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Share“Were the fans right to be angry at Metallica? Or was Metallica right to take action against Napster? From the beginning, Lars claimed, “This is not just about money.” But many fans didn’t buy that. His comment implies that it is partly about money. This interpretation is supported by other comments that singer and guitarist James Hetfield made during an online chat: “Would you go do your job five days a week for absolutely nothing, just to do it?…This could kill Metallica and music if we were doing it for free.” But then, shortly before he was to testify in front of the United States Senate in a hearing on Internet music distribution, Lars said: “It’s just got nothing to do with money.” Nothing? First, he implied it partly dealt with money. Then James made it seem that it was all about money. Now it had “nothing” to do with money. Which was it?”
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Have you ever been to a concert where the main act brings out a special guest for a song or two, and the connection is so pure that there is a palpable feeling of excitement in the room? Except in brief, fleeting moments, that doesn’t happen on this album.
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Master of Puppets not only rocketed Metallica into stardom upon its 1986 release, but it also blew a hole in the industry’s unwritten rule that a band without commercial aspirations could not make it and, as a result, helped undermine music censorship.
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Besides writing the harrowing and hilarious drug memoir of his rock life, Paranoid, critic Mick Wall has written biographies on Iron Maiden, Axl Rose, as well as the definitive 2009 Led Zeppelin biography. He talks with PopMatters about his latest book, Enter Night.
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While Enter Night is not the tightest rock biography ever penned, Mick Wall’s comprehensive examination of Metallica offers not only the band’s history, but a history of Metal from the late ‘70s to the present.
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