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On April 21, 1910, author Samuel Langhorne Clemens, better known as Mark Twain, died in Redding, Connecticut
Mark Twain was the heavyweight champion in a time when giants roamed the earth and our color commentary was written in ink. Twain, along with Melville and Hawthorne, represents the holy trinity of 19th Century American fiction: the great white hope. But Twain was arguably the archetypal American writer; certainly that was William Faulkner’s assessment. And if Faulkner says Twain was the “father of American literature” than Twain is the father of American literature, end of discussion. Even still, he was more than that. A lecturer, a satirist, critic, commentator; a genuine public figure and ambassador for the well-examined life.
Twain’s influence is like history itself: impossible to deny, informing everything that comes later. It’s difficult to imagine Upton Sinclair, H.L. Mencken, Paul Theroux and Christopher Hitchens existing without the model laid out by their white-haired progenitor. Has anyone mixed accessible fiction, social commentary (caustic and comic) and travel writing with more elan than the peripatetic Twain? Is anyone, with the possible exception of Oscar Wilde, more deliciously quotable? Mark Twain remains the Big Daddy; distinctly American to be sure, but American in a way that invokes the better practices and habits we used to take for granted. Twain embodies an era when exploration (physical and intellectual), engagement with the world and aninsatiable appetite for experience were not rites of passage so much as imperative points of departure.
Of course it was, in many regards, a simpler time: no movie stars or radio-friendly pop singers (no radio, for that matter), no prime time news anchors sensationalizing the story of the day. But to be certain, there were still opportunistic hacks and peddlers of propaganda: as long as art remains a viable avenue of commerce and politics exist, the world will never have a scarcity of these charlatans. So what? Well, would it be too quaint by half (or whole) to propose that writers in general (and poets in particular, per Shelley’s dictum) were indeed the unacknowledged legislators of the world? Expertise earned in the field and conferred via the discipline of expression. The best writers could acquire an old-fashioned kind of authority; the type that conferred upon an individual the honor (and obligation) of expressing truths not beholden to party lines or privilege. The type of sensibility that was capable of creating Huckleberry Finn, for instance. Mark Twain, in short, seamlessly incorporated many of the aspects we lionize in our leaders: a populist impulse, an instinctive aversion to prejudice, skepticism of power and an unabashed zeal for democracy. This is Twain’s legacy: his country did not define him so much as he helped define it. If Hawthorne wrote about what we had been (and, in his despairing eyes, always would be), and Melville wrote about what we could be, and Twain wrote about what we were, and what we should be.
