Sound Affects

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22 July 2008

Paul Westerberg’s 49:00

You’d think that a single 49-minute track where the songs bleed into each other, layered over one another, with some of them nothing more than snippets (as if some invisible hand is spinning a radio dial) would be the most annoying thing ever. Turns out, though, that it might be one of the best releases of Paul Westerberg’s solo career. 49:00 hit the Amazon MP3 store on July 19 (or June 49th, as Westerberg puts it) for the low, low price of 49 cents. Even if there were only one good song in the whole digital mess, it would be a bargain. But some of these songs (who knows what any of them are called, you give up after a while and just accept the sound collage flow) represent some of Westerberg’s best work since the Replacements folded (the one with the “devil raised a good boy” chorus is certainly one of his fiercest).

Thankfully free of Folker-esque bleating, 49:00 is of the same comfortable, cozy basement cloth as Stereo/Mono—heck, it might even be more ragged than even that wonderfully scruffy release. Ramshackle Faces-inspired rockers blend with sensitive ballads, jangly workouts, snippets of cover songs, Westerberg’s patented put-downs of new men in ex-flames’ lives, jokes about his cleaner lifestyle ("please don’t ask me about my liver"), and what might even be his son yelling over a vintage Westerberg rock riff. 

Listening to 49:00 is just a lot of fun (heck, it might even be Year’s Best material if its staying power holds up). It feels like being on a road trip where you’re flipping between two or three great radio stations—always missing the names of whatever you’ve just heard—that play solid song after solid song. For much of Westerberg’s solo career, it sounded like he needed a foil in the studio to kick him in the pants when his ideas weren’t up to snuff. Maybe all he really needed to do was relax. That said, it would be great if some of these songs got an “official” release as songs. Some of them are just too good to remain buried in this tasty blend of music.

Andrew Gilstrap

Tagged as: paul westerberg

Finally! Thank you for writing an article on Paul Westerberg that does not refer to him as being a “Former frontman.” Kudos to you. I enjoyed your writing. Great photo too.

Comment by Mike from San Francisco — July 24, 2008 @ 1:04 pm

I rarely ever listen to new albums all the way through anymore.  In fact, I can’t recall the last time I listened to a new album all the way through in one sitting.  That is, until 49:00 which I think is the best album of the year simply because it caught me from the start and has proved to have true staying power.  I have actually listened to this album four times in five days.  I love this thing.  Reminds me of the great GBV lo-fi albums of the early/mid-’90s, although I’m not so sure I don’t like this better than Alien Lanes, if not Bee Thousand.

Comment by bookofkills from bridgewater — July 24, 2008 @ 5:33 pm

An excellent review of an excellent release. Westerberg continues to remain relevant to music without even trying. With the simple act of hitting the record button on whatever platform/machine he utilizes, he slides under the radar and beats us over the head with great rock and roll. All of my favorite bands right now (Whigs, fate lions, hard lessons) owe a large debt to the inexhaustable well of inspiration that is Paul. I am merely counting the minutes before the next band/artist follows his example (copies) and releases their next album in the same manner. Viva la Westerberg!

Comment by Sonja from Texas — July 25, 2008 @ 9:05 am

Westerberg has put out lot’s of good music since The Replacements. I’m more likely to put on Mono than any old Mats album. There’s a lot of good music on 49:00. It would be nice to hear the individual songs on a “real” album but what’s the point. It wouldn’t “sell” for shit.

Comment by Philco Brothers from Massachusetts — July 27, 2008 @ 1:17 pm

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Ok enough with all the ass-kissing praise. I love Paul Westerberg and have seen the Replacements and him solo countless times in concert. I lived for the ‘Mats during my college years. Why applaud him for putting out a half-assed project? Come on Paul put some effort in and finish these songs...your fans deserve more. Or is this so you can say: see “all for nothing” again? Stop with the self-pity already it’s, (your), getting old. Stop laying around feeling sorry and put together a band and a record and do it right. Remember 14 Songs? Your one of the greatest songwriters ever....stop wasting the talent man!

Still Love Ya Man.

Comment by chris from PA — July 30, 2008 @ 3:32 pm

Um, yeah, Chris from PA, you obviously don’t get it.

This latest release is an original piece of art. Why put out another 14 Songs when 14 Songs is already released?

Maybe you’re the one getting old?

Comment by Mike from San Francisco — July 30, 2008 @ 3:39 pm

C’mon Mike...piece of art? scrambled together bits of songs? Anyone who likes this is under the PW spell, I know he’s your favorite and ANYTHING he puts out is pure genius. I been there man, but take a step back and be honest with yourself....would you rather listen to 49:00 or Tim, Let It Be, even Don’t Tell a Soul? There are probably some masterpieces in there somewhere so why not finish the songs and put out some music? You mean to tell me your gonna put this on at a party? You probably don’t get to many parties. I’m telling ya I’m the biggest PW fan ever but this is just lazy crap.

Comment by chris from PA — July 30, 2008 @ 3:49 pm

Mr. Westerberg could release an album of farts and I would love it. Breathe it in, baby, breathe it in!

Comment by Mike from San Francisco — July 30, 2008 @ 4:08 pm

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Mike....you proved my point. Enjoy listening to 49:00 while staring at the wall and smelling your own runaway wind! Definitely bring your own lamp shade.

Comment by chris from PA — July 30, 2008 @ 4:19 pm

Thanks Chris. Please enjoy living in the past. Catch you on the next PW review…

Comment by Mike from San Francisco — July 30, 2008 @ 4:30 pm

Chris from PA:  What more do you want from this record?  There are at least 11 finished, full-length tracks on this record--and taken as a whole they are the most satisfying collection of Westerberg’s solo career.  Almost all of them of them are excellent.  The random snippets in between function as interesting intros and outros that after a few listens begin to seem like integral parts of the finished songs.  You wouldn’t get a better record by cutting this stuff out. 

Let It Be, Tim, and Pleased to Meet Me are three of my favorite records of all time, but 49:00 stands on its own as a pretty damn good record too.  It’s misleading to give the impression that it’s some “half-assed,” wannabe-artistic mess.

I felt compelled to write because, given the inconsistency of Westerberg’s solo career, if I’d read your comments before hearing 49:00, I might have passed on it.  But this one is different.  If you’re a Replacements fan, here are nearly a dozen songs that you won’t be able to get out of your head after a few listens.  Highly, highly recommended.

Comment by Josh — August 11, 2008 @ 9:19 pm

Enjoy a track from our upcoming record “Good Enough For You”.

Starsign: http://www.zshare.net/audio/509301695a99774b/

Stay Groovy!

Comment by Fate Lions from Fort Worth Texas — November 11, 2008 @ 12:19 pm

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