Reviews
Thursday, November 10 2005
Teorema (1968)
However much the camera lingers on Terrence Stamp's features or Silvana Mangano's heavily made up face, the characters remain corporeally opaque, more embodiments of ideas than urges and appetites.
However much the camera lingers on Terrence Stamp's features or Silvana Mangano's heavily made up face, the characters remain corporeally opaque, more embodiments of ideas than urges and appetites.