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The Top 15 Madonna Singles of All Time
In the wake of Madonna'a ostentatious Super Bowl halftime performance, PopMatters presents a rundown of the Queen of Pop's 15 finest singles. [8.Feb.12]
Lana Del Rey's Video Games and, Well, Video Games
It isn't really a song about video games, of course. However, it is interesting for what it implies about games by taking gaming for granted as a normalized cultural practice. [8.Feb.12]
Mark Lanegan Band: Blues Funeral
After eight years spent growling for others, Mark Lanegan returns with his most musically diverse album to date. [8.Feb.12]
Mental Pop & Beyoncé Beats: An Interview with Liam Finn
Crusty walls of distortion co-exist with pop hooks in the second and latest solo album from Liam Finn. Here the songwriter talks about taking a break from life on the road to write FOMO in far-off New Zealand, working with producer Burke Reed and percussionist Glenn Kotche to seriously tinker with his sound and taking inspiration from, of all people, Beyoncé. [7.Feb.12]
Paul McCartney: Kisses on the Bottom
As musical interpretations of romance go, Kisses on the Bottom may only get you about halfway there, flowers in hand wondering whether a second date is on the cards, unsure if that’s even what you want at all. [7.Feb.12]
Reviews
WedTueMonFriThu
After eight years spent growling for others, Mark Lanegan returns with his most musically diverse album to date.
Die Antwoord may be strange and engrossing, but are they making good music? Yes and no.
A modern take on disco music; an old-fashioned take on male wish fulfillment.
Lost rock 'n' soul classic from spiritual seeker.
Sultan blends together his doo-wop, garage, and punk influences, presenting himself as a peerless artist.
Tuareg rock youngsters are fatally hampered by bad production.
The feeling that this is your neighborhood bar band gives the music a punch of energy that’s memorable. At the same time, the stories in the music, and the ways they’re told, are less distinct, even generic.
As musical interpretations of romance go, Kisses on the Bottom may only get you about halfway there, flowers in hand wondering whether a second date is on the cards, unsure if that’s even what you want at all.
The band name is silly. The album cover art is atrocious. The opening song is merely a wall of noise. But once you get past all of that, Ester is a rewarding slice of shoegazey dream pop that’s evocative of ‘50s R&B and surreal movie and TV soundtracks.
The preeminent Mexican guitar duo rattles Havana with a Cuban orchestra.
Absorbing Snakeoil is one of this "how did they do that?" kinds of experiences.
Driven to be better than what his former band was forced to become, ex-Sonic Syndicate vocalist Richard Sjunnesson has finally created what he had envisioned all along.
For any intent or purpose, you are encouraged to spend as much time as possible with this recording. It is as edifying as it is enjoyable.
Kevin Barnes takes Of Montreal out of its sexy funk phase and into its...20th century atonal minimalism phase? Yikes.
Pretty Good Dance Moves are pretty, pretty, pretty... well, fair to middling, actually.
There’s a drunken fight, a couple grappling in the back seat of a car and other typical Saturday night scenes found outside a bar, but the lyrics give the participants a sense of dignity.
Buzzcock Pete Shelley's label reissues its entire three album run with a bonus disc. Sometimes, there's even real music.
Both of these records, while markedly different, are strong indications that classical music, like any other genre, is one rife with innovation.
The felt itself is an additional instrument, a scrape of percussion as each key is played and released.
The Internet-famous chanteuse releases her highly-anticipated debut album. Does it live up to the hype?
Up-and-comers Hospitality are like the characters of their songs: accomplished and bright, with room to grow.
By Edward Whitelock
During their short existence, the Primitons were grouped into that mid-'80s sub-genre of “jangly Southern bands that sound like R.E.M.” This was unfair to both.
Frère Jacques: Round About Offenbach is a reverent tribute to an irreverent man. Despite that, it's fantastic.
The Renderers prove once more that they don't have to sacrifice their experimental side to sound accessible, and 20-plus years in, they're as good as they've ever been.
In 1999 Wynton Marsalis ushered us into the 21st century with an incredible effort, proving yet again why he is already a legend.
The Brooklyn Chairlift works differently, obviously. It lifts you up but won't bring you down.
As solid as Buxton is, they're doing nothing to set themselves apart from other bands in their genre, and they don't quite have the songwriting chops to overcome that lack of character.
The Soul Rebels Brass Band make a case for the greatness of the horn section.
MU.ZZ.LE is Gonjasufi's first artistically cohesive statement: a bold first stab at playing with space and mood. It’s a compelling reason to keep watching to see what he’ll do next, because if this is what Gonjasufi sounds like muzzled, we should all be very afraid when he finally decides to unleash.
While pinning down Kelly’s style is impossible as he’s always changing, his lyrics are always literate and innocently romantic. He may understand love hurts, but that doesn’t stop him from being sucker punched.
CD/DVD combo pack documents an American treasure: Florida swamp-rock-boogie-blues at its finest.
Capsule Reviews
Veteran DJ and techno producer Matthew Dear releases a short non-techno EP as a prelude to his upcoming full-length. [08.Feb.12]
Events
Features
Crusty walls of distortion co-exist with pop hooks in the second and latest solo album from Liam Finn. Here the songwriter talks about taking a break from life on the road to write FOMO in far-off New Zealand, working with producer Burke Reed and percussionist Glenn Kotche to seriously tinker with his sound and taking inspiration from, of all people, Beyoncé. [07.Feb.12]
The concept of a “trilogy” is such an overdone thing. Be it film trilogies, album trilogies, book trilogies, video game trilogies… we have all seen trilogies in various forms of entertainment media to the point of it becoming banal. At the end of the Deathspell Omega experience however, do not be alarmed if you wake up to find yourself in Silent Hill. [06.Feb.12]
Columns
Sound Spectrum
In 1982, with the charts ruled by “Physical”, “Don’t You Want Me” and “Eye of the Tiger”, along came a low-tech record about killers, small-time thieves and other forgotten souls -- and it's still one of the best albums in American music. [06.Feb.12]
Field Studies
I'll Be There in the Morning offers an affectionate but hardly rose-colored view of Townes Van Zandt and his influence on other songwriters. [02.Feb.12]
From The Blogs
DVD Reviews
Loud guitar, astrophysics, little people, S&M clubs, positive thinking, and nude women on bicycles are all part of the Queen saga, darling. [30.Jan.12]
The US Festival's "Country Day" in June 1983, featured both Waylon Jennings and Willie Nelson. [24.Jan.12]
Now on PopMatters
The Top 15 Madonna Singles of All Time (Sound Affects) [Wed, 9:00 am]
'Miners' Hymns': Labor and Poetry (Reviews) [Wed, 7:15 am]
Mark Lanegan Band: Blues Funeral (Reviews) [Wed, 1:00 am]
Die Antwoord: Ten$ion (Reviews) [Wed, 1:00 am]
Matthew Dear: Headcage EP (Capsule Reviews) [Wed, 1:00 am]
Escort: Escort (Reviews) [Wed, 1:00 am]
Alphabet Backwards: British Explorer EP (Capsule Reviews) [Wed, 1:00 am]
Doug Jerebine: Is Jesse Harper (Reviews) [Wed, 1:00 am]
Toronzo Cannon: Leaving Mood (Capsule Reviews) [Wed, 1:00 am]
Mark Sultan: Whatever/Whenever (Reviews) [Wed, 1:00 am]
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