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Pops: A Life of Louis Armstrong

Wednesday, Nov 25, 2009
Pops: A Life of Louis Armstrong - Terry Teachout – Houghton Mifflin Harcourt [$30.00]
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Pops: A Life of Louis Armstrong

Terry Teachout

(Houghton Mifflin Harcourt; US: Dec 2009)

Review [18.Dec.2009]

Most people know Terry Teachout from his theatre criticism at The Wall Street Journal and essays at Commentary, but the writer actually began his career in the arts as a professional jazz musician. Hence, he comes at the subject of America’s pre-eminent jazz artist with both a thorough knowledge of jazz performance as well as the rigorous research and smart writing of a top cultural journalist. Pops is an engaging read and the first fully-sourced biography of Louis Armstrong, featuring many photos published for the first time ever.


Teachout says, “I’m the first biographer to have had access to 650 reel-to-reel tapes that Armstrong made during the last quarter-century of his life, many of which contain astonishingly candid recordings of his private after-hours conversations.” The result is the most nuanced written work on this seminal figure in American cultural history. Indeed, this book is designed for far more than the jazz fan or Armstrong admirer; anyone interested in African-American culture and the nature of creative genius period will find this book a page turner.


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12 Nov 2010
Nobody can explain why “Hello Dolly” hit #1 in 1964. But then, nobody can explain why Louis Armstrong didn't hit #1 all the time.
18 Dec 2009
Teachout delivers an entertaining yet factually rigid biography of Louis Armstrong, putting the past controversies in perspective, and codifying his life into a fairly straight-forward whole.
By PopMatters Staff
16 Jul 2007
Psalm 100 instructs, "Make a joyful noise unto the Lord!". What more joyful sound than the life-affirming song of protest, for that is the sound wrenched from the deepest grief and suffering, from exhausted and diseased lungs, and the voice raised in tuneful protest is among the most beautiful of human sounds. Sing out, indeed!
9 Oct 2006
Armstrong’s smiling countenance is the perfect foil for his remarkable technical skills; his interaction with both audience and band is wonderfully disarming, making the music even more accessible.
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