Quantcast

Call for Feature Essays About Any Aspect of Popular Culture, Present or Past

Cable news mood management

Thursday, Oct 15, 2009

Matt Yglesias noted the other day that no one but pundits watches cable news.


Just like traders have CNBC and Bloomberg on in their offices, political operatives are constantly tuned in to what’s happening on cable news. The result is a really bizarre hothouse scenario in which people are basically watching . . . well . . . nothing, but they’re riveted to it. How things “play” on cable news is considered fairly important even though no persuadable voters are watching it. And cable news’ hyper-agitated style starts to infect everyone’s frame of mind, making it extremely difficult for everyone to forget that the networks have huge incentives to massively and systematically overstate the significance of everything that happens.


You’d think it would be sensible if they all simply stopped watching, since hyper-agitation is in no policymaker’s best interest and it leads to superfluous and counterproductive commentary. With not enough organically occurring news to fill 24 hours, the news channels are becoming ongoing emotional barometers instead, but they are tuned only to themselves. They try to make news themselves with a variety of cooked-up debates and pseudoevents and that sort of thing, reporting on the import of their own reports—nothing new, as Daniel Boorstin’s 1961 book The Image demonstrates. It’s only a slight exaggeration to say that if you don’t watch TV news at all, you are better informed than those who do, even if you are completely ignorant. (At least then you are capable of a genuine response to something that you learn about.) The recursive meta-news that makes up cable news regarding what’s being talked and talked about on cable news just seems like information pollution.


Like Kevin Drum, I get virtually all of my news from online versions of newspapers and from blogs. I’m skeptical of TV news generally because I don’t like emotional presentations of news or pretentious newsreaders or phony objectivity (as though the choice of presenting a story isn’t subjective) or the oversimplification. Most “news” strikes me as attempts to regulate my mood—build my confidence in the government or the economy or undermine it, bludgeon me with scare tactics (“What item in your closet is slowly poisoning your infant? News at 11”) or feed me “human-interest” stories to, as Stewie Griffin might say, “make me smile.” Am I just weird in that I want news as neutral and unengaging as possible, that puts me in a state of suspended emotionality? I miss the old Wall Street Journal.


Anyway, this interview at Boing Boing with a health news watchdog, journalist Gary Schwitzer, whose organization gave up on trying to critique TV health stories, offers some perspective.


In the early days of CNN, we had this tremendous, exciting opportunity. The channel could be place to go in-depth with background and be analytical and contextual. But then the management side swung the other way and preferred to be the wire service of the air—take anything happening anywhere and report it with a quick turnaround.



If cable news simply was a wire service, that would not be so terrible, but when you pit three commercial would-be wire services against one another, we see what happens—noise.

Comments
Now on PopMatters
A Painting Come to Life: 'The Mill & the Cross' (Short Ends and Leader) [Fri, 4:00 pm]
A Far Too Safe... and Strained... 'House' (Short Ends and Leader) [Fri, 9:00 am]
'Safe House' Is Ersatz Edgy (Reviews) [Fri, 8:06 am]
The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader) [Fri, 7:50 am]
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  3. Slipped Discs 2011 - Part 1: From 13Ghosts to Friendly Fires (Features)
  4. The Best Games of 2011 (Features)
  5. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  6. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  7. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  8. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  9. Lana Del Rey: Born to Die (Reviews)
  10. The Top 15 Madonna Singles of All Time (Sound Affects)
  11. Get Off of My Cloud!: 'Collecting' Music in the Digital Age (Features)
  12. Leonard Cohen: Old Ideas (Reviews)
  13. Google and the Production of Curiosity (Marginal Utility)
  14. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  15. “Don’t Let Me Fall”: Hip-Hop in the Age of Austerity (Features)
  16. Tower Songs: Townes Van Zandt (Columns)
  17. Black Bananas: Rad Times Xpress IV (Reviews)
  18. Paul McCartney: Kisses on the Bottom (Reviews)
  19. The Gay Ole Countryside (Columns)
  20. Of Montreal: Paralytic Stalks (Reviews)
  21. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  22. Nick Cave’s The Death of Bunny Munro: A Rock Star’s Midlife Crisis or Valid Literature? (Features)
  23. A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men' (Features)
  24. The 10 Best John Coltrane Solos (Sound Affects)
  25. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
  26. Chairlift: Something (Reviews)
  27. Mark Lanegan Band: Blues Funeral (Reviews)
  28. The Asteroids Galaxy Tour - "Heart Attack" (Cosmic Kids Remix) (PopMatters Premiere) (Mixed Media)
  29. The Barbaric (and Poetic) Yawp of Shelby Lynne (Notes from the Road)
  30. After Cease to Exist: The Far-from-Final Report of Throbbing Gristle (Features)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.