Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Green Day - All About ‘Dookie’: “Coming Clean”

Monday, Feb 1, 2010

“Seventeen and strung out on confusion”, Billie Joe Armstrong belts out the opening line of “Coming Clean” in a high, booming notes to immediately drive home the coming-of-age struggle the song concerns itself with. Tied to a guitar groove that emphasizes the upbeats of the rhythm, “Coming Clean” is a short track that barely makes it past the minute-and-a-half mark. Regardless of its brevity, it’s rightly considered one of the standout album cuts from Dookie, as Armstrong tackles the subject of sorting out one’s sexual identity in a concise, empowering manner.


Sure, there are no overt mentions of homosexuality in the song (the closest you get is the line “Skeletons come to life in my closet”), but Armstrong has made it clear in interviews that dealing with such desires during adolescence is what “Coming Clean” is about. Forgoing Armstrong’s typical self-effacements, “Coming Clean” is the only track on Dookie that can’t be described with the word “bratty”. The reason is simple: “Coming Clean” is intended as an affirmation, one that demands respect from others even if they unwilling to offer acceptance. 
  
Even though the song is infused with plenty of Generation X anxiety (“Mom and dad will never understand”), it is in the end a celebration of self-discovery and emotional honesty, as indicated by the couplet “Seventeen and coming clean for the first time / I’ve finally figured out myself for the first time”. Furthermore, Armstrong subtly dismantles any knee-jerk “sissy” pejoratives that be lurking about by repeating the phrase “I found out what it takes to be a man”. 


If homophobic biases maintain that homosexual feelings are less than manly, Armstrong argues that was really defines manhood is coming to terms with one’s identity, whether or not others will accept you for who you are.


It’s worth mentioning that Green Day opted to take along queercore band Pansy Division as an opening act during its Dookie promotion in 1994. It was an inspired move that simultaneously introduced a homosexual point of view to a burgeoning mass audience while also puckishly pissing off the less tolerant members of the crowd.

Tagged as: green day
Media
Green Day performing "Coming Clean" live at Madison Square Garden in 1994
Related Articles
23 Mar 2011
Some creative, unexpected song choices make Green Day's second live album worthwhile. But it's far from an essential release.
1 Jun 2010
If you haven’t heard, Green Day’s American Idiot was kind of a big deal. The punk rock trio further promotes the album's legend by turning it into a glossy Broadway production.
Comments
Now on PopMatters
Short Ends and Leader: 'Battleship': What Did You Expect?
'Battleship': What Did You Expect? (Short Ends and Leader) [Mon, 2:00 pm]
East Meets Least: 'Thirteen Women' (Short Ends and Leader) [Fri, 4:00 pm]
'Man to Man' is an Early Talkie that's Not Stagey at All (Short Ends and Leader) [Fri, 4:00 pm]
Calling Out to Carroll...Baker: 'Bridge to the Sun' (Short Ends and Leader) [Fri, 4:00 pm]
Early Summer 2012 New Music Playlist (Mixed Media) [Fri, 12:00 pm]
Paranormal (Radio)Activity: 'Chernobyl Diaries' (Short Ends and Leader) [Fri, 11:00 am]
'Men in Black 3' Looks Back, Again (Reviews) [Fri, 9:20 am]
Poliça: 11 May 2012 - Rochester, NY (Reviews) [Fri, 6:25 am]
'The Witcher 2' Does the Exposition Dump Right (Moving Pixels) [Fri, 6:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Top Ten Lost Midwest Punk Singles (Sound Affects)
  5. Tenacious D: Rize of the Fenix (Reviews)
  6. 20 Questions: Kate Bornstein (Features)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. Like 'Doom', In Heels (Moving Pixels)
  9. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  10. She's a Rainbow: A Tribute to Donna Summer (Features)
  11. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  12. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  13. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  14. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  15. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  16. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  17. Best Coast: The Only Place (Reviews)
  18. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  19. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  20. Something’s Wrong with the Black Widow! (Graphic Novelties)
  21. Sergio Leone: Something to Do with Death (Columns)
  22. Killer Mike: R.A.P. Music (Reviews)
  23. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  24. In Support of Supports (Moving Pixels)
  25. Early Summer 2012 New Music Playlist (Mixed Media)
  26. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  27. The Cult: Choice of Weapon (Reviews)
  28. Willie Nelson: Heroes (Reviews)
  29. Flash Points: Chicks, Sluts and Facebook (Features)
  30. Garbage: Not Your Kind of People (Reviews)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.