Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

I can hear him screaming in my mind

Monday, May 17, 2010

I am sad to read that Ronnie James Dio has died. He had a special gift for singing delectably improbable lyrics (“Between the velvet lies, there’s a truth as hard as steel”; “You’ve got to bleed for the dancer!”) and making potentially ludicrous songs convincing and compelling on several levels—the ironic level (which he opened up with his adamant earnestness) as well as the level just beyond irony at which one remembers how it was to be 12 and enthralled by castle-rock classics like “Tarot Woman” and “Kill the King.” And of course there’s the level of his sheer vocal prowess and authority. He’s as strong and commanding a singing presence as anybody in hard rock (you can lump him in with Robert Plant and Ian Gillan or anybody else), but Dio left rock’s blues roots behind (it’s hard to imagine him singing, say, “I Can’t Quit You Baby) and opened the way to the quintessential metal vocal style, carnality purged and thus perfect for prepubescent males. His incantatory way of emoting through lyrics suffused with a hermetic, abstract spirituality (“catch the rainbow,” etc.) aimed to provide a catharsis entirely contained within a detached fantasy realm. It doesn’t give “insight” into your life and problems particularly, but when it works, it’s like an obscure ritual has been enacted. When it doesn’t, well, then there’s still lots to laugh about. (And if music—especially Dio’s sort of music—can’t make you smile, what good is it?)


The peculiar sexlessness of most of Dio’s work can make it seem especially juvenile, but one would have to be both humorless and heartless to dismiss him at that. It’s easy to use pop music as a means of bullying, for rites of exclusion. But Dio’s music never lent itself to that. Persistently optimistic in his stage persona, Dio always seemed as though he was on the side of outcasts and underdogs, and he would shout his affirmative paeans to rainbows and self-esteem right alongside his evocations of fire and demons and whatnot without any regard to whether anyone might think he was silly. He gave his audience permission to feel the same way and forget whatever might have made them misfits.


So I sort of think this video may best sum up the spirit of Dio. (Though I admit that if I could have found one of him killing a dragon on stage I might have changed my mind.)


Comments
Now on PopMatters
Short Ends and Leader: 'Battleship': What Did You Expect?
'Battleship': What Did You Expect? (Short Ends and Leader) [Mon, 2:00 pm]
East Meets Least: 'Thirteen Women' (Short Ends and Leader) [Fri, 4:00 pm]
'Man to Man' is an Early Talkie that's Not Stagey at All (Short Ends and Leader) [Fri, 4:00 pm]
Calling Out to Carroll...Baker: 'Bridge to the Sun' (Short Ends and Leader) [Fri, 4:00 pm]
Early Summer 2012 New Music Playlist (Mixed Media) [Fri, 12:00 pm]
Paranormal (Radio)Activity: 'Chernobyl Diaries' (Short Ends and Leader) [Fri, 11:00 am]
'Men in Black 3' Looks Back, Again (Reviews) [Fri, 9:20 am]
Poliça: 11 May 2012 - Rochester, NY (Reviews) [Fri, 6:25 am]
'The Witcher 2' Does the Exposition Dump Right (Moving Pixels) [Fri, 6:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. 20 Questions: Kate Bornstein (Features)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. Like 'Doom', In Heels (Moving Pixels)
  9. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  10. She's a Rainbow: A Tribute to Donna Summer (Features)
  11. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  12. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  13. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  14. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  15. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  16. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  17. Best Coast: The Only Place (Reviews)
  18. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  19. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  20. Something’s Wrong with the Black Widow! (Graphic Novelties)
  21. Sergio Leone: Something to Do with Death (Columns)
  22. Killer Mike: R.A.P. Music (Reviews)
  23. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  24. Early Summer 2012 New Music Playlist (Mixed Media)
  25. In Support of Supports (Moving Pixels)
  26. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  27. Flash Points: Chicks, Sluts and Facebook (Features)
  28. The Cult: Choice of Weapon (Reviews)
  29. Willie Nelson: Heroes (Reviews)
  30. Garbage: Not Your Kind of People (Reviews)
Categories
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.