Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Why I Left the Jersey Shore

Tuesday, Feb 2, 2010
One man's quest to leave the Jersey Shore before his blowout fails.

I know I should feel a deep sense of shame, but I don’t. I haven’t watched MTV in years. None of their self-celebratory awards shows tempted me even a little, and the rest of their “reality” programming made me wonder what I’d ever seen in the network in the first place.


But then came Jersey Shore. I figured anything that got so many people so upset had to be worth checking out. Within the first 15 minutes of the first episode, I was hooked.


See, I’d spent some of my formative years on the Jersey Shore, visiting my grandparents’ weekend home when I was a kid, and spending a week there for two straight summers with high school friends. Maybe we were too wrapped up in being skate punks looking for girls at the time, but the stuff that went on at the Jersey Shore on MTV didn’t seem at all familiar to me. I’d like to pretend it was this societal disparity that caused me to continue tuning in, but the truth is much less savory.
  
See, I wasn’t tuning in because I was looking for a sense of familiarity (or unfamiliarity) at all. I became a Jersey Shore junkie because it was such a glorious train wreck. I was won over by the Situation’s charisma, by Vinnie’s inability to recognize that women’s liberation was an actual thing that actually happened. I couldn’t look away as J-Woww and Ronnie hurtled toward psychotic oblivion in some unspoken competition to see who would commit the most egregious act of sudden, frightening rage. I watched to try and perfect my own version of Sammi Sweetheart’s irritating whine and Snookie’s ham-fisted botching of the English language, or her fellow cast mates’ comical inability to get her nickname right. I couldn’t look away from Pauly D’s magnificent blowout.


MTV knew they had something special on their hands, even as some advertisers kowtowed to public outrage and pulled the plug. The network piled on the programming, doubling up some episodes in an effort to capture the heat while it was still there. Because they knew what it took me slightly longer to figure out: Sooner or later, everyone needs to leave the Jersey Shore.


I was there through every single moment, through the appearances on the Jay Leno Show and in every magazine from Us Weekly to The New Yorker. I watched in delight as three members of the cast ridiculed their own carefully crafted image on Funny or Die (though I wisely managed to avoid the vast majority of the fan made Jersey Shore-themed videos) I was there right up through the phony platitudes at the end of the final phony episode of the show.


But I finally hit my limit. It wasn’t hearing about the absurd amounts of money Pauly D and the Situation were getting to show up at clubs. It wasn’t seeing Snookie staring out at me from the back page of a Korean-language newspaper while I rode the G train back to Brooklyn. Somehow, I was immune to hype overload as I’d never been before.


No, what cured me of my Jersey Shore fixation was the Reunion Show. More specifically, what cured me was the first few minutes of the reunion show, a seemingly innocuous bit of trash-talking not unlike that which I’d seen unfold countless times. Only this time, when the Situation and Ronnie sniped at one another (with Sammie Sweetheart joining in), I wasn’t entertained at all. In fact, I agreed with them. I felt a wave of nausea crash down upon me as I realized the Situation really was kind of a loudmouthed jerk, and that Ronnie really didn’t have a personality to speak of. And as swiftly as a fist-pump on the dance floor, I was cured.


I don’t look back on my time with the Jersey Shore with regret. We had a good time together, not selling t-shirts and not behaving like responsible members of a society. But summer’s over now, and I’m ready to move on.


At least until the uncensored Season One DVD arrives next month.

Related Articles
By Sara Jane Pohlman
28 Jun 2011
Twenty-something students opine about their love-hate relationship with GTL, smooshing and the gang that’s always DTF at Jersey Shore.
21 Apr 2011
Unlike other formats, the sitcom allows us to suspend disbelief because we know this is a set, we know there’s a reason we’ve never actually seen a New York street in Friends, or the fourth wall of an apartment in any show. And we’re okay with that.
26 Jan 2011
Television executives should resolve to do a few things for me this year.
21 Sep 2010
The predictability of the cast is their Achilles' heel. Ronnie and Sammi’s weekly dysfunctional hour of make-up/break-up is as expected as Snooki’s alcohol soaked antics and the Situation’s Sunday dinner of sausage and peppers.
Comments
Now on PopMatters
Short Ends and Leader: 'Battleship': What Did You Expect?
'Battleship': What Did You Expect? (Short Ends and Leader) [Mon, 2:00 pm]
East Meets Least: 'Thirteen Women' (Short Ends and Leader) [Fri, 4:00 pm]
'Man to Man' is an Early Talkie that's Not Stagey at All (Short Ends and Leader) [Fri, 4:00 pm]
Calling Out to Carroll...Baker: 'Bridge to the Sun' (Short Ends and Leader) [Fri, 4:00 pm]
Early Summer 2012 New Music Playlist (Mixed Media) [Fri, 12:00 pm]
Paranormal (Radio)Activity: 'Chernobyl Diaries' (Short Ends and Leader) [Fri, 11:00 am]
'Men in Black 3' Looks Back, Again (Reviews) [Fri, 9:20 am]
Poliça: 11 May 2012 - Rochester, NY (Reviews) [Fri, 6:25 am]
'The Witcher 2' Does the Exposition Dump Right (Moving Pixels) [Fri, 6:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Top Ten Lost Midwest Punk Singles (Sound Affects)
  5. Tenacious D: Rize of the Fenix (Reviews)
  6. 20 Questions: Kate Bornstein (Features)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. Like 'Doom', In Heels (Moving Pixels)
  9. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  10. She's a Rainbow: A Tribute to Donna Summer (Features)
  11. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  12. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  13. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  14. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  15. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  16. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  17. Best Coast: The Only Place (Reviews)
  18. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  19. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  20. Something’s Wrong with the Black Widow! (Graphic Novelties)
  21. Sergio Leone: Something to Do with Death (Columns)
  22. Killer Mike: R.A.P. Music (Reviews)
  23. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  24. In Support of Supports (Moving Pixels)
  25. Early Summer 2012 New Music Playlist (Mixed Media)
  26. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  27. The Cult: Choice of Weapon (Reviews)
  28. Willie Nelson: Heroes (Reviews)
  29. Flash Points: Chicks, Sluts and Facebook (Features)
  30. Garbage: Not Your Kind of People (Reviews)
PM Picks
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.