Azeem

Craft Classic

(Oaklyn)

US release date: 11 April 2006

by Steven J. Horowitz

The re-release of Azeem’s 2001 album Craft Classic churns a sorely familiar inquiry: how could an emcee this conscious—both lyrically and subjectively—remain so malnourished in hip-hop ranks? The only solution remains in label promotion, which this go-around attempts to remedy with its release on a different label. Though the tracks are five years old, they stand predominately timeless, crafted on the basis of Californian sociology and ultimately extended beyond their Oakland parameters to wallow in universality. Azeem may not deliver with the same animation as pseudo-underground contemporaries like, say, a Talib Kweli, but he manages to remain on par by similarly climping the spheres of lyricism and substance together with ease. Craft Classic comes alive on every track, whether Azeem is battling with questionably hallucinated demons on the dreamscaped “Northern Lights” or cluster-fucking words via the art of alliteration on “Duragz”. Azeem unfortunately suffers on the production tip, with tracks like the flatfooted “Simple Ting” and the brusque “Organic Food” sagging the album’s arch. Craft Classic may be repetitive in that regard, but it does possess few noteworthy productions, like the spidery “Local Registration Paper”, featuring a resplendent sample of Nikka Costa’s “Like a Feather”, and the aforementioned “Northern Lights”. Regardless of production, though, Azeem has proved himself too lyrically blessed to further remain in obscurity, and if Craft Classic maintains the test of time, Azeem will surely get what he deserves.

— 26 September 2006
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	Azeem: Show Business

Review: Azeem: Show Business

Tim O'Neil

Whereas most indie hip-hop releases have the kind of limp-wristed beats that just wash through your ears like musical Calgon, every beat on this album hits your cerebral cortex like a brillo pad. This is as fine a rap album as you'll hear all year.

 

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