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"Let Me In": An Answer to America's Lack of Vampire Films (trailer)

Friday, Jul 2, 2010
by PopMatters Staff
Director Matt Reeves adapts the 2008 Swedish Let the Right One In for the less subtitle-inclined.

Throwing creative caution to the wind, Reeves (Felicity,Cloverfield) has taken on the vampire-in-love genre with Let Me In, an American take on the acclaimed 2008 Swedish film, Let the Right One In. In all seriousness, though, it should be really interesting to see how this film turns out. The original, directed by Tomas Alfredson, garnered praise for its subtlety and undertones between its central young boy and vampire girl next door. Let Me In, over-the-top music aside, seems to be honoring the feel and tone of its source material.—Jonathan Simrin


Did you see the critically-acclaimed Swedish vampire movie ‘Let the Right One In’ a couple of years ago? Well, here’s the inevitable Hollywood remake. Reeves (Cloverfield) directs this adaptation of the Swedish vampire movie Let the Right One In, starring Kodi Smit-McPhee (The Road) and Chloë Moretz (Kick-Ass). This trailer makes it look like a very faithful re-creation, which may put it on a higher quality plane than most October horror releases. It will probably leave those of us who saw the original scratching our heads and wondering “What’s the point?”, though. Oh, right, it’s Hollywood. Things are better when you don’t have to read subtitles.—Chris Conaton


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21 Feb 2011
Let Me In, the inevitable American remake of the 2008 Swedish vampire arthouse hit Let the Right One In, more than holds its own against the nearly perfect original.
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12 Jan 2011
Among this year's winners include a fake documentary, a comedy about Jihad, a vampire story NOT dealing with tacky tween romance, a haunting hillbilly noir, and an elegant tale about clones. Not necessarily the usual cinematic suspects.
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If it goes down as anything, 2010 will be seen as the year of the misunderstood movie, an artistic anomaly which saw at least four fine films fall by the commercial wayside.
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Honest reaction and opinions are almost always the answer to a lack of ticket sales. The sooner the aggregate gets that in its communal noggin and stops trying to dictate universal appeal (or abhorrence), the better.
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