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'Nebraska': Bruce Springsteen's 'Heart of Darkness'
In 1982, with the charts ruled by “Physical”, “Don’t You Want Me” and “Eye of the Tiger”, along came a low-tech record about killers, small-time thieves and other forgotten souls -- and it's still one of the best albums in American music. [6.Feb.12]
Why Deathspell Omega's Trilogy Has Changed the Face of Black Metal
The concept of a “trilogy” is such an overdone thing. Be it film trilogies, album trilogies, book trilogies, video game trilogies… we have all seen trilogies in various forms of entertainment media to the point of it becoming banal. At the end of the Deathspell Omega experience however, do not be alarmed if you wake up to find yourself in Silent Hill. [6.Feb.12]
Of Montreal: Paralytic Stalks
Kevin Barnes takes Of Montreal out of its sexy funk phase and into its...20th century atonal minimalism phase? Yikes. [6.Feb.12]
Dropping Names, Cutting Tapes: Beastie Boys – The Sounds of Science
“The Sounds of Science” is essentially a three-movement suite about hip-hop bravado. Rarely has science sounded hipper. [6.Feb.12]
Pretty Good Dance Moves: LIMO
Pretty Good Dance Moves are pretty, pretty, pretty... well, fair to middling, actually. [6.Feb.12]
Reviews
MonFriThuWedTue
Kevin Barnes takes Of Montreal out of its sexy funk phase and into its...20th century atonal minimalism phase? Yikes.
Pretty Good Dance Moves are pretty, pretty, pretty... well, fair to middling, actually.
There’s a drunken fight, a couple grappling in the back seat of a car and other typical Saturday night scenes found outside a bar, but the lyrics give the participants a sense of dignity.
Buzzcock Pete Shelley's label reissues its entire three album run with a bonus disc. Sometimes, there's even real music.
Both of these records, while markedly different, are strong indications that classical music, like any other genre, is one rife with innovation.
The felt itself is an additional instrument, a scrape of percussion as each key is played and released.
The Internet-famous chanteuse releases her highly-anticipated debut album. Does it live up to the hype?
Up-and-comers Hospitality are like the characters of their songs: accomplished and bright, with room to grow.
By Edward Whitelock
During their short existence, the Primitons were grouped into that mid-'80s sub-genre of “jangly Southern bands that sound like R.E.M.” This was unfair to both.
Frère Jacques: Round About Offenbach is a reverent tribute to an irreverent man. Despite that, it's fantastic.
The Renderers prove once more that they don't have to sacrifice their experimental side to sound accessible, and 20-plus years in, they're as good as they've ever been.
In 1999 Wynton Marsalis ushered us into the 21st century with an incredible effort, proving yet again why he is already a legend.
The Brooklyn Chairlift works differently, obviously. It lifts you up but won't bring you down.
As solid as Buxton is, they're doing nothing to set themselves apart from other bands in their genre, and they don't quite have the songwriting chops to overcome that lack of character.
The Soul Rebels Brass Band make a case for the greatness of the horn section.
MU.ZZ.LE is Gonjasufi's first artistically cohesive statement: a bold first stab at playing with space and mood. It’s a compelling reason to keep watching to see what he’ll do next, because if this is what Gonjasufi sounds like muzzled, we should all be very afraid when he finally decides to unleash.
While pinning down Kelly’s style is impossible as he’s always changing, his lyrics are always literate and innocently romantic. He may understand love hurts, but that doesn’t stop him from being sucker punched.
CD/DVD combo pack documents an American treasure: Florida swamp-rock-boogie-blues at its finest.
Jennifer Herrema, ex of Royal Trux, and her cohorts deliver a confounding record that is clearly a candidate for most audacious album of the year, a mere five weeks into 2012.
These videos deftly match Harvey's exploration of England's wartime past with artfully filmed images of its present.
The stately winter mood evoked by Longplay 2 has given way to the lullaby dreaminess of Weekends, trading post-rock for shoegaze. The results are often excellent, though the record isn't without its missteps.
A strong collection of tunes from a blues guitar stalwart.
Kammerflimmer Kollektief present an ambient electro-jazz album without much bite to it.
Percussion ensemble keeps counting out time.
Septuagenarian folk legend Leonard Cohen revisits his Old Ideas on his first new studio album in seven years.
There was always a gospel element in the way Foster delivered her vocals. She openly emphasizes this aspect of her voice on her latest album.
Despite the travesty of relabeling their 1978 song "Killing an Arab" as "Killing Another", this is a taut, tight and energetic double live set for fans who want to hear all the Cure’s major hits in one place.
Danish dudes dazzle on the expressway to your skull.
Songs for the end of the world, inspired by the old world.
Rock 'n' roll ain't dead; you're just asleep.
Capsule Reviews
Into the Missionfield is far, far from being a horrible album, but it doesn’t light a torch for a new brand of Americana either. [06.Feb.12]
Events
Features
The concept of a “trilogy” is such an overdone thing. Be it film trilogies, album trilogies, book trilogies, video game trilogies… we have all seen trilogies in various forms of entertainment media to the point of it becoming banal. At the end of the Deathspell Omega experience however, do not be alarmed if you wake up to find yourself in Silent Hill. [06.Feb.12]
By PopMatters Staff
The three-day 2011 edition of Slipped Discs -- where we feature great albums that missed our Best Albums of 2011 -- concludes with the smart hip-hop of the Roots, indie greatness from Real Estate and Youth Lagoon, blasts out of the UK from WU LYF and We Were Promised Jetpacks, and many more. [03.Feb.12]
Columns
Sound Spectrum
In 1982, with the charts ruled by “Physical”, “Don’t You Want Me” and “Eye of the Tiger”, along came a low-tech record about killers, small-time thieves and other forgotten souls -- and it's still one of the best albums in American music. [06.Feb.12]
Field Studies
I'll Be There in the Morning offers an affectionate but hardly rose-colored view of Townes Van Zandt and his influence on other songwriters. [02.Feb.12]
From The Blogs
DVD Reviews
Loud guitar, astrophysics, little people, S&M clubs, positive thinking, and nude women on bicycles are all part of the Queen saga, darling. [30.Jan.12]
The US Festival's "Country Day" in June 1983, featured both Waylon Jennings and Willie Nelson. [24.Jan.12]
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