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Sorority Row: A Revamping of a Classic 80's Slasher Film

Monday, Sep 7, 2009
Sorority Row, a remake of 1983's low budget slasher film The House on Sorority Row, arrives in theaters on September 11th, 2009.
cover art

Sorority Row

Director: Stewart Hendler
Cast: Briana Evigan, Leah Pipes, Rumer Willis, Audrina Patridge and Carrie Fisher

(Summit Entertainment; US theatrical: 11 Sep 2009; UK theatrical: 9 Sep 2009; 2009)

In 1983, Mark Rosman sat in the director’s chair of an extremely low-budget horror film, The House on Sorority Row. Filmed on a shoestring budget of $425,000, the movie flopped when it was originally released on January 21 of that year. However, a month later, the film found a place in the heart of fans of the slasher film genre, and had generated over $4 million in box office revenue.


More than 20 years later, the film is being recreated for horror lovers. Paying homage to Rosman by naming the university after him, the movie has a similar premise to the 1983 version. Six sorority sisters decide to get revenge on one of their cheating boyfriends by faking the death of one of their own. In doing so, the prank goes horribly wrong as the person is actually killed. The survivors decide to hide the body and never speak of that night again. Eight months later, someone has found proof of their misdeed and begins to stalk them with the evidence, killing them off one by one. The group, which gets smaller and smaller, must band together to find out who the perpetrator of these crimes might be, as well as fight for their right to stay alive.



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28 Feb 2010
For anyone who spent a dateless Saturday night perusing the bevy of b-titles malingering along the bottom shelf of their local Mom and Pop video store (remember those?), The House on Sorority Row and its 2009 remake will be a pleasant bit of minor nostalgia.
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Someone, the same old suspects show up on this list - cheesy horror films, goofy gross out comedies, and the occasional certified WTF title. Lucky for us, 2009 was no different when it came to culpable schlock.
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Our spread starts off with a collection of cast-offs, creative risks, and the contractually obligated releases. While there may be a substantial helping of something entertaining during this hefty four-week first course, don't be put off by such a portion size. To paraphrase an old saying, too many mediocre movies can definitely spoil the season-ing.
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