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100 Essential Directors - Luis Buñuel

Monday, Aug 8, 2011
100 Essential Directors celebrates directors of distinct vision, who have honed their respective crafts, who have brought something new and exciting to the medium, and who continue to push the boundaries of the form.

That crotchety old man shouldn’t fool anyone: Spain’s finest filmmaker was farcically compelled by humanity’s blemishes and particulars—he just filtered them through stinging humor and outlandish narrative. And while Luis Buñuel is remembered for the lingering threats of violence or frank sexual encounter in his films, his aesthetic was so loosely-confined that he was never exploitative; there’s a casual sensuality to even his most seemingly-mundane scenes.




Born at the start of the 20th century, Buñuel was able to witness (and take part in) the changes that were carried through that century’s premier art form. Un Chien Andalou, needs little explanation to cinephiles: made with one Salvador Dalí, it remains a quintessential example of 1920s Parisian decadence, standing as the first great cinematic immersion into full-blown surrealism.




Read the rest of the entry within our 100 Essential Directors series.
  


 
 
 

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Our second day of "100 Essential Directors" could loosely be described as one that defines "influential." Each of the auteurs sandwiched in between Robert Bresson and David Cronenberg has left a lasting mark on cinema, each employing a signature style that is unmistakable.
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Buñuel made so many masterpieces in his near 50-year career that those films of his that are merely very good tend to be overlooked. Death in the Garden is just such a film.
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This has the confounding, irrational quality of a Zen riddle or Christian parable -- its comic and secular, to be sure, but revelatory nonetheless.
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