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Shareby John Freeman Gill
The Atlantic (June 2010)
“At the turn of the last century, New York City was home to a remarkable flowering of architectural creativity. All across the city, immigrant craftsmen, mostly anonymous, created exuberant works of art out of terra cotta and the humble stone of tenements and rowhouses—art that ennobled the public and enlivened the streets in a vibrant new way. Now, as a very different era dawns in New York, the only major public collection of this work is about to be scattered to private bidders around the world.”
