Art by Eric Schiller

Sound Affects

The PopMatters Music Blog

Music / Hidden Treasures / Pop Past 

15 September 2009

Adorable - “Sunshine Smile”

Retrospective accounts of British alternative rock circa 1991-1992 have it that the domestic indie scene was filled with faceless hordes of shoegazers with no ambition until Suede emerged to kick off the Britpop movement. That’s a bit unfair; while there were quite of few interchangeable UK alt-rock bands at the time that couldn’t hold a candle to top-flight contemporaries like the Stone Roses and My Bloody Valentine, they could still crack out the occasional great song.

Adorable’s “Sunshine Smile” is a perfect example. The Coventry, England group was one of the lower-tier acts on Creation Records wiped off the map in the wake of the rise of Britpop. While now forgotten, the band did manage this fantastic 1992 single that steadily rolls out and envelopes the listener over the course of its five-minute length.

Adorable’s debut single starts out simple enough, with a chiming lead riff that is delivered at a leisurely pace. However, after the first verse the song’s unassuming nature gives way to loud, swooping chords and swirling leads. Throughout, vocalist Piotr Fijalkowski sings the song’s sun-kissed lyrics in a relaxed, contented manner that allows the peaks and the valleys of the music to float around him. The apex of “Sunshine Smile” is its outro, where the group increases the tempo and wraps the tail-end of the song in coils of pedal-drenched melody.

At its core, shoegaze was psychedelic rock reconfigured for a new generation. Adorable did its forbearers proud by crafting this kaleidoscopic pop gem full of lovestruck optimism (and the group earns bonus points for throwing in a reference to “How Does It Feel to Feel” by The Creation). For a band characterized as arrogant in its press interviews, Adorable definitely had at least one thing worth boasting about.

AJ Ramirez

 
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Comments

Ah, my one and only claim to fame.  I was the engineer on the sessions for this single.  They were a nice bunch, drinking lots of tea and eating vegetarian food at lunchtime.

Some little details for you:

1.  They wanted the drums to sound like Nirvana’s Teen Spirit, especially the big thumping part that signals the LOUD sections.

2.  The swirly effects in the middle breakdown were created by the guitarist rubbing his jumper up and down the strings.

3.  Alan McGee came in for five minutes to see hear a rough mix.  He was so wired he was vibrating.  He proclaimed it the best record Creation had ever done then left, never to be seen again for the remainder of the session.

Comment by Simon from London — September 15, 2009 @ 5:24 am

Thanks for the details, Simon!

Comment by AJ Ramirez from California — September 16, 2009 @ 2:49 am

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