated>
	<rights>Copyright (c) 2012, PopMatters.com</rights>
	<id>tag:popmatters.com-watch,2012:02:14</id>
	<entry>
<title type="html">Grammys 2012: Backstage highlights: a humbled Justin Vernon, giddy Adele</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154617-grammys-2012-backstage-highlights-a-humbled-justin-vernon-giddy-adel/" />
<id>tag:popmatters.com,2012:pm/article/154617-grammys-2012-backstage-highlights-a-humbled-justin-vernon-giddy-adel/23.154617</id>
<published>2012-02-14T17:35:03Z</published>
<updated>2012-02-14T17:35:03Z</updated>
<author><name>Gerrick D. Kennedy</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/e/enter_mus-grammys_207_la1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; How the Beach Boys would pull off a reunion tour and album, what Adele&#8217;s ex thought of the success of &#8220;21,&#8221; if Grammy producers planned to pan to Chris Brown or Rihanna for a reaction shot during their respective performances and whether or not Lil Wayne was arrested at the ceremony (that was an Internet hoax) were some of the burning questions on reporters&#8217; minds at the 54th Annual Grammy Awards on&#8230;]]></content>
</entry>
<entry>
<title type="html">Grammys 2012: Backstage highlights: a humbled Justin Vernon, giddy Adele</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154617-grammys-2012-backstage-highlights-a-humbled-justin-vernon-giddy-adel/" />
<id>tag:popmatters.com,2012:pm/article/154617-grammys-2012-backstage-highlights-a-humbled-justin-vernon-giddy-adel/23.154617</id>
<published>2012-02-14T17:35:03Z</published>
<updated>2012-02-14T17:35:03Z</updated>
<author><name>Gerrick D. Kennedy</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/e/enter_mus-grammys_207_la1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; How the Beach Boys would pull off a reunion tour and album, what Adele&#8217;s ex thought of the success of &#8220;21,&#8221; if Grammy producers planned to pan to Chris Brown or Rihanna for a reaction shot during their respective performances and whether or not Lil Wayne was arrested at the ceremony (that was an Internet hoax) were some of the burning questions on reporters&#8217; minds at the 54th Annual Grammy Awards on&#8230;]]></content>
</entry>
<entry>
<title type="html">Tim Gunn tells how he got a Lego up on the world</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154622-tim-gunn-tells-how-he-got-a-lego-up-on-the-world/" />
<id>tag:popmatters.com,2012:pm/article/154622-tim-gunn-tells-how-he-got-a-lego-up-on-the-world/23.154622</id>
<published>2012-02-14T16:35:47Z</published>
<updated>2012-02-14T16:35:47Z</updated>
<author><name>Luaine Lee</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/t/tim-gunn.jpg" /><br />McClatchy-Tribune News Service (MCT) -- PASADENA, Calif. &#8212; Who would&#8217;ve thought that a set of Legos would lead to TV stardom? But that&#8217;s what happened to fashion guru Tim Gunn. The mentor from TV&#8217;s &#8220;Project Runway&#8221; and now co-host of ABC&#8217;s daytime show, &#8220;The Revolution,&#8221; began constructing with Lincoln logs as a kid, graduating to Legos. &#8220;In the olden days, Lego wasn&#8217;t a prescription, it was just an anonymous box, and you just did whatever you did,&#8221; he says seated&#8230;]]></content>
</entry>
<entry>
<title type="html">Oscars 2012: Nominated Shorts in Select Theaters Beginning 10 February</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154500-oscar-nominated-shorts-in-select-theaters-beginning-10-february/" />
<id>tag:popmatters.com,2012:pm/post/154500-oscar-nominated-shorts-in-select-theaters-beginning-10-february/15.154500</id>
<published>2012-02-14T16:00:54Z</published>
<updated>2012-02-14T16:00:54Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/p/pentecost.jpg" /><br /><p>The nominees for the 2012 Live Action Short Oscar alternate between expected and slightly less, all having something to do with time, its elusiveness and its ineluctable demands.</p>
The nominees for the 2012 Live Action Short Oscar alternate between expected and slightly less, all having something to do with time, its elusiveness and its ineluctable demands. "Pentecost," directed by Peter McDonald, follows the travails of 11-year-old Damian Lynch (Scott Graham), whose father (Michael McElhatton) restricts his access to football (no playing, no watching, no listening), unless he completes his duties as an altar boy. The boy can't help but reveal his devotion to&#8230;]]></content>
</entry>
<entry>
<title type="html">Nicolas Cage continues to do things his way</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154620-nicolas-cage-continues-to-do-things-his-way/" />
<id>tag:popmatters.com,2012:pm/article/154620-nicolas-cage-continues-to-do-things-his-way/23.154620</id>
<published>2012-02-14T15:35:30Z</published>
<updated>2012-02-14T15:35:30Z</updated>
<author><name>Rene Rodriguez</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/e/enter_movie-ghostrider_1_mct.jpg" /><br />McClatchy Newspapers (MCT) -- MIAMI &#8212; In &#8220;Ghost Rider: Spirit of Vengeance,&#8221; Nicolas Cage punches Satan. He punches Satan in THE FACE. Playing Ghost Rider, Cage also saves a little boy and helps people and does some other heroic stuff. But no matter what he does, the character will never be as beloved as Batman and Superman. Ghost Rider doesn&#8217;t get cheering crowds or parades. The character of Johnny Blaze &#8212; a motorcycle stuntman who turns into a flaming&#8230;]]></content>
</entry>
<entry>
<title type="html">10 Alternative Cinematic Valentines</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154586-10-alternative-cinematic-valentines/" />
<id>tag:popmatters.com,2012:pm/post/154586-10-alternative-cinematic-valentines/17.154586</id>
<published>2012-02-14T15:00:00Z</published>
<updated>2012-02-14T15:00:00Z</updated>
<author><name>Bill Gibron</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/l/listthis-altvalentines.jpg" /><br /><p>Love is in the air, as mandated by Madison Avenue, various greeting card manufacturers, and endless couples' arguments. Here are 10 ways to step outside the norm and avoid the annual festival of forced affection. </p>
Love is in the air, as mandated by Madison Avenue, various greeting card manufacturers, and endless couples' arguments. Yes, it's that time of year again, time to celebrate a faux holiday originally created to honor a Catholic Saint, but was then later removed from the official Vatican calendar around 1969. Still, with untold dozens of roses to be bought and metric tons of candy and other confections to be divvied up, Valentine's Day will not&#8230;]]></content>
</entry>
<entry>
<title type="html">'The Loving Story': For Valentine's Day, the End of Anti-Miscegenation Laws</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154624-the-loving-story-for-valentines-day-the-end-of-anti-miscegenation-la/" />
<id>tag:popmatters.com,2012:pm/review/154624-the-loving-story-for-valentines-day-the-end-of-anti-miscegenation-la/5.154624</id>
<published>2012-02-14T13:45:00Z</published>
<updated>2012-02-14T13:45:00Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/t/the-loving-story-1.jpg" /><br /><p>The film's story of this Supreme Court victory lays out both its legal and moral import, and then turns back to Richard and Mildred Loving in intimate, evocative images.</p>
Just tell the Court I love my wife. -- Richard Loving, 1967 "It was about 2 am and I saw this light, you know, and I woke up, and it was the policeman, standing beside the bed." As Mildred Loving remembers the night of 14 July 1958, you see a bright light on screen, a flashlight hovering in the dark. "He told us to get up," she goes on, "And we was under arrest." Here&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;Rum Diary,&amp;#8217; Woody Allen documentary, &amp;#8216;All Quiet&amp;#8217; among new releases</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154578-rum-diary-woody-allen-documentary-all-quiet-among-new-releases/" />
<id>tag:popmatters.com,2012:pm/article/154578-rum-diary-woody-allen-documentary-all-quiet-among-new-releases/23.154578</id>
<published>2012-02-13T21:35:16Z</published>
<updated>2012-02-13T21:35:16Z</updated>
<author><name>Rich Heldenfels</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/d/dvd-woodyallen-splsh.jpg" /><br />Akron Beacon Journal (MCT) -- Tuesday&#8217;s new offerings on DVD and Blu-ray include Johnny Depp delving again into Hunter S. Thompson&#8217;s works, Woody Allen offering a peek into his writing process, the original Israeli version of a British film and more. The Depp effort is &#8220;The Rum Diary &#8220;(Sony, $30.99 DVD, $35.99 Blu-ray), which was made available as a digital download a week ago but is now in solid form. The film was based on a Thompson novel about a&#8230;]]></content>
</entry>
<entry>
<title type="html">Grammys 2012: Grammys show pop at its turning point</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154567-grammys-2012-grammys-show-pop-at-its-turning-point/" />
<id>tag:popmatters.com,2012:pm/article/154567-grammys-2012-grammys-show-pop-at-its-turning-point/23.154567</id>
<published>2012-02-13T20:35:15Z</published>
<updated>2012-02-13T20:35:15Z</updated>
<author><name>Randall Roberts</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/e/enter_mus-grammys_207_la1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; With the world watching as it mourned the loss of one of its most renowned singers, the performers at the 54th Grammy Awards faced a challenge: how to balance the grieving process brought on by the death on Saturday of Whitney Houston while still celebrating the arrival of a new powerhouse, Adele. Simple: acknowledge her passing, allow individual performers to give their own private shoutouts in their own little ways, and understand&#8230;]]></content>
</entry>
<entry>
<title type="html">Woody Harrelson goes behind the badge for &amp;#8216;Rampart&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154573-woody-harrelson-goes-behind-the-badge-for-rampart/" />
<id>tag:popmatters.com,2012:pm/article/154573-woody-harrelson-goes-behind-the-badge-for-rampart/23.154573</id>
<published>2012-02-13T18:35:42Z</published>
<updated>2012-02-13T18:35:42Z</updated>
<author><name>Geoff Boucher</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/film-rampart-splsh1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Woody Harrelson wants the windows down. &#8220;Do you mind if we go old style on this? I don&#8217;t like air conditioning.&#8221; The journalist at the wheel of the Honda Accord jabs a button and the famous passenger gets a face full of Sunset Strip. Harrelson is used to breathing in paradise &#8212; he lives in Maui most of the time &#8212; but even West Hollywood tastes sweet when you feel like you&#8217;re&#8230;]]></content>
</entry>
<entry>
<title type="html">Jon Bernthal loves playing roguish survivor on &amp;#8216;The Walking Dead&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154574-jon-bernthal-loves-playing-roguish-survivor-on-the-walking-dead/" />
<id>tag:popmatters.com,2012:pm/article/154574-jon-bernthal-loves-playing-roguish-survivor-on-the-walking-dead/23.154574</id>
<published>2012-02-13T17:35:23Z</published>
<updated>2012-02-13T17:35:23Z</updated>
<author><name>Yvonne Villarreal</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/j/jon-bernthal.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; The post-apocalyptic drama &#8220;The Walking Dead,&#8221; which resumes its second season Sunday on AMC, prides itself on its sprawling ensemble cast: one part zombies looking for their next meal, the other part survivors trying not to become dinner. Although all the survivors have struggled to maintain a semblance of humanity and sanity, no one has struggled with it more than Shane, played by Jon Bernthal. (Spoiler alert: If you&#8217;re not caught up&#8230;]]></content>
</entry>
<entry>
<title type="html">Rating the Performances at the 54th Annual Grammy Awards</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154556-rating-the-performances-at-the-54th-annual-grammy-awards/" />
<id>tag:popmatters.com,2012:pm/post/154556-rating-the-performances-at-the-54th-annual-grammy-awards/15.154556</id>
<published>2012-02-13T17:00:00Z</published>
<updated>2012-02-13T17:00:00Z</updated>
<author><name>Jessy Krupa</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/e/enter_mus-grammys_216_la.jpg" /><br /><p>Starting with the most memorable and ending with the most dull (or clich&#233;d), here&#8217;s what happened on &#8220;music&#8217;s biggest night&#8221;.</p>
Performances at this year&#8217;s Grammy awards weren&#8217;t about gimmicks, special effects, or surprise appearances. Instead, the show became a celebration of the music and musicians that unite seemingly different people. Fittingly, in a year where so many important musicians passed away, the night was also about people using their talents to bid a fond farewell to those whom we will all miss. It was a night where legends were honored, rock stars danced to country&#8230;]]></content>
</entry>
<entry>
<title type="html">Box-office receipts affirm &amp;#8216;The Vow&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154569-box-office-receipts-affirm-the-vow/" />
<id>tag:popmatters.com,2012:pm/article/154569-box-office-receipts-affirm-the-vow/23.154569</id>
<published>2012-02-13T16:35:03Z</published>
<updated>2012-02-13T16:35:03Z</updated>
<author><name>Amy Kaufman</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/t/the-vow.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Moviegoers readily committed to &#8220;The Vow&#8221; this weekend, as the romantic drama posted the biggest opening of the year. The tear-jerker starring Channing Tatum and Rachel McAdams collected an impressive $41.7 million, according to an estimate from distributor Sony Pictures. The action thriller &#8220;Safe House&#8221; also far exceeded industry expectations, starting off with a strong $39.3 million, as did the sequel &#8220;Journey 2: The Mysterious Island,&#8221; with its gross of $27.6 million.&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;The Artist&amp;#8217; dominates BAFTAs</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154572-the-artist-dominates-baftas/" />
<id>tag:popmatters.com,2012:pm/article/154572-the-artist-dominates-baftas/23.154572</id>
<published>2012-02-13T15:01:49Z</published>
<updated>2012-02-13T15:01:49Z</updated>
<author><name>Henry Chu</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/t/the-artist.jpg" /><br />Los Angeles Times (MCT) -- LONDON &#8212; The breakout silent movie &#8220;The Artist&#8221; continued its unscripted run of awards glory Sunday when it was named best film and claimed six other trophies at the British film awards, including director and lead actor. Frenchman Michel Hazanavicius, who shot the movie in black and white, added to his growing pile of laurels by beating Hollywood legend Martin Scorsese, who directed &#8220;Hugo.&#8221; Hazanavicius also won for his original screenplay, a less expected honor&#8230;]]></content>
</entry>
<entry>
<title type="html">Grammys 2012: Music industry deals with &amp;#8216;a death in our family&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154566-grammys-2012-music-industry-deals-with-a-death-in-our-family/" />
<id>tag:popmatters.com,2012:pm/article/154566-grammys-2012-music-industry-deals-with-a-death-in-our-family/23.154566</id>
<published>2012-02-13T14:20:35Z</published>
<updated>2012-02-13T14:20:35Z</updated>
<author><name>Reed Johnson</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/w/whitney-houston.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Roughly a quarter-century ago, Whitney Houston&#8217;s peers crowned her pop&#8217;s new princess when they awarded her the Grammy for best female pop vocal performance. At Sunday night&#8217;s Grammy Awards, many of the same people came together to mourn her untimely death. Barely 24 hours after Houston died in her room at the Beverly Hilton Hotel, as the music world&#8217;s glitterati massed at the Staples Center, it was evident that Houston&#8217;s spectral presence&#8230;]]></content>
</entry>
<entry>
<title type="html">ReelAbilities New York: 'Mourning', 'The Straight Line', 'Aphasia'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154463-reelabilities-new-york-day-2-mourning-and-the-straight-line/" />
<id>tag:popmatters.com,2012:pm/review/154463-reelabilities-new-york-day-2-mourning-and-the-straight-line/5.154463</id>
<published>2012-02-13T14:17:00Z</published>
<updated>2012-02-13T14:17:00Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/film-straightline-splsh.jpg" /><br /><p>The difficulty of communication is the focus of <i>Mourning</i> (<i>Soog</i>), showed in the long shots, long takes, and confined spaces convey Kamran and Sharareh's journey during a very long night.</p>
"What was the message exactly?" A husband and wife, Kamran (Kiomars Giti) and Sharareh (Sharareh Pasha), are trying to sort out their roles in the crisis they face, namely, that the young boy in their care, Arshia (Amir Hossein Maleki), is suddenly an orphan, following a car accident. As they talk, they drive, with Arshia in the back seat, positioned between them as we watch them through the windshield. They also watch each other: the&#8230;]]></content>
</entry>
<entry>
<title type="html">Talking Landscape: Early Media Work, 1974-1984</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154562-talking-landscape-early-media-work-1974-1984/" />
<id>tag:popmatters.com,2012:pm/review/154562-talking-landscape-early-media-work-1974-1984/5.154562</id>
<published>2012-02-13T13:29:00Z</published>
<updated>2012-02-13T13:29:00Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/film-talkinglandscape-splsh.jpg" /><br /><p><i>Talking Landscape</i> exposes how "real life" only sometimes resembles efforts to describe it.</p>
"It is now time to focus," says Andrea Callard at the start of Talking Landscape, a selection of the installment artist's "Early Media Work, 1974-1984." That work sneaks up on you over the course of the film, beginning with the first short, titled 11 thru 12: Callard stands behind an ironing board, pondering curiosity, and the possibilities provided by yellow objects. "If you want to find something," she says, "Sometimes you can look in the&#8230;]]></content>
</entry>
<entry>
<title type="html">Bored This Way: The 54th Annual Grammy Awards</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/feature/154557-bored-this-way-the-54th-annual-grammy-awards/" />
<id>tag:popmatters.com,2012:pm/feature/154557-bored-this-way-the-54th-annual-grammy-awards/21.154557</id>
<published>2012-02-13T11:40:30Z</published>
<updated>2012-02-13T11:40:30Z</updated>
<author><name>Evan Sawdey</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/e/enter_mus-grammys_226_la.jpg" /><br /><p>In the wake of a tragic loss within the music industry, the Grammy Awards actually went on a surprisingly respectful, understated route... before turning into the vapid technicolor circus that has become hallmark for the very worst of Grammy broadcasts.</p>
If the 54th Annual Grammy Awards broadcast taught us anything this year, it's that there's a profound difference between the deeply personal and the overproduced. Hours before the broadcast began, people were wondering just how the show was going to address the elephant in the room: no less than 24 hours prior to taping, Whitney Houston -- the definitive pop diva -- was found dead in her hotel room at age 48. The world was&#8230;]]></content>
</entry>
<entry>
<title type="html">'Return' Keeps Tight Focus on a War Veteran's Experience</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154458-return-keeps-tight-focus-on-a-war-veterans-experience/" />
<id>tag:popmatters.com,2012:pm/review/154458-return-keeps-tight-focus-on-a-war-veterans-experience/5.154458</id>
<published>2012-02-10T17:03:53Z</published>
<updated>2012-02-10T17:03:53Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/r/return.jpg" /><br /><p>Now back in a small world, a world both familiar and strange, Kelli does her best to return to the way things were.</p>
Home from war, Kelli (Linda Cardellini) is dislocated. She arrives in the airport at the start of Return, the camera following close on her back as she looks for something familiar. The frame remains tight on her face as she looks, so you're as surprised as she is when her young daughter Jackie (Emma Rayne Lyle) approaches: as Kelli reacts abruptly, the camera jerks too, intimating the moment's mix of happiness and weirdness. An Ohio&#8230;]]></content>
</entry>
<entry>
<title type="html">'Perfect Sense' Presents Global Disaster and Intimate Loss</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154452-perfect-sense-presents-global-disaster-and-intimate-loss/" />
<id>tag:popmatters.com,2012:pm/review/154452-perfect-sense-presents-global-disaster-and-intimate-loss/5.154452</id>
<published>2012-02-10T15:20:04Z</published>
<updated>2012-02-10T15:20:04Z</updated>
<author><name>Jesse Hassenger</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/film-perfectsense-splsh.jpg" /><br /><p><I>Perfect Sense</I> presents the end of the world using an irresistible sci-fi/allegorical hook: humanity is literally losing its senses.</p>
Perfect Sense is a romance, of sorts, set during a global plague. This context might recall Steven Soderbergh's chillier Contagion, which framed its medical investigation with a disaster-movie's emotional pull. Perfect Sense goes at the problem differently, with an irresistible sci-fi/allegorical hook: humanity is literally losing its senses. First, large swaths of the population lose their sense of smell. Weeks later, taste follows. It only gets worse from there, with collective and individual adjustments staggered&#8230;]]></content>
</entry>
<entry>
<title type="html">'Journey 2: The Mysterious Island' Is Obvious</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154455-journey-2-the-mysterious-island-is-obvious/" />
<id>tag:popmatters.com,2012:pm/review/154455-journey-2-the-mysterious-island-is-obvious/5.154455</id>
<published>2012-02-10T15:05:43Z</published>
<updated>2012-02-10T15:05:43Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/j/journey-2.jpg" /><br /><p>As Sean looks for something "real" in <i>Journey 2</i>, he's drawn to the Vernians' diehard faith in the non-fiction of Jules Verne's books.</p>
"The island is real!" So concludes Sean (Josh Hutcherson) when he finds a coded message from his long-absent grandfather, Alexander (Michael Caine). That would be the Mysterious Island, titular subject of Jules Verne's 1874 novel and now, the movie called Journey 2: The Mysterious Island. You might appreciate his delight, as the rest of Sean's experience is so resolutely unreal. Set four years (more or less) after Journey 1, also known as Journey to the&#8230;]]></content>
</entry>
<entry>
<title type="html">A Far Too Safe... and Strained... 'House'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154451-a-far-too-safe...and-strained...house/" />
<id>tag:popmatters.com,2012:pm/post/154451-a-far-too-safe...and-strained...house/17.154451</id>
<published>2012-02-10T15:00:41Z</published>
<updated>2012-02-10T15:00:41Z</updated>
<author><name>Bill Gibron</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/blog_art/s/safehouse1.jpg" /><br /><p>Failing to entertain is one thing. Wasting Washington et. al., that's something else all together.</p>
Safe House is a lot of talent doing a whole lot of nothing. It offers a familiar premise (rogue spy wants to prove its the good guys, not him, behind all the dirty work) and one of the most bankable stars on the planet (two time Oscar winner Denzel Washington). In support, such stellar performers as Sam Shephard, Vera Farmiga, and Brendan Gleeson make up for Ryan Reynolds' lack of gravitas. But in a clear&#8230;]]></content>
</entry>
<entry>
<title type="html">'The Vow' Is Conventional, with Complications</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154447-the-vow-is-conventional-with-complications/" />
<id>tag:popmatters.com,2012:pm/review/154447-the-vow-is-conventional-with-complications/5.154447</id>
<published>2012-02-10T14:35:21Z</published>
<updated>2012-02-10T14:35:21Z</updated>
<author><name>Andrew Blackie</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/v/vow.jpg" /><br /><p><i>The Vow</i> is a conventional love story with a ghostly chasm in the middle, a weepie for Valentine&#8217;s Day cinemagoers.</p>
Leo (Channing Tatum) and Paige (Rachel McAdams) are stepping out into a snowy Chicago one evening. They&#8217;re young, married, and in love. But the couple will pay the price that accompanies any snow-bound car trip late at night at the start of this sort of movie: when they stop to share a moment of passion, a truck rams them from behind. Paige, in excruciating slow-mo, is thrown through the windshield. When she wakes up, she&#8230;]]></content>
</entry>
<entry>
<title type="html">'Safe House' Is Ersatz Edgy</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154454-safe-house-is-ersatz-edgy/" />
<id>tag:popmatters.com,2012:pm/review/154454-safe-house-is-ersatz-edgy/5.154454</id>
<published>2012-02-10T14:06:38Z</published>
<updated>2012-02-10T14:06:38Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/safe-house.jpg" /><br /><p>This distinction between what the film's designated pros know and what you know -- or can guess, based on your experience with these sorts of films -- quickly turns tedious in <i>Safe House</i>.</p>
"What's that?" asks Tobin Frost (Denzel Washington), indicating a teeny-flashdrive-file an MI-6 agent has just sold him. "It's going to make the world a much smaller place for you... For both of us," comes the ominous answer. As Tobin Frost hides the file away, Bourneishly injecting it into his thigh at the start of Safe House, you know too well that the adventure on which he's embarking will be equal parts international espionage, high-tech weaponry,&#8230;]]></content>
</entry>
<entry>
<title type="html">The Coolest Car Commercial You&amp;#8217;ve Ever Seen&amp;#8230; No, But Really</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154298-the-coolest-car-commercial-youve-ever-seenno-but-really/" />
<id>tag:popmatters.com,2012:pm/post/154298-the-coolest-car-commercial-youve-ever-seenno-but-really/15.154298</id>
<published>2012-02-10T14:00:57Z</published>
<updated>2012-02-10T14:00:57Z</updated>
<author><name>Comfort Clinton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/3/3d-projection-mapping4.jpg" /><br /><p>In the ever-evolving world of advertising, there is a trend rising in, quite literally, every direction: 3-D Mapping Projection.</p>
Though I do cringe at paying extra, I admit that I&#8217;ll go to the occasional 3-D movie in theaters, just to see how different the experience is. What I didn&#8217;t realize until very recently, was that I could get a similar experience for free, just by standing on the sidewalk at the right time and place. In the ever-evolving world of advertising, there is a trend rising in, quite literally, every direction: 3-D Mapping Projection.&#8230;]]></content>
</entry>
<entry>
<title type="html">The 10 Greatest Shakespeare Film Adaptations of All Time</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154242-the-10-greatest-shakespeare-adaptations-of-all-time/" />
<id>tag:popmatters.com,2012:pm/post/154242-the-10-greatest-shakespeare-adaptations-of-all-time/17.154242</id>
<published>2012-02-10T13:50:49Z</published>
<updated>2012-02-10T13:50:49Z</updated>
<author><name>Bill Gibron</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/l/listthis-shakespeare.jpg" /><br /><p>While some want to question his authorship, there is no denying the lasting influence of William Shakespeare. These 10 titles prove that with accolades to spare. </p>
From declarations of undeniable greatness to questions of legitimacy, the literary world continues to be fascinated by one William Shakespeare. The famed playwright remains a historical enigma, a question almost everyone can answer outright, but can't fully understand completely. While the postmodern age has spent inordinate amounts of time trying to figure out if a failed actor in England really did create some of the most amazing theater pieces ever written, the various medias surrounding&#8230;]]></content>
</entry>
<entry>
<title type="html">Two Days in Sundance: 'Ai Weiwei', 'For Ellen', 'Middle of Nowhere'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154257-two-days-in-sundance/" />
<id>tag:popmatters.com,2012:pm/review/154257-two-days-in-sundance/5.154257</id>
<published>2012-02-10T13:15:24Z</published>
<updated>2012-02-10T13:15:24Z</updated>
<author><name>Jonathan Kosakow</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/a/aiweiwei1.jpg" /><br /><p>Unfortunately, the two days didn&#8217;t provide enough time to see everything, but that&#8217;s what the rest of the year is for.</p>
The Sundance Film Festival is in no way easy to get to. Though it&#8217;s only 45 minutes from Salt Lake City, the small town of Park City requires you to steer through a canyon that, like this year, can find itself closed to all traffic due to weather during its busiest weekend. The 10-day festival that happens each January is not only the most coveted of North American film festivals, it&#8217;s also the most glorified.&#8230;]]></content>
</entry>
<entry>
<title type="html">And the Academy Awards Nominees Are&amp;#8230; Straight</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/column/154269-and-the-nominees-arestraight/" />
<id>tag:popmatters.com,2012:pm/column/154269-and-the-nominees-arestraight/19.154269</id>
<published>2012-02-10T07:00:15Z</published>
<updated>2012-02-10T07:00:15Z</updated>
<author><name>Michael Abernethy</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/a/abernethy-academy-splsh.jpg" /><br /><p>Films about LGBT people that are aimed at mass audiences win awards; films about LGBT people that are aimed at LGBT audiences&#8230; not so much. So, here's the <i>Queer, Isn't It?</i> Best Pic nominees.</p>
When this year's Academy Awards nominations were announced in January, LGBT film buffs scoured them in the annual ritual of counting the number of LGBT-oriented films that got nominations. Last year was the year of the lesbian, with both Black Swan and The Kids are All Right landing multiple nominations each. This year, the whole spectrum of the rainbow is represented. There's both transgenderism and lesbianism in Albert Knobbs, while The Girl with the Dragon&#8230;]]></content>
</entry>
<entry>
<title type="html">Swedish director Daniel Espinosa took an unusual approach with &amp;#8216;Safe House&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154417-swedish-director-daniel-espinosa-took-an-unusual-approach-with-safe-/" />
<id>tag:popmatters.com,2012:pm/article/154417-swedish-director-daniel-espinosa-took-an-unusual-approach-with-safe-/23.154417</id>
<published>2012-02-09T20:35:25Z</published>
<updated>2012-02-09T20:35:25Z</updated>
<author><name>John Horn</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/safe_house_ryan_reynolds.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; When Universal Pictures hired Daniel Espinosa to direct its rogue CIA agent thriller &#8220;Safe House,&#8221; the studio knew it was rolling the dice. The Swedish filmmaker had never made an English-language feature, he hadn&#8217;t worked with stars near the magnitude of &#8220;Safe House&#8221; leads Denzel Washington and Ryan Reynolds, and he was graduating from a $4-million Nordic drug drama to an $85-million production. None of that prepared executives for the first batch&#8230;]]></content>
</entry>
<entry>
<title type="html">Resonant Doc 'Black Power Mixtape' Premieres on Independent Lens, 9 February</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154424-resonant-doc-black-power-mixtape-premieres-on-independent-lens-9-feb/" />
<id>tag:popmatters.com,2012:pm/post/154424-resonant-doc-black-power-mixtape-premieres-on-independent-lens-9-feb/15.154424</id>
<published>2012-02-09T20:00:08Z</published>
<updated>2012-02-09T20:00:08Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/black_power_mixtape.jpg" /><br /><p>"What was it like coming back to America after fighting in Vietnam?" asks an off-screen narrator. A 22-year-old black man nods and begins to talk...</p>
"What was it like coming back to America after fighting in Vietnam?" asks an off-screen narrator. A 22-year-old black man nods and begins to talk, his weary expression suggesting this is a question he's prepared to answer, but one he dreads. "It's almost the same as when I left, " he begins. "I say this because when a man goes to fight for his country and then comes back over here and almost have to&#8230;]]></content>
</entry>
<entry>
<title type="html">Resonant Doc 'Black Power Mixtape' Premieres on Independent Lens, 9 February</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154424-resonant-doc-black-power-mixtape-premieres-on-independent-lens-9-feb/" />
<id>tag:popmatters.com,2012:pm/post/154424-resonant-doc-black-power-mixtape-premieres-on-independent-lens-9-feb/15.154424</id>
<published>2012-02-09T20:00:08Z</published>
<updated>2012-02-09T20:00:08Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/black_power_mixtape.jpg" /><br /><p>"What was it like coming back to America after fighting in Vietnam?" asks an off-screen narrator. A 22-year-old black man nods and begins to talk...</p>
"What was it like coming back to America after fighting in Vietnam?" asks an off-screen narrator. A 22-year-old black man nods and begins to talk, his weary expression suggesting this is a question he's prepared to answer, but one he dreads. "It's almost the same as when I left, " he begins. "I say this because when a man goes to fight for his country and then comes back over here and almost have to&#8230;]]></content>
</entry>
<entry>
<title type="html">BET&amp;#8217;s ambitious lineup includes &amp;#8216;Second Generation,&amp;#8217; &amp;#8216;Gun Hill&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154422-bets-ambitious-lineup-includes-second-generation-gun-hill/" />
<id>tag:popmatters.com,2012:pm/article/154422-bets-ambitious-lineup-includes-second-generation-gun-hill/23.154422</id>
<published>2012-02-09T19:35:07Z</published>
<updated>2012-02-09T19:35:07Z</updated>
<author><name>Greg Braxton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/g/gun-hill.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; BET, which has been targeted in recent years for showcasing provocative music videos and other programming that critics and cultural observers said showed blacks in a negative and derogatory light, is unveiling an ambitious development slate. These new programs include a number of scripted shows and projects that emphasize positive aspects of African American culture. Among the highlights of the lineup is a new scripted comedy from the Wayans family and a&#8230;]]></content>
</entry>
<entry>
<title type="html">Streep sees something of herself in &amp;#8216;Iron Lady&amp;#8217; Thatcher&amp;#8217;s resolve</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154415-streep-sees-something-of-herself-in-iron-lady-thatchers-resolve/" />
<id>tag:popmatters.com,2012:pm/article/154415-streep-sees-something-of-herself-in-iron-lady-thatchers-resolve/23.154415</id>
<published>2012-02-09T18:35:50Z</published>
<updated>2012-02-09T18:35:50Z</updated>
<author><name>Rebecca Keegan</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/i/iron-lady-movie.jpg" /><br />Los Angeles Times (MCT) -- NEW YORK &#8212; At night after she finished the day&#8217;s shooting of &#8220;The Iron Lady&#8221; in London, Meryl Streep would undergo a kind of ritual. Makeup artists painstakingly removed the prosthetics that enabled Streep to play the former British prime minister in her senescent 80s, and the actress unbent her dowager&#8217;s body and returned to her upright, lighthearted self. &#8220;I&#8217;d come home and lean against a doorjamb and stand up straight, you know, bend that&#8230;]]></content>
</entry>
<entry>
<title type="html">Lauded &amp;#8216;Hugo&amp;#8217; proves costly to its producer</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154420-lauded-hugo-proves-costly-to-its-producer/" />
<id>tag:popmatters.com,2012:pm/article/154420-lauded-hugo-proves-costly-to-its-producer/23.154420</id>
<published>2012-02-09T16:35:15Z</published>
<updated>2012-02-09T16:35:15Z</updated>
<author><name>Patrick Goldstein</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/film-hugo-splsh1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Last weekend I hosted a panel at the Santa Barbara Film Festival that featured five producers whose films were Oscar best picture nominees. At one point I asked everyone how many shooting days they had to make the film. After everyone else answered, Graham King, the producer of &#8220;Hugo,&#8221; got a big laugh, saying &#8220;I think our shooting schedule was longer than everyone else&#8217;s put together. After 100 days, what are you&#8230;]]></content>
</entry>
<entry>
<title type="html">Pan African film festival going strong at 20</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154421-pan-african-film-festival-going-strong-at-20/" />
<id>tag:popmatters.com,2012:pm/article/154421-pan-african-film-festival-going-strong-at-20/23.154421</id>
<published>2012-02-09T15:35:49Z</published>
<updated>2012-02-09T15:35:49Z</updated>
<author><name>Susan King</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/e/education-of-auma-obama.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Ayuko Babu, cofounder and executive director of the Pan African Film & Arts Festival, which kicks off its 20th anniversary Thursday, peppers his conversation with the word &#8220;explosion.&#8221; &#8220;We African people, we intend to tell our stories whether it is on the continent of Africa or the diaspora of the United States or the diaspora of Haiti,&#8221; he said. &#8220;People are really intent on telling our story, giving us a sense of&#8230;]]></content>
</entry>
<entry>
<title type="html">ReFramed No. 19: Michelangelo Antonioni&amp;#8217;s 'Zabriskie Point' (1970)</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154392-reframed-no.-19-michelangelo-antonionis-zabriskie-point-1970/" />
<id>tag:popmatters.com,2012:pm/post/154392-reframed-no.-19-michelangelo-antonionis-zabriskie-point-1970/17.154392</id>
<published>2012-02-09T15:00:31Z</published>
<updated>2012-02-09T15:00:31Z</updated>
<author><name>Jordan Cronk and Calum Marsh</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/r/reframed-19zabriskiepoint.jpg" /><br /><p>What happens when an admitted auteur makes a grand -- and quite insular -- artistic statement? Critics are dumbfounded, which means it's time for our preservationist pair to break out the accolades.</p>
Calum Marsh: As you know, Jordan, the films we tend to gravitate toward in this column are mostly obscure or neglected, like forgotten late-career coups by otherwise canonical directors or great films considered "minor" by the high guard. Zabriskie Point, an English-language drama by legendary Italian director Michelangelo Antonioni, represents a different sort of case altogether: widely available as an inexpensive, reasonably high-quality Region 1 DVD and unforgotten by anyone who's seen it, Zabriskie Point's&#8230;]]></content>
</entry>
<entry>
<title type="html">ReelAbilities Day 1: 'Body and Soul' and 'Defining Beauty'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154409-reelabilities-day-1-body-and-soul-and-defining-beauty/" />
<id>tag:popmatters.com,2012:pm/review/154409-reelabilities-day-1-body-and-soul-and-defining-beauty/5.154409</id>
<published>2012-02-09T14:35:34Z</published>
<updated>2012-02-09T14:35:34Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/body-and-soul-1.jpg" /><br /><p><i>Body and Soul</i> and <i>Defining Beauty: Ms. Wheelchair America</i> both feature admirable subjects who have "overcome obstacles," and also take refreshingly unconventional approaches to these subjects.</p>
"I can't answer the questions people sometimes ask," says Mariana Tembe. When people ask how she gets dressed on her own, or how she takes a bath, she can only say that she does it like they do. She dresses her young son, then sits him on the bed beside her, combs his hair and then combs her own. "For me, it's essential to be pretty," she smiles. Mariana lives just outside Maputo, Mozambique's capital&#8230;]]></content>
</entry>
<entry>
<title type="html">Ben Gazzara and The End Of An Aura</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154321-ben-gazzara-and-the-end-of-an-aura/" />
<id>tag:popmatters.com,2012:pm/post/154321-ben-gazzara-and-the-end-of-an-aura/17.154321</id>
<published>2012-02-09T11:00:17Z</published>
<updated>2012-02-09T11:00:17Z</updated>
<author><name>Sean Murphy</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/blog_art/b/bg2.jpg" /><br /><p>Ben Gazzara: 1930 - 2012. What can you say about Gazzara? He was relevant in every decade going back to the '50s. </p>
Still reeling from the sad news about Don Cornelius, it's painful to acknowledge the loss of another irreplaceable master, Ben Gazarra. Some good tributes out there. What can you say about Gazzara? He was relevant in every decade going back to the '50s. And it wasn't just his longevity or his unique, idiosyncratic style(s); he was old school in the sense that he radiated that aura: above all, he was a man.That might not sound&#8230;]]></content>
</entry>
<entry>
<title type="html">Is Clint Eastwood really a partisan provocateur?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154376-is-clint-eastwood-really-a-partisan-provocateur/" />
<id>tag:popmatters.com,2012:pm/article/154376-is-clint-eastwood-really-a-partisan-provocateur/23.154376</id>
<published>2012-02-08T22:35:02Z</published>
<updated>2012-02-08T22:35:02Z</updated>
<author><name>Steven Zeitchik</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/c/clint-eastwood1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Of all the directors who could have become a lightning rod for the right this election season, Clint Eastwood wouldn&#8217;t be high on the list. Michael Moore? Certainly. Spike Lee? No doubt. But Eastwood? This is Dirty Harry, a man who for years epitomized rugged individualism, outlaw independence, no-nonsense self-reliance. If there was ever an actor who could play Ron Paul, Eastwood is it. Starting out as a Republican-leaning voter in the&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;One Flew Over the Cuckoo&amp;#8217;s Nest&amp;#8217; turns 50; does it stand up to time?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154371-one-flew-over-the-cuckoos-nest-turns-50-does-it-stand-up-to-time/" />
<id>tag:popmatters.com,2012:pm/article/154371-one-flew-over-the-cuckoos-nest-turns-50-does-it-stand-up-to-time/23.154371</id>
<published>2012-02-08T20:35:29Z</published>
<updated>2012-02-08T20:35:29Z</updated>
<author><name>Carolyn Kellogg</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/o/one-flew-over-the-cuckoos-nest.jpg" /><br />Los Angeles Times (MCT) -- &#8220;Cuckoo&#8217;s Nest.&#8221; Sure, everyone&#8217;s heard of it. But is it worth reading? Before Jack Nicholson won his first Oscar, before there was a bus full of merry pranksters, there was a writing student with a swing-shift job in a mental ward. It&#8217;s the Ken Kesey of that era who stares from the jacket flap of the 50th anniversary edition of his debut novel, &#8220;One Flew Over the Cuckoo&#8217;s Nest&#8221;: His curly hair is cropped short,&#8230;]]></content>
</entry>
<entry>
<title type="html">Melissa McCarthy: No Longer "Always a Bridesmaid"</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154166-melissa-mccarthy-no-longer/" />
<id>tag:popmatters.com,2012:pm/post/154166-melissa-mccarthy-no-longer/15.154166</id>
<published>2012-02-08T20:00:00Z</published>
<updated>2012-02-08T20:00:00Z</updated>
<author><name>Comfort Clinton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/bridesmaids-movie-poster-melissa-mccarthy.jpg" /><br /><p>Though this was clearly a defining year for the actress, here are five other interesting things to know about the Oscar nominee's career in the entertainment industry.</p>
The votes are in! The list of nominees for the 84th annual Academy Awards was announced on January 24th by the lovely Jennifer Lawrence. While most of the contenders were predictable, given their recent nominations for Golden Globe or SAG awards, going into the process the one wild card in the bunch was this summer&#8217;s female-driven blockbuster comedy Bridesmaids. Though the Academy has not favored comedies in the past, there was speculation that the film&#8230;]]></content>
</entry>
<entry>
<title type="html">Melissa McCarthy: No Longer "Always a Bridesmaid"</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154166-melissa-mccarthy-no-longer/" />
<id>tag:popmatters.com,2012:pm/post/154166-melissa-mccarthy-no-longer/15.154166</id>
<published>2012-02-08T20:00:00Z</published>
<updated>2012-02-08T20:00:00Z</updated>
<author><name>Comfort Clinton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/bridesmaids-movie-poster-melissa-mccarthy.jpg" /><br /><p>Though this was clearly a defining year for the actress, here are five other interesting things to know about the Oscar nominee's career in the entertainment industry.</p>
The votes are in! The list of nominees for the 84th annual Academy Awards was announced on January 24th by the lovely Jennifer Lawrence. While most of the contenders were predictable, given their recent nominations for Golden Globe or SAG awards, going into the process the one wild card in the bunch was this summer&#8217;s female-driven blockbuster comedy Bridesmaids. Though the Academy has not favored comedies in the past, there was speculation that the film&#8230;]]></content>
</entry>
<entry>
<title type="html">Grammys 2012: Funny how the comedy category has changed</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154373-grammys-2012-funny-how-the-comedy-category-has-changed/" />
<id>tag:popmatters.com,2012:pm/article/154373-grammys-2012-funny-how-the-comedy-category-has-changed/23.154373</id>
<published>2012-02-08T19:35:07Z</published>
<updated>2012-02-08T19:35:07Z</updated>
<author><name>Deborah Vankin</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/g/grammys3.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; The comedy category at the Grammys is a funny thing... In the unwired, pre-cable era, comedy recordings on vinyl were a core way for comics to reach mainstream audiences. &#8220;The Button-Down Mind of Bob Newhart&#8221; not only won a Grammy in 1961, it beat every musical release for album of the year. Two years later, Vaughn Meader&#8217;s &#8220;The First Family,&#8221; did the same. Now fewer comedians are recording proper comedy albums on&#8230;]]></content>
</entry>
<entry>
<title type="html">Audiences are noticing Johnny Galecki, and now the Emmys and Globes are too</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154374-audiences-are-noticing-johnny-galecki-and-now-the-emmys-and-globes-a/" />
<id>tag:popmatters.com,2012:pm/article/154374-audiences-are-noticing-johnny-galecki-and-now-the-emmys-and-globes-a/23.154374</id>
<published>2012-02-08T18:35:44Z</published>
<updated>2012-02-08T18:35:44Z</updated>
<author><name>Yvonne Villarreal</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/j/johnny-galecki.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Johnny Galecki seeks to be average. The star of &#8220;The Big Bang Theory&#8221; is seated outside a small Hollywood restaurant, talking about his longing to play ordinary, run-of-the mill figures rather than the larger-than-life characters that actors and audiences sometimes embrace. &#8220;Guys like Dustin Hoffman and Jack Lemmon have always been my leading men,&#8221; said the 36-year-old, leather jacket-clad actor, who minutes before was crushing the butt of a luxury cigarette with&#8230;]]></content>
</entry>
<entry>
<title type="html">Hot YouTube Trend: People Saying Sh*t</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154165-hot-youtube-trend-people-saying-sht/" />
<id>tag:popmatters.com,2012:pm/post/154165-hot-youtube-trend-people-saying-sht/15.154165</id>
<published>2012-02-08T16:00:49Z</published>
<updated>2012-02-08T16:00:49Z</updated>
<author><name>Comfort Clinton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/sht-people-say.jpg" /><br /><p>Ah the internet. Bottomless pit of knowledge about news past and present, outlet for self-expression, facilitator of human connection, and&#8230; mecca of questionably offensive video montage parodies?</p>
Ah the internet. Bottomless pit of knowledge about news past and present, outlet for self-expression, facilitator of human connection, and&#8230; mecca of questionably offensive video montage parodies? Well ok, the last one isn&#8217;t really what most people generally think of when connecting to the world wide web, but a current trend of posting these videos in the form of &#8220;Sh*t People Say&#8221; is, in fact, taking the YouTube world by storm. It seems that the&#8230;]]></content>
</entry>
<entry>
<title type="html">Oscars 2012: Best picture nominees were predictable, and predictability is not a good thing</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154375-best-picture-nominees-were-predictable/" />
<id>tag:popmatters.com,2012:pm/article/154375-best-picture-nominees-were-predictable/23.154375</id>
<published>2012-02-08T15:35:26Z</published>
<updated>2012-02-08T15:35:26Z</updated>
<author><name>Patrick Goldstein</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/o/oscar-statuettes-11.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; If you read even half as many stories, blog posts, Facebook entries and tweets about the Oscar nominations as I did, you already know that there was hardly any shocking news involving the nine films that earned a best picture nomination. As Kristopher Tapley, the resident pundit at the In Contention blog, put it the morning of the nominations: &#8220;The nominees are in and the surprises are few and far between.&#8221; Why&#8230;]]></content>
</entry>
<entry>
<title type="html">Oscars 2012: Best picture nominees were predictable, and predictability is not a good thing</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154375-best-picture-nominees-were-predictable/" />
<id>tag:popmatters.com,2012:pm/article/154375-best-picture-nominees-were-predictable/23.154375</id>
<published>2012-02-08T15:35:26Z</published>
<updated>2012-02-08T15:35:26Z</updated>
<author><name>Patrick Goldstein</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/o/oscar-statuettes-11.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; If you read even half as many stories, blog posts, Facebook entries and tweets about the Oscar nominations as I did, you already know that there was hardly any shocking news involving the nine films that earned a best picture nomination. As Kristopher Tapley, the resident pundit at the In Contention blog, put it the morning of the nominations: &#8220;The nominees are in and the surprises are few and far between.&#8221; Why&#8230;]]></content>
</entry>
<entry>
<title type="html">'The Miners' Hymns': Labor and Poetry</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154362-miners-hymns-labor-and-poetry/" />
<id>tag:popmatters.com,2012:pm/review/154362-miners-hymns-labor-and-poetry/5.154362</id>
<published>2012-02-08T13:15:00Z</published>
<updated>2012-02-08T13:15:00Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/m/miners-hymns.jpg" /><br /><p>Beautifully and evocatively, Bill Morrison's film traces the changes of fortune for the mines and miners, the industry and communities of Northern England.</p>
The shoreline seems far away at first, as the camera in The Miners' Hymns approaches from over the sea. But it's not long before you're over land, green and yellow planting fields giving way to rows and rows of homes, roads and parking lots. A couple of titles note the former site of Ryhope Colliery (1857-1966) and then, the former site of Silksworth Collilery (1869-1971). These are the names of Durham coalfields, the dates marking&#8230;]]></content>
</entry>
<entry>
<title type="html">A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/feature/146572-a-look-to-the-past-an-insight-into-the-present-the-use-of-gender-in-/" />
<id>tag:popmatters.com,2012:pm/feature/146572-a-look-to-the-past-an-insight-into-the-present-the-use-of-gender-in-/21.146572</id>
<published>2012-02-08T07:00:20Z</published>
<updated>2012-02-08T07:00:20Z</updated>
<author><name>Jennifer M. Perdomo</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/m/mad-men61.jpg" /><br /><p>Looking beyond the aesthetic surface of the series, what is the true motivation behind <i>Mad Men</i>&#8217;s frank depictions of these troubled social times? Is sexism being used as some sort of nostalgic trope, or does <i>Mad Men</i> actually delve deeper and explore these issues?</p>
Mad Men chronicles the lives of Madison Avenue advertising executives in the early 1960s. The show revolves around an advertising agency called Sterling Cooper, later Sterling Cooper Draper Price (SCDP), and its enigmatic Creative Director Don Draper. Since its premiere on AMC in the summer of 2007, Mad Men has received overwhelming critical acclaim for its &#8220;unflinching portrayal of Eisenhower/Kennedy-era sexism&#8221; (Schwarz, 4) and has built a dedicated viewership of rapid fans. Additionally, much has&#8230;]]></content>
</entry>
<entry>
<title type="html">Netflix&amp;#8217;s first original series stars Steven Van Zandt as a New York mobster</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154310-netflixs-first-original-series-stars-steven-van-zandt-as-a-new-york-/" />
<id>tag:popmatters.com,2012:pm/article/154310-netflixs-first-original-series-stars-steven-van-zandt-as-a-new-york-/23.154310</id>
<published>2012-02-07T14:34:59Z</published>
<updated>2012-02-07T14:34:59Z</updated>
<author><name>Robert Lloyd</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/steve-van-zandt-lilyhammer-netflix.jpg" /><br />Los Angeles Times (MCT) -- In &#8220;Lilyhammer,&#8221; whose eight parts debut Monday as an exclusive Netflix stream, Steven Van Zandt retrieves his Silvio wig from the &#8220;Sopranos&#8221; costume box to play Frank &#8220;The Fixer&#8221; Tagliano, a New York mobster who retreats into witness protection in Lillehammer, Norway. He remembers the town from broadcasts of the 1994 Winter Olympics as a place of &#8220;clean air, fresh white snow, gorgeous broads&#8221; and figures it will be the last place anyone would think&#8230;]]></content>
</entry>
<entry>
<title type="html">'Unfinished Spaces' Revisits Cuba's Schools of Art</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154314-unfinished-spaces-revisits-cubas-schools-of-art/" />
<id>tag:popmatters.com,2012:pm/review/154314-unfinished-spaces-revisits-cubas-schools-of-art/5.154314</id>
<published>2012-02-07T14:15:00Z</published>
<updated>2012-02-07T14:15:00Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/u/unfinished-spaces.jpg" /><br /><p>The journey in <i>Unfinished Spaces</i> begins with reconsidering the hopes and confusions of Cuba just after the Revolution, the politics and the struggles that go on to this day.</p>
"To Fidel, everything had to be the greatest in the world," says Selma Diaz. "To him, they were the best in the world, not just the best in Latin America. They had to be the best schools of art in the world." Under her narration, the camera in Unfinished Spaces makes its way along brick corridors and up stone stairways. As the structure appears both old and empty, in some disrepair, you might guess this&#8230;]]></content>
</entry>
<entry>
<title type="html">'Doomsday Preppers': Planning for the End of Times</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154304-doomsday-preppers-planning-for-the-end-of-times/" />
<id>tag:popmatters.com,2012:pm/review/154304-doomsday-preppers-planning-for-the-end-of-times/5.154304</id>
<published>2012-02-07T14:04:02Z</published>
<updated>2012-02-07T14:04:02Z</updated>
<author><name>Mike Ward</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/d/doomsday-preppers1.jpg" /><br /><p>If you&#8217;re a statistically average person, what are your chances of following these people&#8217;s lead and successfully preparing for social collapse? Well, pretty long, unless you have quite a few acres of land lying fallow in the country and a couple hundred thousand extra dollars.</p>
The American suburb is rooted in doomsday. Take the prototype of Levittown, modeled after the workers&#8217; compartmentalized homes at the Oak Ridge Manhattan Project compound. Or, a decade later, Ike&#8217;s Interstate Highway System, which nurtured the modern suburb by enabling brisk commutes between city centers and outskirts but was mainly built to facilitate mass evacuation in the event of atomic war. There&#8217;s a reason the indivisible suburban unit&#8217;s called the &#8220;nuclear family.&#8221; So, how far&#8230;]]></content>
</entry>
<entry>
<title type="html">Terrific 'Freedom Riders' Will Rebroadcast on PBS 7 February</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154204-terrific-freedom-riders-will-rebroadcast-on-pbs-7-february/" />
<id>tag:popmatters.com,2012:pm/post/154204-terrific-freedom-riders-will-rebroadcast-on-pbs-7-february/15.154204</id>
<published>2012-02-07T14:00:06Z</published>
<updated>2012-02-07T14:00:06Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/freedom_riders.jpg" /><br />Stanley Nelson&#8217;s exceptional documentary tells the story of the Freedom Rides, from their initiation in May 1961, by James Farmer and the Congress of Racial Equality (CORE), to the Interstate Commerce Commission&#8217;s (ICC) ruling that September, that passengers on interstate buses could sit wherever they wanted, &#8220;the first unambiguous victory in the long history of the civil rights movement.&#8221; Freedom Riders -- airing on PBS on 7 February -- offers some incredible images from the&#8230;]]></content>
</entry>
<entry>
<title type="html">Terrific 'Freedom Riders' Will Rebroadcast on PBS 7 February</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154204-terrific-freedom-riders-will-rebroadcast-on-pbs-7-february/" />
<id>tag:popmatters.com,2012:pm/post/154204-terrific-freedom-riders-will-rebroadcast-on-pbs-7-february/15.154204</id>
<published>2012-02-07T14:00:06Z</published>
<updated>2012-02-07T14:00:06Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/freedom_riders.jpg" /><br />Stanley Nelson&#8217;s exceptional documentary tells the story of the Freedom Rides, from their initiation in May 1961, by James Farmer and the Congress of Racial Equality (CORE), to the Interstate Commerce Commission&#8217;s (ICC) ruling that September, that passengers on interstate buses could sit wherever they wanted, &#8220;the first unambiguous victory in the long history of the civil rights movement.&#8221; Freedom Riders -- airing on PBS on 7 February -- offers some incredible images from the&#8230;]]></content>
</entry>
<entry>
<title type="html">'The River': Secrets and Allusions</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154306-the-river-secrets-and-allusions/" />
<id>tag:popmatters.com,2012:pm/review/154306-the-river-secrets-and-allusions/5.154306</id>
<published>2012-02-07T13:56:00Z</published>
<updated>2012-02-07T13:56:00Z</updated>
<author><name>Michael Landweber</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/r/river-abc.jpg" /><br /><p>Hopefully, the found footage gimmick will give way after the first episode, since it would be a shame to shoot all of the Amazon from one camera on some guy&#8217;s shoulder.</p>
Emmet Cole (Bruce Greenwood) is the beloved host of the popular nature TV show, The Undiscovered Country. For 22 years, he's been bringing the world to people&#8217;s living rooms, telling his rapt audience that &#8220;there&#8217;s magic out there.&#8221; As The River opens, Emmet Cole is missing. He disappeared six months earlier on his latest expedition to the Amazon, which he took without his family or his usual crew. When Emmet is presumed dead, his son,&#8230;]]></content>
</entry>
<entry>
<title type="html">Mitt Romney Can Reside at Today's Proverbial 'Downton Abbey'... Newt Gingrich Cannot</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/feature/153838-mitt-at-downton-abbey/" />
<id>tag:popmatters.com,2012:pm/feature/153838-mitt-at-downton-abbey/21.153838</id>
<published>2012-02-07T07:00:20Z</published>
<updated>2012-02-07T07:00:20Z</updated>
<author><name>Joseph Natoli</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/d/downtownabbey-splsh1.jpg" /><br /><p><i>Downton Abbey</i> reveals not only the play of chance that often confounds choice, but the power of social class to confine choice within established boundaries -- and we're comfortable with that.</p>
&#8220;Mitt Romney is a rich man, but is Mitt Romney&#8217;s character formed by his wealth? Is Romney a spoiled, cosseted character? Has he been corrupted by ease and luxury? The notion is preposterous.&#8221; -- David Brooks, &#8220;The Wealth Issue,&#8221; New York Times, 19 January 2012 &#8220;As a man is, so he sees.&#8221; -- William Blake Whether we believe or not that a person&#8217;s character can be formed by wealth or, for that matter, by poverty,&#8230;]]></content>
</entry>
<entry>
<title type="html">Film Archiving: The Importance of Enlightening Those Audiences Sitting in the Dark</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/column/153958-enlightening-those-audiences-sitting-in-the-dark/" />
<id>tag:popmatters.com,2012:pm/column/153958-enlightening-those-audiences-sitting-in-the-dark/19.153958</id>
<published>2012-02-07T07:00:15Z</published>
<updated>2012-02-07T07:00:15Z</updated>
<author><name>Lynnette Porter</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/p/porter-oldfilm-splsh.jpg" /><br /><p>Special programs devoted to cinematic greats like Alfred Hitchcock or Deborah Kerr might be the flashiest part of an archivist&#8217;s job, but fiction curator Jo Botting also enjoys tracking down rare films and ensuring the next generation gets to see them.</p>
The theater lights dim, and everyone&#8217;s attention turns to the screen as a story comes to life. But what happens after the screenings end and the film is relegated to moviegoers&#8217; memory? Who decides whether, years from now, that film will again grace another screen or be re-introduced to new audiences? Jo Botting, Fiction Curator at the British Film Institute (BFI) National Archive, can answer those questions first-hand. She helps ensure that the world&#8217;s cinematic&#8230;]]></content>
</entry>
<entry>
<title type="html">Tilda Swinton helped birth a nightmare called &amp;#8216;We Need to Talk About Kevin&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154229-tilda-swinton-helped-birth-a-nightmare-called-we-need-to-talk-about-/" />
<id>tag:popmatters.com,2012:pm/article/154229-tilda-swinton-helped-birth-a-nightmare-called-we-need-to-talk-about-/23.154229</id>
<published>2012-02-06T21:35:39Z</published>
<updated>2012-02-06T21:35:39Z</updated>
<author><name>Nicole Sperling</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/w/we-need-to-talk-about-kevin.jpg" /><br />Los Angeles Times (MCT) -- SANTA MONICA, Calif. &#8212; Every mother has a birthing story, the play-by-play narrative that took her across the chasm from independence to attachment. Tilda Swinton is no exception. When the Scottish actress gave birth to her boy-and-girl twins 14 years ago, Swinton, who plays the mother to a troubled son in the new film &#8220;We Need to Talk About Kevin,&#8221; didn&#8217;t opt for the easy &#8212; or perhaps, even the safe &#8212; way out. Rather&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;NCIS&amp;#8217; hits the 200 mark</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154235-ncis-hits-the-200-mark/" />
<id>tag:popmatters.com,2012:pm/article/154235-ncis-hits-the-200-mark/23.154235</id>
<published>2012-02-06T20:35:23Z</published>
<updated>2012-02-06T20:35:23Z</updated>
<author><name>Rick Bentley</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/n/ncis1.jpg" /><br />McClatchy Newspapers (MCT) -- PASADENA, Calif. &#8212; The CBS drama &#8220;NCIS&#8221; will join a select group of prime-time TV shows Tuesday when it airs its 200th episode. Only 62 series &#8212; out of the thousands that have filled network and cable channels &#8212; have reached the milestone. And &#8220;NCIS&#8221; shows no sign of slowing down. It&#8217;s consistently the highest-rated drama in the weekly ratings and has 13.7 million Facebook fans. The popularity is global: It airs in more than&#8230;]]></content>
</entry>
<entry>
<title type="html">Skeptics making some noise over &amp;#8216;The Artist&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154232-skeptics-making-some-noise-over-the-artist/" />
<id>tag:popmatters.com,2012:pm/article/154232-skeptics-making-some-noise-over-the-artist/23.154232</id>
<published>2012-02-06T19:35:07Z</published>
<updated>2012-02-06T19:35:07Z</updated>
<author><name>Michael Phillips</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/t/the-artist.jpg" /><br />Chicago Tribune (MCT) -- If there&#8217;s one thing I had failed to consider this Academy Awards season, it&#8217;s that &#8220;The Artist&#8221; exists not to show people a good time (take it or leave it), but to make them feel like &#8220;idiots.&#8221; Is this why &#8220;The Artist&#8221; has done well in the big cities but less so in the smaller markets? To date, the front-runner for this year&#8217;s Oscars has grossed $18 million in the U.S., after faring far better&#8230;]]></content>
</entry>
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