Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Anticipated terrorism

Saturday, Jul 7, 2007

The Buttonwood column in the most recent Economist takes up the topic of terrorism in the wake of the recent foiled plots in the U.K. Despite the “frightening prospect that terror tactics perfected in Baghdad might be brought to the streets of Britain on a regular basis,” financial markets barely reacted, and investors seem “completely unconcerned.” This leads the columnist to virtually speculate that terrorism is accepted as a given aspect of society, that it’s already built into the structure of things and factored in to the decisions made on capital’s behalf.


Perhaps this points to an admirable sang froid on the part of investors. Terrorist attacks kill far fewer people than car accidents, so why should they have a long-term impact? After all, mainland Britain survived 20 years of bombing by the IRA and Spain’s economic growth has not been thrown off course by the activities of ETA, the Basque separatist group. Provided the violence is sporadic, people have to carry on with their daily lives.


The radical place to go from this sort of thinking is to conclude that of course terrorism is presumed as given; capitalist society itself, with its gale-force winds of creative destruction, can be viewed as inherently terroristic. The random disruptions of terrorists plots, successful or not, are possibly analogues for the instability necessary for continued innovation, for the insecurity that finds redress in the stable certainties supplied by consumerism (“We never close”).


This is close to the ideas sociologist Henri Lefebvre advances in Everyday Life in the Modern World, where he conceptualizes the terroristic society in terms of compulsion carried out at the level of the quotidian. He seems to have in mind the pervasive ideology of competitiveness and individualism and materialistic hedonism that makes it a draining struggle to resist the currents pulling people toward passive consumption, convincing people to be satisfied with material comfort as opposed to fulfilling, meaningful activity. Terroristic society, Lefebvre argues, presents limited human potential (being realistic) as a precondition for what one experiences as freedom (accumulation of goods). But in such a society, terror is so omnipresent it becomes invisible:


  In a terrorist society, terror is diffuse, violence is always latent, pressure is exerted from all sides on its members, who can only avoid it and shift its weight by a superhuman effort; each member is a terrorist because he wants to be in power (if only briefly); thus there is no need for a dictator; each member betrays and chastizes himself; terror cannot be located, for it comes from everywhere and from every specific thing; the ‘system’ (in so far as it can be called a ‘system’) has a hold on every member separately and submits every member to the whole, that is, to a strategy, a hidden end, objectives unknown to all but those in power, and that no one questions


What Lefebvre conjures here is a panoptic sort of society, where individuals in perpetual competition police each other and themselves in accordance to a ideology that champions atomization, etc. Everything that bears mainstream ideology (other-directed success on society’s prevailing terms) becomes terroristic—he singles out fashion and the ideal of youthfulness as exemplary of the operations of a terrorist society.


Obviously this is not the kind of terrorism that involves randomly blowing up buildings in the name of a religious creed. The question is whether such bomb-exploding events disrupt the fabric of the “terroristic society”—the panoptic prison where we presumably live lives of quiet desperation—or are an integral, structural part of it. Do they succeed in opening a rift in the seamless operation of the “system” or are they merely part of that system, flying a false flag?


Comments
Now on PopMatters
Bone and Bell Release Second EP (Mixed Media) [Tue, 10:00 am]
Cannes 2012: Day 9 - 'Student' + 'In the Fog' (Notes from the Road) [Tue, 9:00 am]
The 10 Greatest Aspects of the 'Star Wars' Franchise (Short Ends and Leader) [Tue, 8:00 am]
Devil May Cry: HD Collection (Reviews) [Tue, 6:45 am]
The Walkmen: Heaven (Reviews) [Tue, 2:00 am]
King Tuff: King Tuff (Reviews) [Tue, 2:00 am]
Lake Street Dive: Fun Machine EP (Capsule Reviews) [Tue, 2:00 am]
Theresa Andersson: Street Parade (Reviews) [Tue, 2:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. Like 'Doom', In Heels (Moving Pixels)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  9. She's a Rainbow: A Tribute to Donna Summer (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  12. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  13. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  14. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  15. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  16. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  17. Killer Mike: R.A.P. Music (Reviews)
  18. Sergio Leone: Something to Do with Death (Columns)
  19. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  20. Early Summer 2012 New Music Playlist (Mixed Media)
  21. In Support of Supports (Moving Pixels)
  22. Flash Points: Chicks, Sluts and Facebook (Features)
  23. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  24. The Cult: Choice of Weapon (Reviews)
  25. Garbage: Not Your Kind of People (Reviews)
  26. Willie Nelson: Heroes (Reviews)
  27. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  28. Saint Etienne: Words and Music (Reviews)
  29. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
  30. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
Categories
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.