Quantcast

Call for Feature Essays About Any Aspect of Popular Culture, Present or Past

What we deem rational is ideological

Saturday, Sep 26, 2009

Will Wilkinson highlighted this paragraph about economism and behavioral economics from the FT’s Economists Forum blog:


Behavioural economists have uncovered much evidence that market participants do not act like conventional economists would predict “rational individuals” to act. But, instead of jettisoning the bogus standard of rationality underlying those predictions, behavioral economists have clung to it. They interpret their empirical findings to mean that many market participants are irrational, prone to emotion, or ignore economic fundamentals for other reasons. Once these individuals dominate the “rational” participants, they push asset prices away from their “true” fundamental values.


This helped me clarify in my own mind the muddle I’ve been in about the ideology of “perfect markets” and how that ideal is possibly used ideologically. The economists quoted, Roman Frydman and Michael Goldberg, seem to lay it out pretty clearly. At the behest of most economists, neoclassical or behavioral or otherwise, we’ve fallen into the habit of elevating what economists normatively deem rational to the only true form of rationality, while ignoring what human behavior seems to suggest should be called “rational”—that is, what ordinary people tend to do when confronted with various incentives or dilemmas.


And the motivating force behind all this is the effort to isolate “true” asset values—a quest that has had an ignominious journey through the history of political economy as Justin Fox’s The Myth of the Rational Market well documents. (For what it’s worth, I reviewed that book here.) “True” asset values underpin the financial sector, motivate its investment strategies and analysis. The pursuit of them keeps money circulating, which keeps economies growing (on paper, anyway).


Determining what constitutes value has vexed economists from the beginning of the discipline. Marx’s Capital is essentially a long meditation on the origin of “surplus value” as it arises out of exploited labor—a notion that depends on his definition of value as socially necessary labor time. The labor theory of value has been discarded by economists in favor of marginalism, which to remain coherent requires a human subject that exhibits the sort of “rationality” behavioral economists are undermining. 


The alternative (and I am not entirely sure it is prefereable) would seem to be to render “rational” those “other reasons” that people have for behaving—the decision-making approaches that are not driven by straightforward utility calculus. That means returning to a morality or an ethos that is not based on the market but on other norms of human interaction, ones that evolve not from impersonality (the market’s liberating feature) but from integrative social ties. The danger is that this would reinstitute tribalism and ethnocentirism as the source of norms—a return to feudalism or something worse instead of the development toward cosmopolitanism that arguably the globalization of market forces has ushered in.

Comments
Now on PopMatters
Unicycle Loves You: Failure (Capsule Reviews) [Fri, 1:00 am]
Bill Hicks: The Essential Collection (Reviews) [Fri, 1:00 am]
Sharon Lewis & Texas Fire: The Real Deal (Capsule Reviews) [Fri, 1:00 am]
Mod Film Noir: 'Brighton Rock' (Reviews) [Fri, 1:00 am]
Gross Magic: Teen Jamz (Capsule Reviews) [Fri, 1:00 am]
Glee Karaoke Revolution Volume 3 (Reviews) [Fri, 1:00 am]
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. Slipped Discs 2011 - Part 1: From 13Ghosts to Friendly Fires (Features)
  3. Counterbalance No. 66: Carole King’s 'Tapestry' (Sound Affects)
  4. The Best Games of 2011 (Features)
  5. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  6. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  7. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  8. 'Amy' Is a Horror Game That Is Broken in All the Right Ways (Moving Pixels)
  9. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  10. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  11. Lana Del Rey: Born to Die (Reviews)
  12. The Future Is a Faded Song: Douglas Rushkoff on the Groundbreaking "ADD" (Features)
  13. Get Off of My Cloud!: 'Collecting' Music in the Digital Age (Features)
  14. The Top 15 Madonna Singles of All Time (Sound Affects)
  15. Leonard Cohen: Old Ideas (Reviews)
  16. Google and the Production of Curiosity (Marginal Utility)
  17. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  18. Tower Songs: Townes Van Zandt (Columns)
  19. Black Bananas: Rad Times Xpress IV (Reviews)
  20. The Gay Ole Countryside (Columns)
  21. Of Montreal: Paralytic Stalks (Reviews)
  22. Paul McCartney: Kisses on the Bottom (Reviews)
  23. “Don’t Let Me Fall”: Hip-Hop in the Age of Austerity (Features)
  24. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  25. 'Namath': Broadway Joe Looks Back (Reviews)
  26. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
  27. Chairlift: Something (Reviews)
  28. The Asteroids Galaxy Tour - "Heart Attack" (Cosmic Kids Remix) (PopMatters Premiere) (Mixed Media)
  29. The 10 Best John Coltrane Solos (Sound Affects)
  30. A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men' (Features)
PM Picks
Music Archive
Announcements

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.