Quantcast

Call for Feature Essays About Any Aspect of Popular Culture, Present or Past

Rock Revolution

Friday, Dec 19, 2008
Konami's late entry into the rhythm wars has the pedigree, but the execution just isn't there.

The current craze of plastic peripheral-based rhythm games clearly started with Guitar Hero, but realistically, Guitar Hero wasn’t the first of its kind.  Konami has been producing music video games for years, through their Bemani division.  Though there were clear arcade roots, many successful ports were made, scaling down full featured, custom arcade setups for home translations of titles. However, very few were ever released in the United States.


It may be that Konami didn’t choose to pursue these properties in the United States because of a perceived lack of interest.  Alternatively, they may have thought the pervasive J-Pop soundtracks integral to the experience, and not transferable to American musical tastes.  In any case, Guitar Hero was not only able to adopt the Bemani formula, but also, by focusing on the American affinity for rock music in particular, was able to successfully make the title interesting to American gamers.  This was particularly notable given its relatively high price point.


cover art

Rock Revolution

(Konami; US: 14 Oct 2008)

Now that Rock Band and Guitar Hero have achieved full-on icon status (with an incredible 8 titles between them in the 3 years since the first Guitar Hero was released), Konami has chosen to try its hand at the same market with Rock Revolution.  Clearly Konami has the pedigree to create enjoyable music games, and Guitar Hero and Rock Band have essentially created a successful template for them.  Yet Rock Revolution is largely a disappointing effort, mainly because it doesn’t follow this template very well, and the specific ways in which the game departs from it serve to be fairly frustrating.


Rock Revolution has a fairly meager song list, and as yet, the available downloadable content does not contain anything on the level offered by Rock Band.  While a drum, bass, and guitar are supported, there is no support for voice, arguably one of the most enjoyable aspects of these games in a party setting.  The now ubiquitous presentation of notes arriving from the horizon has been eschewed in favor of a classic Bemani look, where the notes fall vertically from the top of the screen.  This approach allows for far fewer notes to be on screen at the same time, making difficult sections even more challenging.  One of the things Rock Revolution does right, however, is that it accepts various third party peripherals, making it unnecessary to purchase expensive instruments just for it.  In fact, the only branded Rock Revolution peripheral is a drum set, but critical response to this kit has been overwhelmingly negative.


As of this writing, Rock Revolution is available from a variety of retailers for $19.99, a full $30 off its original MSRP.  Already a budget title to begin with, perhaps this better positions Rock Revolution to essentially function as a song pack for people with existing Guitar Hero or Rock Band peripherals.  In fact, its open acceptance of various peripherals potentially positions it to be just that.  Still, whether players will be willing to sacrifice the overall polish and experience they’ve become accustomed to from the competition for Rock Revolution simply for a few extra cover songs remains to be seen.


Rating:

Media
Rock Revolution Gameplay
Related Articles
28 Nov 2007
Seriously, where's Master P?
Comments
Now on PopMatters
A Painting Come to Life: 'The Mill & the Cross' (Short Ends and Leader) [Fri, 4:00 pm]
A Far Too Safe... and Strained... 'House' (Short Ends and Leader) [Fri, 9:00 am]
'Safe House' Is Ersatz Edgy (Reviews) [Fri, 8:06 am]
The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader) [Fri, 7:50 am]
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  3. Slipped Discs 2011 - Part 1: From 13Ghosts to Friendly Fires (Features)
  4. The Best Games of 2011 (Features)
  5. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  6. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  7. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  8. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  9. Lana Del Rey: Born to Die (Reviews)
  10. The Top 15 Madonna Singles of All Time (Sound Affects)
  11. Get Off of My Cloud!: 'Collecting' Music in the Digital Age (Features)
  12. Leonard Cohen: Old Ideas (Reviews)
  13. Google and the Production of Curiosity (Marginal Utility)
  14. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  15. “Don’t Let Me Fall”: Hip-Hop in the Age of Austerity (Features)
  16. Tower Songs: Townes Van Zandt (Columns)
  17. Black Bananas: Rad Times Xpress IV (Reviews)
  18. The Gay Ole Countryside (Columns)
  19. Paul McCartney: Kisses on the Bottom (Reviews)
  20. Of Montreal: Paralytic Stalks (Reviews)
  21. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  22. The 10 Best John Coltrane Solos (Sound Affects)
  23. A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men' (Features)
  24. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
  25. Chairlift: Something (Reviews)
  26. Nick Cave’s The Death of Bunny Munro: A Rock Star’s Midlife Crisis or Valid Literature? (Features)
  27. The Asteroids Galaxy Tour - "Heart Attack" (Cosmic Kids Remix) (PopMatters Premiere) (Mixed Media)
  28. Mark Lanegan Band: Blues Funeral (Reviews)
  29. The Barbaric (and Poetic) Yawp of Shelby Lynne (Notes from the Road)
  30. After Cease to Exist: The Far-from-Final Report of Throbbing Gristle (Features)
PM Picks
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.