Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Don't get too close to my fantasy

Monday, Apr 3, 2006

The happiest day of the year has arrived, and if you don’t believe me, then you obviously don’t have a fantasy baseball team. For the next few months I’ll be reveling in the joy of numbers and player news, with every piece of data being operable rather than inert—every new fact, every new at bat or injury, leads to a series of reevaluations, a host of potential decisions, a cascade of consequences that one can nonetheless feel one has mastered. In all, fantasy baseball is like a simplified stock market, and I can play a being a daytrader, with all the intensity and obsession that implies, without having to venture my retirement savings to do it. I can have the high blood pressure without the profit. If I put half as much energy into research companies as I did into researching shortstops, I could probably make a mint.


The analytical tools used for investing and fantasy-baseball play are rapidly converging, especially with data available on the big administrative sites like CBS.Sportsline and ESPN and Yahoo on what is happening across fantasy leagues in the aggregate—you get the rough equivelent of a stock’s beta, as well as a speculatively determined sense of a player’s value, and which players saw heavy volume. You can see in how many leagues a player is being used, at what position he was drated on average, and several different objective measures of his value on a daily, weekly, or season long basis. (And of course you get analyst’s reports daily when there is news for a particular player—just as Yahoo gives you company news for your portfolio, it provides player news for your fantasy squad, along with how should affect whether you buy, hold, or sell. The very notion of fantasy baseball is a kind of derivatives market, in which values are derived from another source and slightly distorted, magnified, laden with different incentives. My investment strategy? Get some steady value guys—proven established players whose production won’t surprise or disappoint—and then take on some risk with players with growth potential, such as pitchers in their third full year or players coming off injury-plagued seasons. You need a few blue chippers, but often enough, the small caps outproduce that big-salary guys.


This kind of thinking is probably what’s behind those who complain that fantasy sports “destroy” the fun of being a sports fan, or constitutes some phony kind of fandom, turning baseball into pseudo-business. In truth, it reflects perfectly the values of American culture: it stresses the individual over the team, and holds individuals accountable for things the larger team often controls (a pitcher’s wins, a hitter’s RBIs); it enshrines financial calculation and analysis as a primary mode of pleasure (tracking the value of your holdings is a value unto itself; possession itself is the most pleasurable form of spectatorship) and the most rational way of assessing who’s winning (success must be measured in numbers). It reiterates the sense that there should be no emotional investment in something without a quantifiable stake, and no leisure that doesn’t in some way mimic work.

Comments
Now on PopMatters
Devil May Cry: HD Collection (Reviews) [Tue, 6:45 am]
The Walkmen: Heaven (Reviews) [Tue, 2:00 am]
King Tuff: King Tuff (Reviews) [Tue, 2:00 am]
Lake Street Dive: Fun Machine EP (Capsule Reviews) [Tue, 2:00 am]
Theresa Andersson: Street Parade (Reviews) [Tue, 2:00 am]
AlunaGeorge: You Know You Like It EP (Capsule Reviews) [Tue, 2:00 am]
Mean Jeans: Mean Jeans on Mars (Reviews) [Tue, 2:00 am]
Yarn: Almost Home (Capsule Reviews) [Tue, 2:00 am]
Lee Bannon: Fantastic Plastic (Reviews) [Tue, 2:00 am]
'Battleship': What Did You Expect? (Short Ends and Leader) [Mon, 2:00 pm]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  7. Like 'Doom', In Heels (Moving Pixels)
  8. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  9. She's a Rainbow: A Tribute to Donna Summer (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  12. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  13. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  14. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  15. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  16. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  17. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  18. Sergio Leone: Something to Do with Death (Columns)
  19. Killer Mike: R.A.P. Music (Reviews)
  20. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  21. Early Summer 2012 New Music Playlist (Mixed Media)
  22. In Support of Supports (Moving Pixels)
  23. Flash Points: Chicks, Sluts and Facebook (Features)
  24. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  25. The Cult: Choice of Weapon (Reviews)
  26. Garbage: Not Your Kind of People (Reviews)
  27. Willie Nelson: Heroes (Reviews)
  28. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  29. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
  30. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
Categories
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.