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	<title type="text">PopMatters: Watch</title>
	<subtitle type="text">Film and television reviews, features, columns, and news.</subtitle>
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	<updated>2012-02-09T15:22:34Z</updated>
	<rights>Copyright (c) 2012, PopMatters.com</rights>
	<id>tag:popmatters.com-watch,2012:02:10</id>
	<entry>
<title type="html">And the Academy Awards Nominees Are&amp;#8230; Straight</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/column/154269-and-the-nominees-arestraight/" />
<id>tag:popmatters.com,2012:pm/column/154269-and-the-nominees-arestraight/19.154269</id>
<published>2012-02-10T07:00:15Z</published>
<updated>2012-02-10T07:00:15Z</updated>
<author><name>Michael Abernethy</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/a/abernethy-academy-splsh.jpg" /><br /><p>Films about LGBT people that are aimed at mass audiences win awards; films about LGBT people that are aimed at LGBT audiences&#8230; not so much. So, here's the <i>Queer, Isn't It?</i> Best Pic nominees.</p>
When this year's Academy Awards nominations were announced in January, LGBT film buffs scoured them in the annual ritual of counting the number of LGBT-oriented films that got nominations. Last year was the year of the lesbian, with both Black Swan and The Kids are All Right landing multiple nominations each. This year, the whole spectrum of the rainbow is represented. There's both transgenderism and lesbianism in Albert Knobbs, while The Girl with the Dragon&#8230;]]></content>
</entry>
<entry>
<title type="html">Swedish director Daniel Espinosa took an unusual approach with &amp;#8216;Safe House&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154417-swedish-director-daniel-espinosa-took-an-unusual-approach-with-safe-/" />
<id>tag:popmatters.com,2012:pm/article/154417-swedish-director-daniel-espinosa-took-an-unusual-approach-with-safe-/23.154417</id>
<published>2012-02-09T20:35:25Z</published>
<updated>2012-02-09T20:35:25Z</updated>
<author><name>John Horn</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/safe_house_ryan_reynolds.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; When Universal Pictures hired Daniel Espinosa to direct its rogue CIA agent thriller &#8220;Safe House,&#8221; the studio knew it was rolling the dice. The Swedish filmmaker had never made an English-language feature, he hadn&#8217;t worked with stars near the magnitude of &#8220;Safe House&#8221; leads Denzel Washington and Ryan Reynolds, and he was graduating from a $4-million Nordic drug drama to an $85-million production. None of that prepared executives for the first batch&#8230;]]></content>
</entry>
<entry>
<title type="html">Resonant Doc 'Black Power Mixtape' Premieres on Independent Lens, 9 February</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154424-resonant-doc-black-power-mixtape-premieres-on-independent-lens-9-feb/" />
<id>tag:popmatters.com,2012:pm/post/154424-resonant-doc-black-power-mixtape-premieres-on-independent-lens-9-feb/15.154424</id>
<published>2012-02-09T20:00:08Z</published>
<updated>2012-02-09T20:00:08Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/black_power_mixtape.jpg" /><br />"What was it like coming back to America after fighting in Vietnam?" asks an off-screen narrator. A 22-year-old black man nods and begins to talk, his weary expression suggesting this is a question he's prepared to answer, but one he dreads. "It's almost the same as when I left, " he begins. "I say this because when a man goes to fight for his country and then comes back over here and almost have to&#8230;]]></content>
</entry>
<entry>
<title type="html">Resonant Doc 'Black Power Mixtape' Premieres on Independent Lens, 9 February</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154424-resonant-doc-black-power-mixtape-premieres-on-independent-lens-9-feb/" />
<id>tag:popmatters.com,2012:pm/post/154424-resonant-doc-black-power-mixtape-premieres-on-independent-lens-9-feb/15.154424</id>
<published>2012-02-09T20:00:08Z</published>
<updated>2012-02-09T20:00:08Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/black_power_mixtape.jpg" /><br />"What was it like coming back to America after fighting in Vietnam?" asks an off-screen narrator. A 22-year-old black man nods and begins to talk, his weary expression suggesting this is a question he's prepared to answer, but one he dreads. "It's almost the same as when I left, " he begins. "I say this because when a man goes to fight for his country and then comes back over here and almost have to&#8230;]]></content>
</entry>
<entry>
<title type="html">BET&amp;#8217;s ambitious lineup includes &amp;#8216;Second Generation,&amp;#8217; &amp;#8216;Gun Hill&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154422-bets-ambitious-lineup-includes-second-generation-gun-hill/" />
<id>tag:popmatters.com,2012:pm/article/154422-bets-ambitious-lineup-includes-second-generation-gun-hill/23.154422</id>
<published>2012-02-09T19:35:07Z</published>
<updated>2012-02-09T19:35:07Z</updated>
<author><name>Greg Braxton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/g/gun-hill.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; BET, which has been targeted in recent years for showcasing provocative music videos and other programming that critics and cultural observers said showed blacks in a negative and derogatory light, is unveiling an ambitious development slate. These new programs include a number of scripted shows and projects that emphasize positive aspects of African American culture. Among the highlights of the lineup is a new scripted comedy from the Wayans family and a&#8230;]]></content>
</entry>
<entry>
<title type="html">Streep sees something of herself in &amp;#8216;Iron Lady&amp;#8217; Thatcher&amp;#8217;s resolve</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154415-streep-sees-something-of-herself-in-iron-lady-thatchers-resolve/" />
<id>tag:popmatters.com,2012:pm/article/154415-streep-sees-something-of-herself-in-iron-lady-thatchers-resolve/23.154415</id>
<published>2012-02-09T18:35:50Z</published>
<updated>2012-02-09T18:35:50Z</updated>
<author><name>Rebecca Keegan</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/i/iron-lady-movie.jpg" /><br />Los Angeles Times (MCT) -- NEW YORK &#8212; At night after she finished the day&#8217;s shooting of &#8220;The Iron Lady&#8221; in London, Meryl Streep would undergo a kind of ritual. Makeup artists painstakingly removed the prosthetics that enabled Streep to play the former British prime minister in her senescent 80s, and the actress unbent her dowager&#8217;s body and returned to her upright, lighthearted self. &#8220;I&#8217;d come home and lean against a doorjamb and stand up straight, you know, bend that&#8230;]]></content>
</entry>
<entry>
<title type="html">Lauded &amp;#8216;Hugo&amp;#8217; proves costly to its producer</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154420-lauded-hugo-proves-costly-to-its-producer/" />
<id>tag:popmatters.com,2012:pm/article/154420-lauded-hugo-proves-costly-to-its-producer/23.154420</id>
<published>2012-02-09T16:35:15Z</published>
<updated>2012-02-09T16:35:15Z</updated>
<author><name>Patrick Goldstein</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/film-hugo-splsh1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Last weekend I hosted a panel at the Santa Barbara Film Festival that featured five producers whose films were Oscar best picture nominees. At one point I asked everyone how many shooting days they had to make the film. After everyone else answered, Graham King, the producer of &#8220;Hugo,&#8221; got a big laugh, saying &#8220;I think our shooting schedule was longer than everyone else&#8217;s put together. After 100 days, what are you&#8230;]]></content>
</entry>
<entry>
<title type="html">Pan African film festival going strong at 20</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154421-pan-african-film-festival-going-strong-at-20/" />
<id>tag:popmatters.com,2012:pm/article/154421-pan-african-film-festival-going-strong-at-20/23.154421</id>
<published>2012-02-09T15:35:49Z</published>
<updated>2012-02-09T15:35:49Z</updated>
<author><name>Susan King</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/e/education-of-auma-obama.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Ayuko Babu, cofounder and executive director of the Pan African Film & Arts Festival, which kicks off its 20th anniversary Thursday, peppers his conversation with the word &#8220;explosion.&#8221; &#8220;We African people, we intend to tell our stories whether it is on the continent of Africa or the diaspora of the United States or the diaspora of Haiti,&#8221; he said. &#8220;People are really intent on telling our story, giving us a sense of&#8230;]]></content>
</entry>
<entry>
<title type="html">ReFramed No. 19: Michelangelo Antonioni&amp;#8217;s 'Zabriskie Point' (1970)</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154392-reframed-no.-19-michelangelo-antonionis-zabriskie-point-1970/" />
<id>tag:popmatters.com,2012:pm/post/154392-reframed-no.-19-michelangelo-antonionis-zabriskie-point-1970/17.154392</id>
<published>2012-02-09T15:00:31Z</published>
<updated>2012-02-09T15:00:31Z</updated>
<author><name>Jordan Cronk and Calum Marsh</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/r/reframed-19zabriskiepoint.jpg" /><br /><p>What happens when an admitted auteur makes a grand -- and quite insular -- artistic statement? Critics are dumbfounded, which means it's time for our preservationist pair to break out the accolades.</p>
Calum Marsh: As you know, Jordan, the films we tend to gravitate toward in this column are mostly obscure or neglected, like forgotten late-career coups by otherwise canonical directors or great films considered "minor" by the high guard. Zabriskie Point, an English-language drama by legendary Italian director Michelangelo Antonioni, represents a different sort of case altogether: widely available as an inexpensive, reasonably high-quality Region 1 DVD and unforgotten by anyone who's seen it, Zabriskie Point's&#8230;]]></content>
</entry>
<entry>
<title type="html">ReelAbilities Day 1: 'Body and Soul' and 'Defining Beauty'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154409-reelabilities-day-1-body-and-soul-and-defining-beauty/" />
<id>tag:popmatters.com,2012:pm/review/154409-reelabilities-day-1-body-and-soul-and-defining-beauty/5.154409</id>
<published>2012-02-09T14:35:34Z</published>
<updated>2012-02-09T14:35:34Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/body-and-soul-1.jpg" /><br /><p><i>Body and Soul</i> and <i>Defining Beauty: Ms. Wheelchair America</i> both feature admirable subjects who have "overcome obstacles," and also take refreshingly unconventional approaches to these subjects.</p>
"I can't answer the questions people sometimes ask," says Mariana Tembe. When people ask how she gets dressed on her own, or how she takes a bath, she can only say that she does it like they do. She dresses her young son, then sits him on the bed beside her, combs his hair and then combs her own. "For me, it's essential to be pretty," she smiles. Mariana lives just outside Maputo, Mozambique's capital&#8230;]]></content>
</entry>
<entry>
<title type="html">Ben Gazzara and The End Of An Aura</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154321-ben-gazzara-and-the-end-of-an-aura/" />
<id>tag:popmatters.com,2012:pm/post/154321-ben-gazzara-and-the-end-of-an-aura/17.154321</id>
<published>2012-02-09T11:00:17Z</published>
<updated>2012-02-09T11:00:17Z</updated>
<author><name>Sean Murphy</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/blog_art/b/bg2.jpg" /><br /><p>Ben Gazzara: 1930 - 2012. What can you say about Gazzara? He was relevant in every decade going back to the '50s. </p>
Still reeling from the sad news about Don Cornelius, it's painful to acknowledge the loss of another irreplaceable master, Ben Gazarra. Some good tributes out there. What can you say about Gazzara? He was relevant in every decade going back to the '50s. And it wasn't just his longevity or his unique, idiosyncratic style(s); he was old school in the sense that he radiated that aura: above all, he was a man.That might not sound&#8230;]]></content>
</entry>
<entry>
<title type="html">Is Clint Eastwood really a partisan provocateur?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154376-is-clint-eastwood-really-a-partisan-provocateur/" />
<id>tag:popmatters.com,2012:pm/article/154376-is-clint-eastwood-really-a-partisan-provocateur/23.154376</id>
<published>2012-02-08T22:35:02Z</published>
<updated>2012-02-08T22:35:02Z</updated>
<author><name>Steven Zeitchik</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/c/clint-eastwood1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Of all the directors who could have become a lightning rod for the right this election season, Clint Eastwood wouldn&#8217;t be high on the list. Michael Moore? Certainly. Spike Lee? No doubt. But Eastwood? This is Dirty Harry, a man who for years epitomized rugged individualism, outlaw independence, no-nonsense self-reliance. If there was ever an actor who could play Ron Paul, Eastwood is it. Starting out as a Republican-leaning voter in the&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;One Flew Over the Cuckoo&amp;#8217;s Nest&amp;#8217; turns 50; does it stand up to time?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154371-one-flew-over-the-cuckoos-nest-turns-50-does-it-stand-up-to-time/" />
<id>tag:popmatters.com,2012:pm/article/154371-one-flew-over-the-cuckoos-nest-turns-50-does-it-stand-up-to-time/23.154371</id>
<published>2012-02-08T20:35:29Z</published>
<updated>2012-02-08T20:35:29Z</updated>
<author><name>Carolyn Kellogg</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/o/one-flew-over-the-cuckoos-nest.jpg" /><br />Los Angeles Times (MCT) -- &#8220;Cuckoo&#8217;s Nest.&#8221; Sure, everyone&#8217;s heard of it. But is it worth reading? Before Jack Nicholson won his first Oscar, before there was a bus full of merry pranksters, there was a writing student with a swing-shift job in a mental ward. It&#8217;s the Ken Kesey of that era who stares from the jacket flap of the 50th anniversary edition of his debut novel, &#8220;One Flew Over the Cuckoo&#8217;s Nest&#8221;: His curly hair is cropped short,&#8230;]]></content>
</entry>
<entry>
<title type="html">Melissa McCarthy: No Longer "Always a Bridesmaid"</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154166-melissa-mccarthy-no-longer/" />
<id>tag:popmatters.com,2012:pm/post/154166-melissa-mccarthy-no-longer/15.154166</id>
<published>2012-02-08T20:00:00Z</published>
<updated>2012-02-08T20:00:00Z</updated>
<author><name>Comfort Clinton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/bridesmaids-movie-poster-melissa-mccarthy.jpg" /><br /><p>Though this was clearly a defining year for the actress, here are five other interesting things to know about the Oscar nominee's career in the entertainment industry.</p>
The votes are in! The list of nominees for the 84th annual Academy Awards was announced on January 24th by the lovely Jennifer Lawrence. While most of the contenders were predictable, given their recent nominations for Golden Globe or SAG awards, going into the process the one wild card in the bunch was this summer&#8217;s female-driven blockbuster comedy Bridesmaids. Though the Academy has not favored comedies in the past, there was speculation that the film&#8230;]]></content>
</entry>
<entry>
<title type="html">Melissa McCarthy: No Longer "Always a Bridesmaid"</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154166-melissa-mccarthy-no-longer/" />
<id>tag:popmatters.com,2012:pm/post/154166-melissa-mccarthy-no-longer/15.154166</id>
<published>2012-02-08T20:00:00Z</published>
<updated>2012-02-08T20:00:00Z</updated>
<author><name>Comfort Clinton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/bridesmaids-movie-poster-melissa-mccarthy.jpg" /><br /><p>Though this was clearly a defining year for the actress, here are five other interesting things to know about the Oscar nominee's career in the entertainment industry.</p>
The votes are in! The list of nominees for the 84th annual Academy Awards was announced on January 24th by the lovely Jennifer Lawrence. While most of the contenders were predictable, given their recent nominations for Golden Globe or SAG awards, going into the process the one wild card in the bunch was this summer&#8217;s female-driven blockbuster comedy Bridesmaids. Though the Academy has not favored comedies in the past, there was speculation that the film&#8230;]]></content>
</entry>
<entry>
<title type="html">Grammys 2012: Funny how the comedy category has changed</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154373-grammys-2012-funny-how-the-comedy-category-has-changed/" />
<id>tag:popmatters.com,2012:pm/article/154373-grammys-2012-funny-how-the-comedy-category-has-changed/23.154373</id>
<published>2012-02-08T19:35:07Z</published>
<updated>2012-02-08T19:35:07Z</updated>
<author><name>Deborah Vankin</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/g/grammys3.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; The comedy category at the Grammys is a funny thing... In the unwired, pre-cable era, comedy recordings on vinyl were a core way for comics to reach mainstream audiences. &#8220;The Button-Down Mind of Bob Newhart&#8221; not only won a Grammy in 1961, it beat every musical release for album of the year. Two years later, Vaughn Meader&#8217;s &#8220;The First Family,&#8221; did the same. Now fewer comedians are recording proper comedy albums on&#8230;]]></content>
</entry>
<entry>
<title type="html">Audiences are noticing Johnny Galecki, and now the Emmys and Globes are too</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154374-audiences-are-noticing-johnny-galecki-and-now-the-emmys-and-globes-a/" />
<id>tag:popmatters.com,2012:pm/article/154374-audiences-are-noticing-johnny-galecki-and-now-the-emmys-and-globes-a/23.154374</id>
<published>2012-02-08T18:35:44Z</published>
<updated>2012-02-08T18:35:44Z</updated>
<author><name>Yvonne Villarreal</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/j/johnny-galecki.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Johnny Galecki seeks to be average. The star of &#8220;The Big Bang Theory&#8221; is seated outside a small Hollywood restaurant, talking about his longing to play ordinary, run-of-the mill figures rather than the larger-than-life characters that actors and audiences sometimes embrace. &#8220;Guys like Dustin Hoffman and Jack Lemmon have always been my leading men,&#8221; said the 36-year-old, leather jacket-clad actor, who minutes before was crushing the butt of a luxury cigarette with&#8230;]]></content>
</entry>
<entry>
<title type="html">Hot YouTube Trend: People Saying Sh*t</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154165-hot-youtube-trend-people-saying-sht/" />
<id>tag:popmatters.com,2012:pm/post/154165-hot-youtube-trend-people-saying-sht/15.154165</id>
<published>2012-02-08T16:00:49Z</published>
<updated>2012-02-08T16:00:49Z</updated>
<author><name>Comfort Clinton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/sht-people-say.jpg" /><br /><p>Ah the internet. Bottomless pit of knowledge about news past and present, outlet for self-expression, facilitator of human connection, and&#8230; mecca of questionably offensive video montage parodies?</p>
Ah the internet. Bottomless pit of knowledge about news past and present, outlet for self-expression, facilitator of human connection, and&#8230; mecca of questionably offensive video montage parodies? Well ok, the last one isn&#8217;t really what most people generally think of when connecting to the world wide web, but a current trend of posting these videos in the form of &#8220;Sh*t People Say&#8221; is, in fact, taking the YouTube world by storm. It seems that the&#8230;]]></content>
</entry>
<entry>
<title type="html">Oscars 2012: Best picture nominees were predictable, and predictability is not a good thing</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154375-best-picture-nominees-were-predictable/" />
<id>tag:popmatters.com,2012:pm/article/154375-best-picture-nominees-were-predictable/23.154375</id>
<published>2012-02-08T15:35:26Z</published>
<updated>2012-02-08T15:35:26Z</updated>
<author><name>Patrick Goldstein</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/o/oscar-statuettes-11.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; If you read even half as many stories, blog posts, Facebook entries and tweets about the Oscar nominations as I did, you already know that there was hardly any shocking news involving the nine films that earned a best picture nomination. As Kristopher Tapley, the resident pundit at the In Contention blog, put it the morning of the nominations: &#8220;The nominees are in and the surprises are few and far between.&#8221; Why&#8230;]]></content>
</entry>
<entry>
<title type="html">Oscars 2012: Best picture nominees were predictable, and predictability is not a good thing</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154375-best-picture-nominees-were-predictable/" />
<id>tag:popmatters.com,2012:pm/article/154375-best-picture-nominees-were-predictable/23.154375</id>
<published>2012-02-08T15:35:26Z</published>
<updated>2012-02-08T15:35:26Z</updated>
<author><name>Patrick Goldstein</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/o/oscar-statuettes-11.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; If you read even half as many stories, blog posts, Facebook entries and tweets about the Oscar nominations as I did, you already know that there was hardly any shocking news involving the nine films that earned a best picture nomination. As Kristopher Tapley, the resident pundit at the In Contention blog, put it the morning of the nominations: &#8220;The nominees are in and the surprises are few and far between.&#8221; Why&#8230;]]></content>
</entry>
<entry>
<title type="html">'Miners' Hymns': Labor and Poetry</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154362-miners-hymns-labor-and-poetry/" />
<id>tag:popmatters.com,2012:pm/review/154362-miners-hymns-labor-and-poetry/5.154362</id>
<published>2012-02-08T13:15:00Z</published>
<updated>2012-02-08T13:15:00Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/m/miners-hymns.jpg" /><br /><p>Beautifully and evocatively, Bill Morrison's film traces the changes of fortune for the mines and miners, the industry and communities of Northern England.</p>
The shoreline seems far away at first, as the camera in Miners' Hymns approaches from over the sea. But it's not long before you're over land, green and yellow planting fields giving way to rows and rows of homes, roads and parking lots. A couple of titles note the former site of Ryhope Colliery (1857-1966) and then, the former site of Silksworth Collilery (1869-1971). These are the names of Durham coalfields, the dates marking their&#8230;]]></content>
</entry>
<entry>
<title type="html">A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/feature/146572-a-look-to-the-past-an-insight-into-the-present-the-use-of-gender-in-/" />
<id>tag:popmatters.com,2012:pm/feature/146572-a-look-to-the-past-an-insight-into-the-present-the-use-of-gender-in-/21.146572</id>
<published>2012-02-08T07:00:20Z</published>
<updated>2012-02-08T07:00:20Z</updated>
<author><name>Jennifer M. Perdomo</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/m/mad-men61.jpg" /><br /><p>Looking beyond the aesthetic surface of the series, what is the true motivation behind <i>Mad Men</i>&#8217;s frank depictions of these troubled social times? Is sexism being used as some sort of nostalgic trope, or does <i>Mad Men</i> actually delve deeper and explore these issues?</p>
Mad Men chronicles the lives of Madison Avenue advertising executives in the early 1960s. The show revolves around an advertising agency called Sterling Cooper, later Sterling Cooper Draper Price (SCDP), and its enigmatic Creative Director Don Draper. Since its premiere on AMC in the summer of 2007, Mad Men has received overwhelming critical acclaim for its &#8220;unflinching portrayal of Eisenhower/Kennedy-era sexism&#8221; (Schwarz, 4) and has built a dedicated viewership of rapid fans. Additionally, much has&#8230;]]></content>
</entry>
<entry>
<title type="html">The 10 Greatest Shakespeare Film Adaptations of All Time</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154242-the-10-greatest-shakespeare-adaptations-of-all-time/" />
<id>tag:popmatters.com,2012:pm/post/154242-the-10-greatest-shakespeare-adaptations-of-all-time/17.154242</id>
<published>2012-02-07T15:00:23Z</published>
<updated>2012-02-07T15:00:23Z</updated>
<author><name>Bill Gibron</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/l/listthis-shakespeare.jpg" /><br /><p>While some want to question his authorship, there is no denying the lasting influence of William Shakespeare. These 10 titles prove that with accolades to spare. </p>
From declarations of undeniable greatness to questions of legitimacy, the literary world continues to be fascinated by one William Shakespeare. The famed playwright remains a historical enigma, a question almost everyone can answer outright, but can't fully understand completely. While the postmodern age has spent inordinate amounts of time trying to figure out if a failed actor in England really did create some of the most amazing theater pieces ever written, the various medias surrounding&#8230;]]></content>
</entry>
<entry>
<title type="html">Netflix&amp;#8217;s first original series stars Steven Van Zandt as a New York mobster</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154310-netflixs-first-original-series-stars-steven-van-zandt-as-a-new-york-/" />
<id>tag:popmatters.com,2012:pm/article/154310-netflixs-first-original-series-stars-steven-van-zandt-as-a-new-york-/23.154310</id>
<published>2012-02-07T14:34:59Z</published>
<updated>2012-02-07T14:34:59Z</updated>
<author><name>Robert Lloyd</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/steve-van-zandt-lilyhammer-netflix.jpg" /><br />Los Angeles Times (MCT) -- In &#8220;Lilyhammer,&#8221; whose eight parts debut Monday as an exclusive Netflix stream, Steven Van Zandt retrieves his Silvio wig from the &#8220;Sopranos&#8221; costume box to play Frank &#8220;The Fixer&#8221; Tagliano, a New York mobster who retreats into witness protection in Lillehammer, Norway. He remembers the town from broadcasts of the 1994 Winter Olympics as a place of &#8220;clean air, fresh white snow, gorgeous broads&#8221; and figures it will be the last place anyone would think&#8230;]]></content>
</entry>
<entry>
<title type="html">'Unfinished Spaces' Revisits Cuba's Schools of Art</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154314-unfinished-spaces-revisits-cubas-schools-of-art/" />
<id>tag:popmatters.com,2012:pm/review/154314-unfinished-spaces-revisits-cubas-schools-of-art/5.154314</id>
<published>2012-02-07T14:15:00Z</published>
<updated>2012-02-07T14:15:00Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/u/unfinished-spaces.jpg" /><br /><p>The journey in <i>Unfinished Spaces</i> begins with reconsidering the hopes and confusions of Cuba just after the Revolution, the politics and the struggles that go on to this day.</p>
"To Fidel, everything had to be the greatest in the world," says Selma Diaz. "To him, they were the best in the world, not just the best in Latin America. They had to be the best schools of art in the world." Under her narration, the camera in Unfinished Spaces makes its way along brick corridors and up stone stairways. As the structure appears both old and empty, in some disrepair, you might guess this&#8230;]]></content>
</entry>
<entry>
<title type="html">'Doomsday Preppers': Planning for the End of Times</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154304-doomsday-preppers-planning-for-the-end-of-times/" />
<id>tag:popmatters.com,2012:pm/review/154304-doomsday-preppers-planning-for-the-end-of-times/5.154304</id>
<published>2012-02-07T14:04:02Z</published>
<updated>2012-02-07T14:04:02Z</updated>
<author><name>Mike Ward</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/d/doomsday-preppers1.jpg" /><br /><p>If you&#8217;re a statistically average person, what are your chances of following these people&#8217;s lead and successfully preparing for social collapse? Well, pretty long, unless you have quite a few acres of land lying fallow in the country and a couple hundred thousand extra dollars.</p>
The American suburb is rooted in doomsday. Take the prototype of Levittown, modeled after the workers&#8217; compartmentalized homes at the Oak Ridge Manhattan Project compound. Or, a decade later, Ike&#8217;s Interstate Highway System, which nurtured the modern suburb by enabling brisk commutes between city centers and outskirts but was mainly built to facilitate mass evacuation in the event of atomic war. There&#8217;s a reason the indivisible suburban unit&#8217;s called the &#8220;nuclear family.&#8221; So, how far&#8230;]]></content>
</entry>
<entry>
<title type="html">Terrific 'Freedom Riders' Will Rebroadcast on PBS 7 February</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154204-terrific-freedom-riders-will-rebroadcast-on-pbs-7-february/" />
<id>tag:popmatters.com,2012:pm/post/154204-terrific-freedom-riders-will-rebroadcast-on-pbs-7-february/15.154204</id>
<published>2012-02-07T14:00:06Z</published>
<updated>2012-02-07T14:00:06Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/freedom_riders.jpg" /><br />Stanley Nelson&#8217;s exceptional documentary tells the story of the Freedom Rides, from their initiation in May 1961, by James Farmer and the Congress of Racial Equality (CORE), to the Interstate Commerce Commission&#8217;s (ICC) ruling that September, that passengers on interstate buses could sit wherever they wanted, &#8220;the first unambiguous victory in the long history of the civil rights movement.&#8221; Freedom Riders -- airing on PBS on 7 February -- offers some incredible images from the&#8230;]]></content>
</entry>
<entry>
<title type="html">Terrific 'Freedom Riders' Will Rebroadcast on PBS 7 February</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154204-terrific-freedom-riders-will-rebroadcast-on-pbs-7-february/" />
<id>tag:popmatters.com,2012:pm/post/154204-terrific-freedom-riders-will-rebroadcast-on-pbs-7-february/15.154204</id>
<published>2012-02-07T14:00:06Z</published>
<updated>2012-02-07T14:00:06Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/freedom_riders.jpg" /><br />Stanley Nelson&#8217;s exceptional documentary tells the story of the Freedom Rides, from their initiation in May 1961, by James Farmer and the Congress of Racial Equality (CORE), to the Interstate Commerce Commission&#8217;s (ICC) ruling that September, that passengers on interstate buses could sit wherever they wanted, &#8220;the first unambiguous victory in the long history of the civil rights movement.&#8221; Freedom Riders -- airing on PBS on 7 February -- offers some incredible images from the&#8230;]]></content>
</entry>
<entry>
<title type="html">'The River': Secrets and Allusions</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154306-the-river-secrets-and-allusions/" />
<id>tag:popmatters.com,2012:pm/review/154306-the-river-secrets-and-allusions/5.154306</id>
<published>2012-02-07T13:56:00Z</published>
<updated>2012-02-07T13:56:00Z</updated>
<author><name>Michael Landweber</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/r/river-abc.jpg" /><br /><p>Hopefully, the found footage gimmick will give way after the first episode, since it would be a shame to shoot all of the Amazon from one camera on some guy&#8217;s shoulder.</p>
Emmet Cole (Bruce Greenwood) is the beloved host of the popular nature TV show, The Undiscovered Country. For 22 years, he's been bringing the world to people&#8217;s living rooms, telling his rapt audience that &#8220;there&#8217;s magic out there.&#8221; As The River opens, Emmet Cole is missing. He disappeared six months earlier on his latest expedition to the Amazon, which he took without his family or his usual crew. When Emmet is presumed dead, his son,&#8230;]]></content>
</entry>
<entry>
<title type="html">Mitt Romney Can Reside at Today's Proverbial 'Downton Abbey'... Newt Gingrich Cannot</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/feature/153838-mitt-at-downton-abbey/" />
<id>tag:popmatters.com,2012:pm/feature/153838-mitt-at-downton-abbey/21.153838</id>
<published>2012-02-07T07:00:20Z</published>
<updated>2012-02-07T07:00:20Z</updated>
<author><name>Joseph Natoli</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/d/downtownabbey-splsh1.jpg" /><br /><p><i>Downton Abbey</i> reveals not only the play of chance that often confounds choice, but the power of social class to confine choice within established boundaries -- and we're comfortable with that.</p>
&#8220;Mitt Romney is a rich man, but is Mitt Romney&#8217;s character formed by his wealth? Is Romney a spoiled, cosseted character? Has he been corrupted by ease and luxury? The notion is preposterous.&#8221; -- David Brooks, &#8220;The Wealth Issue,&#8221; New York Times, 19 January 2012 &#8220;As a man is, so he sees.&#8221; -- William Blake Whether we believe or not that a person&#8217;s character can be formed by wealth or, for that matter, by poverty,&#8230;]]></content>
</entry>
<entry>
<title type="html">Film Archiving: The Importance of Enlightening Those Audiences Sitting in the Dark</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/column/153958-enlightening-those-audiences-sitting-in-the-dark/" />
<id>tag:popmatters.com,2012:pm/column/153958-enlightening-those-audiences-sitting-in-the-dark/19.153958</id>
<published>2012-02-07T07:00:15Z</published>
<updated>2012-02-07T07:00:15Z</updated>
<author><name>Lynnette Porter</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/p/porter-oldfilm-splsh.jpg" /><br /><p>Special programs devoted to cinematic greats like Alfred Hitchcock or Deborah Kerr might be the flashiest part of an archivist&#8217;s job, but fiction curator Jo Botting also enjoys tracking down rare films and ensuring the next generation gets to see them.</p>
The theater lights dim, and everyone&#8217;s attention turns to the screen as a story comes to life. But what happens after the screenings end and the film is relegated to moviegoers&#8217; memory? Who decides whether, years from now, that film will again grace another screen or be re-introduced to new audiences? Jo Botting, Fiction Curator at the British Film Institute (BFI) National Archive, can answer those questions first-hand. She helps ensure that the world&#8217;s cinematic&#8230;]]></content>
</entry>
<entry>
<title type="html">Tilda Swinton helped birth a nightmare called &amp;#8216;We Need to Talk About Kevin&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154229-tilda-swinton-helped-birth-a-nightmare-called-we-need-to-talk-about-/" />
<id>tag:popmatters.com,2012:pm/article/154229-tilda-swinton-helped-birth-a-nightmare-called-we-need-to-talk-about-/23.154229</id>
<published>2012-02-06T21:35:39Z</published>
<updated>2012-02-06T21:35:39Z</updated>
<author><name>Nicole Sperling</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/w/we-need-to-talk-about-kevin.jpg" /><br />Los Angeles Times (MCT) -- SANTA MONICA, Calif. &#8212; Every mother has a birthing story, the play-by-play narrative that took her across the chasm from independence to attachment. Tilda Swinton is no exception. When the Scottish actress gave birth to her boy-and-girl twins 14 years ago, Swinton, who plays the mother to a troubled son in the new film &#8220;We Need to Talk About Kevin,&#8221; didn&#8217;t opt for the easy &#8212; or perhaps, even the safe &#8212; way out. Rather&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;NCIS&amp;#8217; hits the 200 mark</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154235-ncis-hits-the-200-mark/" />
<id>tag:popmatters.com,2012:pm/article/154235-ncis-hits-the-200-mark/23.154235</id>
<published>2012-02-06T20:35:23Z</published>
<updated>2012-02-06T20:35:23Z</updated>
<author><name>Rick Bentley</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/n/ncis1.jpg" /><br />McClatchy Newspapers (MCT) -- PASADENA, Calif. &#8212; The CBS drama &#8220;NCIS&#8221; will join a select group of prime-time TV shows Tuesday when it airs its 200th episode. Only 62 series &#8212; out of the thousands that have filled network and cable channels &#8212; have reached the milestone. And &#8220;NCIS&#8221; shows no sign of slowing down. It&#8217;s consistently the highest-rated drama in the weekly ratings and has 13.7 million Facebook fans. The popularity is global: It airs in more than&#8230;]]></content>
</entry>
<entry>
<title type="html">Skeptics making some noise over &amp;#8216;The Artist&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154232-skeptics-making-some-noise-over-the-artist/" />
<id>tag:popmatters.com,2012:pm/article/154232-skeptics-making-some-noise-over-the-artist/23.154232</id>
<published>2012-02-06T19:35:07Z</published>
<updated>2012-02-06T19:35:07Z</updated>
<author><name>Michael Phillips</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/t/the-artist.jpg" /><br />Chicago Tribune (MCT) -- If there&#8217;s one thing I had failed to consider this Academy Awards season, it&#8217;s that &#8220;The Artist&#8221; exists not to show people a good time (take it or leave it), but to make them feel like &#8220;idiots.&#8221; Is this why &#8220;The Artist&#8221; has done well in the big cities but less so in the smaller markets? To date, the front-runner for this year&#8217;s Oscars has grossed $18 million in the U.S., after faring far better&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;American Idol&amp;#8217; vs. &amp;#8216;The Voice&amp;#8217;: Who wins the battle rounds?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154230-american-idol-vs.-the-voice-who-wins-the-battle-rounds/" />
<id>tag:popmatters.com,2012:pm/article/154230-american-idol-vs.-the-voice-who-wins-the-battle-rounds/23.154230</id>
<published>2012-02-06T18:35:49Z</published>
<updated>2012-02-06T18:35:49Z</updated>
<author><name>Chuck Barney</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/a/american_idol12.jpg" /><br />Contra Costa Times (MCT) -- Well, it had to happen sometime. Now in its 11th season, the prime-time juggernaut known as &#8220;American Idol&#8221; has become a little less juggernaut-y. Early &#8220;Idol&#8221; ratings have tumbled enough that it&#8217;s possible &#8212; but not highly probable &#8212; that the Fox reality series could see its seven-year streak as TV&#8217;s No. 1 show come to an end. Meanwhile, &#8220;The Voice&#8221; appears ready to give it a run for the money. On Sunday, NBC&#8217;s singing&#8230;]]></content>
</entry>
<entry>
<title type="html">Super Bowl XLVI: Battle of the Commercials</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154222-super-bowl-xlvi-battle-of-the-commercials/" />
<id>tag:popmatters.com,2012:pm/post/154222-super-bowl-xlvi-battle-of-the-commercials/15.154222</id>
<published>2012-02-06T18:00:10Z</published>
<updated>2012-02-06T18:00:10Z</updated>
<author><name>Jessy Krupa</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/super-bowl-commercials-2012.jpg" /><br /><p>Which Superbowl commercials did we love? What was just a waste of our time?</p>
Advertisers fought for the favor of one of the biggest TV audiences of the year with heavily hyped commercials, and it mostly paid off for viewers. Though last year featured some great ads, 2012&#8217;s crop was just as good, if not better. Some viewers (including myself) complained of sexist overtones in some 2011 spots, but things finally seem to be somewhat headed in a new direction. Though there were far too many underdressed females (as&#8230;]]></content>
</entry>
<entry>
<title type="html">Sundance 2012: This year&amp;#8217;s Sundance Film Festival was a family affair</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154231-sundance-2012-this-years-sundance-film-festival-was-a-family-affair/" />
<id>tag:popmatters.com,2012:pm/article/154231-sundance-2012-this-years-sundance-film-festival-was-a-family-affair/23.154231</id>
<published>2012-02-06T17:35:28Z</published>
<updated>2012-02-06T17:35:28Z</updated>
<author><name>Colin Covert</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/sundance_film_festival3.jpg" /><br />Star Tribune (Minneapolis) (MCT) -- Winnowing thousands of entries to showcase the most significant, film festivals serve as a time capsule, focusing attention on the values and concerns of the moment. Many of the most notable entries at this year&#8217;s Sundance Film Festival, which ran Jan. 19-29, stress the primal importance of home and family. Opening-night films included &#8220;Hello I Must Be Going,&#8221; starring Melanie Lynskey as a demoralized, divorc&#233;e who moves back in with her parents and &#8220;Wish You&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;Chronicle&amp;#8217; scores big on Super Bowl weekend</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154228-chronicle-scores-big-on-super-bowl-weekend/" />
<id>tag:popmatters.com,2012:pm/article/154228-chronicle-scores-big-on-super-bowl-weekend/23.154228</id>
<published>2012-02-06T16:34:59Z</published>
<updated>2012-02-06T16:34:59Z</updated>
<author><name>Amy Kaufman</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/c/chronicle-2011.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Not even the biggest television event of the year could shake 2012&#8217;s winning streak at the box office, as ticket sales were up for the fifth consecutive weekend this year. Despite the pull of the Super Bowl, new films held their own at the multiplex on what is traditionally one of the slowest weekends of the year for the movie industry. &#8220;Chronicle,&#8221; a found-footage adventure about teenagers with superpowers, took the No.&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;Downton Abbey,&amp;#8217; more on DVD and Blu-ray on Tuesday</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154233-downton-abbey-more-on-dvd-and-blu-ray-on-tuesday/" />
<id>tag:popmatters.com,2012:pm/article/154233-downton-abbey-more-on-dvd-and-blu-ray-on-tuesday/23.154233</id>
<published>2012-02-06T15:35:39Z</published>
<updated>2012-02-06T15:35:39Z</updated>
<author><name>Rich Heldenfels</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/d/downtownabbey-splsh1.jpg" /><br />Akron Beacon Journal (MCT) -- The drama series &#8220;Downton Abbey&#8221; has become a public-television phenomenon, recalling the days when shows like &#8220;Brideshead Revisited&#8221; and &#8220;Upstairs Downstairs3/4 would be buzzed about by viewers who otherwise paid little attention to public broadcasting. &#8220;Downton,&#8221; which owes more than a little to &#8220;Upstairs Downstairs&#8221; in its storytelling, has a seductive blend of melodrama and class conflict &#8212; not to mention delicious banter and acting &#8212; in its tale of a family and its servants&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;Downton Abbey,&amp;#8217; more on DVD and Blu-ray on Tuesday</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154233-downton-abbey-more-on-dvd-and-blu-ray-on-tuesday/" />
<id>tag:popmatters.com,2012:pm/article/154233-downton-abbey-more-on-dvd-and-blu-ray-on-tuesday/23.154233</id>
<published>2012-02-06T15:35:39Z</published>
<updated>2012-02-06T15:35:39Z</updated>
<author><name>Rich Heldenfels</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/d/downtownabbey-splsh1.jpg" /><br />Akron Beacon Journal (MCT) -- The drama series &#8220;Downton Abbey&#8221; has become a public-television phenomenon, recalling the days when shows like &#8220;Brideshead Revisited&#8221; and &#8220;Upstairs Downstairs3/4 would be buzzed about by viewers who otherwise paid little attention to public broadcasting. &#8220;Downton,&#8221; which owes more than a little to &#8220;Upstairs Downstairs&#8221; in its storytelling, has a seductive blend of melodrama and class conflict &#8212; not to mention delicious banter and acting &#8212; in its tale of a family and its servants&#8230;]]></content>
</entry>
<entry>
<title type="html">'Our School' Shows Effects of Poverty and Prejudice</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154223-our-school-shows-effects-of-poverty-and-prejudice/" />
<id>tag:popmatters.com,2012:pm/review/154223-our-school-shows-effects-of-poverty-and-prejudice/5.154223</id>
<published>2012-02-06T14:10:46Z</published>
<updated>2012-02-06T14:10:46Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/o/ourschool_still2_dana.jpg" /><br /><p><i>Our School</i> doesn't press its case -- that racism and inequality pervade the lives of Roma ("Gypsy") children in a small Romanian town -- as much as it lets it unfold. 
</p>
I remember this narrow makeshift bridge some of the children would have to cross on their way to school every day. As a mom myself, I shuddered every time I saw these small kids crossing over a river on what was basically a rickety wooden ladder. But we felt that we owed it to them to try crossing it ourselves. Well, we couldn&#8217;t do it, not if our life depended on it&#8230;. In our minds,&#8230;]]></content>
</entry>
<entry>
<title type="html">'Smash' Is a Drama for Adults</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154188-smash-is-a-drama-for-adults/" />
<id>tag:popmatters.com,2012:pm/review/154188-smash-is-a-drama-for-adults/5.154188</id>
<published>2012-02-06T14:08:00Z</published>
<updated>2012-02-06T14:08:00Z</updated>
<author><name>Michael Landweber</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/smash-nbc.jpg" /><br /><p>All of the central characters are people working at jobs. They're creative, highly skilled jobs for which few people are qualified, but they are jobs nonetheless.</p>
Smash is not Glee. The urge to compare them is understandable: there just aren&#8217;t that many television shows where the cast routinely breaks into song. Both shows have a true love for musical theater and its fans. Btu, where Glee is a frothy, candy-colored romp, Smash is an earnest drama without much sign of a sense of humor. The high school kids in Glee (and many of their teachers) sing anywhere and everywhere. The singing&#8230;]]></content>
</entry>
<entry>
<title type="html">Super Bowl XLVI: Did This Year&amp;#8217;s Show Live Up to the Hype?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154221-super-bowl-xlvi-did-this-years-show-live-up-to-the-hype/" />
<id>tag:popmatters.com,2012:pm/post/154221-super-bowl-xlvi-did-this-years-show-live-up-to-the-hype/15.154221</id>
<published>2012-02-06T14:00:55Z</published>
<updated>2012-02-06T14:00:55Z</updated>
<author><name>Jessy Krupa</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/super-bowl-madonna.jpg" /><br /><p>Arguably the biggest sporting event of the year (sorry, Olympics!), the Super Bowl telecast is usually the highest-rated program of the year. Did this year&#8217;s show live up to the hype?</p>
Arguably the biggest sporting event of the year (sorry, Olympics!), the Super Bowl telecast is usually the highest-rated program of the year. Last year&#8217;s mix of highly hyped commercials, a modern halftime act, and an interesting match-up of teams made Super Bowl XLV the most-watched show in TV history. Therefore, all eyes were on NBC last night for Super Bowl XLVI. Did this year&#8217;s show live up to the hype? Read on to find out.&#8230;]]></content>
</entry>
<entry>
<title type="html">Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/feature/150949-not-so-central-casting/" />
<id>tag:popmatters.com,2012:pm/feature/150949-not-so-central-casting/21.150949</id>
<published>2012-02-06T07:00:15Z</published>
<updated>2012-02-06T07:00:15Z</updated>
<author><name>Emilio Bellu</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/babbleonnewbg.jpg" /><br /><p>Filmmaker Kevin Smith may be in a celluloid slump, but his new podcast network is on point.</p>
Just two years ago, Kevin Smith was at a crossroads. Cop Out, the first movie he directed from a script he didn't write, starring Tracy Morgan and Bruce Willis, tanked at the box office. It was the second straight box office bust for him after the weak performance of Zach and Miri Make a Porno. But Cop Out was different: it was panned by critics and not received warmly by his old fans. Burned by&#8230;]]></content>
</entry>
<entry>
<title type="html">'Windfall' Illustrates a Town Divided</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154147-windfall-illustrates-a-town-divided/" />
<id>tag:popmatters.com,2012:pm/review/154147-windfall-illustrates-a-town-divided/5.154147</id>
<published>2012-02-04T14:20:10Z</published>
<updated>2012-02-04T14:20:10Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/w/windfall.jpg" /><br /><p><i>Windfall</i>'s long panning shots of the beautiful hills of Meredith, in the Catskill region of New York, show what residents want to preserve.</p>
"A couple of guys from Airtricity knocked on my door," recalls Ron Bailey. "We signed a lease to have a turbine up on our hill. At least one turbine." His wife Sue adds, "I thought this would be a good idea, we'd be doing our part to end the country's oil dependency." As they speak, the camera in Windfall cuts from their faces to long panning shots of the hills of Meredith, in the Catskill&#8230;]]></content>
</entry>
<entry>
<title type="html">'Secrets of Eden' Is Superficial and a Little Prim</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154156-secrets-of-eden-is-superficial-and-a-little-prim/" />
<id>tag:popmatters.com,2012:pm/review/154156-secrets-of-eden-is-superficial-and-a-little-prim/5.154156</id>
<published>2012-02-04T14:10:00Z</published>
<updated>2012-02-04T14:10:00Z</updated>
<author><name>Maysa Hattab</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/secrets-of-eden.jpg" /><br /><p>The victim's childlike shuttling between male authority figures in times of crisis made me want to shake her, while her underdeveloped context made me want to shake the writer and director.</p>
Secrets of Eden opens on Stephen Drew (John Stamos) at the wheel of his car. He's a well-liked pastor in small-town Vermont, but as we hear in a fatuous voiceover, appearances are deceptive. This unchallenging adaptation of Chris Bohjalian&#8217;s bestseller wishes it could be American Beauty. Or maybe Desperate Housewives. Right away, a series of crime-scene photos reveal the grisly crime at the movie's center, an apparent murder-suicide by a young couple named the Haywards.&#8230;]]></content>
</entry>
<entry>
<title type="html">David Letterman&amp;#8217;s uncomfortable situation has been his success for 30 years</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154145-david-lettermans-uncomfortable-situation-has-been-his-success-for-30/" />
<id>tag:popmatters.com,2012:pm/article/154145-david-lettermans-uncomfortable-situation-has-been-his-success-for-30/23.154145</id>
<published>2012-02-03T21:35:08Z</published>
<updated>2012-02-03T21:35:08Z</updated>
<author><name>Robert Lloyd</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/d/david-letterman2.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; David Letterman celebrates 30 years in post-prime-time television this week, spent first as the host of &#8220;Late Night With David Letterman&#8221; on NBC and then, since 1993, of &#8220;Late Show With David Letterman&#8221; on CBS. He went to CBS, famously, after NBC gave &#8220;The Tonight Show&#8221; to Jay Leno, despite an endorsement for Letterman from its departing host, Johnny Carson (who in his retirement would also sometimes supply him with jokes). It&#8230;]]></content>
</entry>
<entry>
<title type="html">3 new films may get sacked on Super Bowl weekend</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154142-3-new-films-may-get-sacked-on-super-bowl-weekend/" />
<id>tag:popmatters.com,2012:pm/article/154142-3-new-films-may-get-sacked-on-super-bowl-weekend/23.154142</id>
<published>2012-02-03T20:35:49Z</published>
<updated>2012-02-03T20:35:49Z</updated>
<author><name>Amy Kaufman</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/w/woman-in-black.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Tom Brady and Eli Manning are expected to light up the scoreboard at the Super Bowl, but don&#8217;t look for equally big numbers at the box office this weekend. Three new movies will scramble for ticket sales as tens of millions of Americans will be tuning in Sunday to the biggest television event of the year. The found-footage teen adventure film &#8220;Chronicle&#8221; is expected to edge out the competition with about $15&#8230;]]></content>
</entry>
<entry>
<title type="html">&amp;#8216;Atlas Shrugged Part 2&amp;#8217; to start production in April</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154140-atlas-shrugged-part-2-to-start-production-in-april/" />
<id>tag:popmatters.com,2012:pm/article/154140-atlas-shrugged-part-2-to-start-production-in-april/23.154140</id>
<published>2012-02-03T19:35:30Z</published>
<updated>2012-02-03T19:35:30Z</updated>
<author><name>Rebecca Keegan</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/blog_art/a/atlasshruggedpart1dvd1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; &#8220;Atlas Shrugged Part 2,&#8221; the second film in a proposed trilogy adapting Ayn Rand&#8217;s 1957 capitalist epic, is scheduled to start principal photography in April in Los Angeles and Colorado, with an eye toward an October 2012 theatrical release, producers revealed Thursday. Businessman and Rand acolyte John Aglialoro, who financed the production and distribution of the first &#8220;Atlas Shrugged&#8221; film for $20 million, and producer Harmon Kaslow announced that they have raised&#8230;]]></content>
</entry>
<entry>
<title type="html">Super Bowl XLVI: Commercial Success?</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154071-super-bowl-xlvi-commercial-success/" />
<id>tag:popmatters.com,2012:pm/post/154071-super-bowl-xlvi-commercial-success/15.154071</id>
<published>2012-02-03T19:00:32Z</published>
<updated>2012-02-03T19:00:32Z</updated>
<author><name>Comfort Clinton</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/c/chocolate-strawberries12.jpg" /><br /><p>If you&#8217;re like me and are more jazzed about decorating chocolate covered strawberries to look like mini-footballs than about the big game, here is a list of some hotly anticipated things to look forward to when the ole&#8217; pig skin is taking a breather.</p>
For football fans out there Super Bowl XLVI means mile-high kicks, cringe-inducing sprints toward the goal line, and game-changing interceptions. For the rest of us, it means commercials&#8230; and hopefully chili. Known for it&#8217;s wide appeal and massive audience, the annual Superbowl broadcast tends to attract the cream of the product-hawking crop. It&#8217;s become so renowned that there&#8217;s almost an unspoken competition among companies to air the commercial everyone will be chatting about long after&#8230;]]></content>
</entry>
<entry>
<title type="html">Declining ratings a sour note for &amp;#8216;American Idol&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154143-declining-ratings-a-sour-note-for-american-idol/" />
<id>tag:popmatters.com,2012:pm/article/154143-declining-ratings-a-sour-note-for-american-idol/23.154143</id>
<published>2012-02-03T17:35:53Z</published>
<updated>2012-02-03T17:35:53Z</updated>
<author><name>David Hiltbrand</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/a/american_idol12.jpg" /><br />The Philadelphia Inquirer (MCT) -- PHILADELPHIA &#8212; TV shows live by the numbers and they die by the numbers. At the moment, &#8220;American Idol&#8221; is being gashed with the Nielsen sabre. Viewership for the Fox singing contest is down just over 20 percent vs. last year at this time, and ratings in the adult demographic (18-49 years old) have dropped an alarming 33 percent. The best-case scenario for the network is that this is a just a temporary aberration, that&#8230;]]></content>
</entry>
<entry>
<title type="html">Oscar nominees take a look back with &amp;#8216;New Nostalgia&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154135-oscar-nominees-take-a-look-back-with-new-nostalgia/" />
<id>tag:popmatters.com,2012:pm/article/154135-oscar-nominees-take-a-look-back-with-new-nostalgia/23.154135</id>
<published>2012-02-03T16:35:32Z</published>
<updated>2012-02-03T16:35:32Z</updated>
<author><name>Christopher Borrelli</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/f/film-hugo-splsh1.jpg" /><br /><p>The New Nostalgia, despite every dyspeptic bone in my body, is not necessarily a bad thing -- particularly in thoughtful hands, like those of Martin Scorsese or Steven Spielberg. The New Nostalgia is about dipping into movie history to rediscover the joy of moviegoing itself.</p>
Chicago Tribune (MCT) -- CHICAGO &#8212; A couple of years ago, Bruce Sheridan, chair of the film program at Columbia College, noticed a curious thing happening. A few of the film majors who interned on the Chicago production of &#8220;The Dark Knight&#8221; had started making their student films and, as expected, Christopher Nolan&#8217;s brooding, zeitgeisty, state-of-the-union-address of a superhero epic was a big influence. Less expected was the sort of movies it inspired. Film students have always gravitated to&#8230;]]></content>
</entry>
<entry>
<title type="html">Bruce Springsteen and the E Street Band to perform at Grammys</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154144-bruce-springsteen-and-the-e-street-band-to-perform-at-grammys/" />
<id>tag:popmatters.com,2012:pm/article/154144-bruce-springsteen-and-the-e-street-band-to-perform-at-grammys/23.154144</id>
<published>2012-02-03T15:35:57Z</published>
<updated>2012-02-03T15:35:57Z</updated>
<author><name>Todd Martens</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/bruce-springsteen-sp2.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; The recording academy and Grammy producers have unveiled a flurry of Grammy performers this week, beginning Tuesday with a return to the stage for Adele and a Katy Perry announcement on Wednesday. Thursday, the curtain was pulled back on one of the telecast&#8217;s rock &#8216;n&#8217; roll acts: Bruce Springsteen and the E Street Band, who are gearing up for a new tour. Springsteen isn&#8217;t nominated for any new works &#8212; &#8220;The Promise:&#8230;]]></content>
</entry>
<entry>
<title type="html">NBC&amp;#8217;s &amp;#8216;Smash&amp;#8217; is ready for the spotlight</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154136-nbcs-smash-is-ready-for-the-spotlight/" />
<id>tag:popmatters.com,2012:pm/article/154136-nbcs-smash-is-ready-for-the-spotlight/23.154136</id>
<published>2012-02-03T15:03:26Z</published>
<updated>2012-02-03T15:03:26Z</updated>
<author><name>Chuck Barney</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/s/smash-nbc.jpg" /><br />Contra Costa Times (MCT) -- WALNUT CREEK, Calif. &#8212; All the world may be a stage, but Megan Hilty, one of the stars of NBC&#8217;s &#8220;Smash,&#8221; has been around long enough to know that the most compelling action doesn&#8217;t happen under the spotlights. &#8220;I can&#8217;t tell you how many times I&#8217;ve been backstage, looking around, going, &#8216;Where&#8217;s the camera? There needs to be a camera here,&#8217;&#8221; says the actress, who appeared for several years in &#8220;Wicked.&#8221; &#8220;The drama that happens&#8230;]]></content>
</entry>
<entry>
<title type="html">Don Cornelius: Rest in Peace, Love, and Soul</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/post/154109-/" />
<id>tag:popmatters.com,2012:pm/post/154109-/34.154109</id>
<published>2012-02-03T15:00:53Z</published>
<updated>2012-02-03T15:00:53Z</updated>
<author><name>Sean Murphy</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/d/don_cornelius1.jpg" /><br /><p><i>Soul Train</i> creator/host Don Cornelius will be remembered--and should hereafter be celebrated--for giving a voice to Black America, and he should also be acknowledged&#8212;and praised&#8212;for making White America less white. </p>
A genuine American icon has left the planet. People born during or after the '80s might know Soul Train creator and host Don Cornelius mostly from name-checks in interviews, songs, and clips on YouTube. And there is nothing wrong with that. But for us older folks, we knew the man. Some of us grew up with him. If a picture can sometimes speak more eloquently than words, a video can function as a truth bomb&#8230;]]></content>
</entry>
<entry>
<title type="html">'Big Miracle': TV Saves the Whales</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154134-big-miracle-tv-saves-the-whales/" />
<id>tag:popmatters.com,2012:pm/review/154134-big-miracle-tv-saves-the-whales/5.154134</id>
<published>2012-02-03T14:53:38Z</published>
<updated>2012-02-03T14:53:38Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/big_miracle1.jpg" /><br /><p>The context for the whales' plight is conveyed in <i>Big Miracle</i> by TV, glimpsed in the backgrounds of scenes where people are talking about... TV.</p>
"We have to be close enough to touch," Malik (John Pingayak) tells his young grandson, Nathan (Ahmaogak Sweeney). This as their boat draws near a spouting whale and the Inupiat hunter aboard raises his harpoon. A cut to a black screen ensures you don't see what happens next, though you are advised that Big Miracle is "inspired by a true story." That story occurred in October 1988, when George H.W Bush was campaigning to succeed&#8230;]]></content>
</entry>
<entry>
<title type="html">'Chronicle' Makes Your Job Too Easy</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154131-chronicle-makes-your-job-too-easy/" />
<id>tag:popmatters.com,2012:pm/review/154131-chronicle-makes-your-job-too-easy/5.154131</id>
<published>2012-02-03T14:00:00Z</published>
<updated>2012-02-03T14:00:00Z</updated>
<author><name>Cynthia Fuchs</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/c/chronicle-2011.jpg" /><br /><p><i>Chronicle</i> misses the point of the found-footage film -- that the point of view is unstable and immersive, making you doubt what you see.</p>
"I'm filming this," announces Andrew (Dane DeHaan), his pawn-shop video camera aimed at the mirror on his bedroom door. On the other side, his father (Michael Kelly) bangs ominously, drunk again. "I bought a camera, and I'm filming everything from here on out." His father bangs a few more times, the door shakes, and Drew stands back from the camera's steady red light, pleased that he's found a way to repel the monster, for a&#8230;]]></content>
</entry>
<entry>
<title type="html">'The Woman in Black' Is an Old-Fashioned Ghost Story</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/review/154125-the-woman-in-black-is-an-old-fashioned-ghost-story/" />
<id>tag:popmatters.com,2012:pm/review/154125-the-woman-in-black-is-an-old-fashioned-ghost-story/5.154125</id>
<published>2012-02-03T13:50:17Z</published>
<updated>2012-02-03T13:50:17Z</updated>
<author><name>Ren&amp;#233;e Scolaro Mora</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/w/woman-in-black.jpg" /><br /><p>Mrs. Drablow&#8217;s creepy, dilapidated mansion, Eel Marsh House, is the most fantastic haunted house imaginable, both attracting and repelling us.</p>
Like a lot of people who watch scary movies, I can be scared and also not-so-secretly a little bit delighted by being freaked out. That's the point of the entire venture, of course, exemplified by The Woman in Black. It's an old-fashioned ghost story, the kind we tell each other as kids to scare each other to death. The kind about ghosts that are out to get kids and about ghosts who are kids. Based&#8230;]]></content>
</entry>
<entry>
<title type="html">Kafka Noir: 'The Sickroom' and 'A Country Doctor'</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/column/153478-kafka-noir/" />
<id>tag:popmatters.com,2012:pm/column/153478-kafka-noir/19.153478</id>
<published>2012-02-03T07:00:15Z</published>
<updated>2012-02-03T07:00:15Z</updated>
<author><name>Kit MacFarlane</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/m/macfarlane-countrydoctor1.jpg" /><br /><p>Serge Marcotte's <i>The Sickroom</i> compresses Franz Kafka's <i>A Country Doctor</i> into a nightmarish rush of hard-boiled film noir cynicism that, like all the best literary adaptations, is simultaneously faithful and unique.</p>
One morning, when Retro Remote woke from troubled dreams, he found himself transformed in his bed into a horrible vermin: he realised that he hated short films. Perhaps it was the delayed after-effects of enforced undergraduate film project screenings, perhaps it was the blatant "calling card" mentality of the productions, perhaps it was just the recurring tendency to be "cute" or "clever" rather than, y'know, interesting, or perhaps the converse tendency towards impossible pretension (something&#8230;]]></content>
</entry>
<entry>
<title type="html">Universal looks for a &amp;#8216;Big Miracle&amp;#8217;</title>
<link rel="alternate" type="text/html" href="http://www.popmatters.com/pm/article/154097-universal-looks-for-a-big-miracle/" />
<id>tag:popmatters.com,2012:pm/article/154097-universal-looks-for-a-big-miracle/23.154097</id>
<published>2012-02-02T21:35:40Z</published>
<updated>2012-02-02T21:35:40Z</updated>
<author><name>Nicole Sperling</name></author>
<content type="html"><![CDATA[
<img src="http://images.popmatters.com/news_art/b/big_miracle1.jpg" /><br />Los Angeles Times (MCT) -- LOS ANGELES &#8212; Opening Friday, Universal&#8217;s new film &#8220;Big Miracle,&#8221; starring Drew Barrymore and John Krasinski, is the fictionalized retelling of the 1988 rescue of three California gray whales trapped off the coast of Barrow, Alaska, and the media circus that sprung up around the efforts to cut a path through the arctic ice to set them free. It was an event that united Greenpeace, the oil industry, the Reagan administration and the Soviet Union&#8230;]]></content>
</entry>
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