George Plimpton was a blue-blooded aesthete who chronicled his many failures and never cared about being called a dilettante. [21.May.13]
This is a story of deception and romance, of family and making movies, and it shapes Stories We Tell, because it occasions a series of self-reflections, revelations, and reactions, all stories in themselves. [17.May.13]
The reason he collects fruit, Richard Campbell elucidates, is not only because he seeks variety and pleasure in tasting, but also because he sees the risks of industrial farming and monoculture. [17.May.13]
By Renée Scolaro Mora
Although Erased doesn't portray it particularly well, the question it raises is an intriguing one: who controls anyone's life narrative? [17.May.13]
Benedict Cumberbatch's John Harrison is at once the most compelling and least predictable figure amid a dauntingly predictable ensemble. [16.May.13]
Looking back on the lies now, the lies that saved lives, this film presents them in the fragments they must remain, appreciates gaps between them, frames images as they allude to losses. [15.May.13]