Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

It's all one big plastic hassle

Wednesday, Feb 3, 2010

I have a post up at Generation Bubble about “reflexively defiant consumerism”—a concept coined by two marketing professors that they saw as a fusion of postmodern critical theory and consumer protection initiatives. It’s basically the “prosumer” idea of subverting the marketers who want to tell you what to do. It’s obviously an outdated notion; few would argue today that marketers are forcing specific identities on us anymore. Advertisers are probably content to know that we are playing on the consumerist field, and just hope will play with their ball. (Who can resist an unnecessary football metaphor as the Super Bowl approaches?)


My hunch in general is that self-consciousness about how we consume means they have us right where they want us, thinking about how to articulate our identity through consumerism and not through other modes. Douglas Holt’s excellent 2002 paper “Why Do Brands Cause Trouble” (wish I could link it, but my searches haven’t turned up an ungated one) bears that out. He posits a dialectical model of identity and oppositional consumerism that seems to suggest resistance to certain brands tends to produce more credibility for other ones, and that production is now built into the consumerist system of “post-postmodernism.” Reflexively defiant consumers are just the avant-garde producers of new consumerist meanings within the code. The sovereignty they convince themselves that they have earned by pseudoresistance is actually more bound up than ever with consumerism. “Authenticity” becomes nothing but a marketing concept; it can no longer serve an an orienting ideal. It is, as Holt argues, “becoming extinct.”


Worse, we confront sovereignty inflation:


To feel sovereign, postmodern consumers must adopt a never-ending project to create an individuated identity through consumption. This project requires absorbing an ever-expanding supply of fashions, cultural texts, tourist experiences, cuisines, mass cultural icons, and the like. As a result, we are in the midst of a widespread inflation in the symbolic work required to achieve what is perceived as real sovereignty.


In other words, as a character in the 1968 film Psych-Out declares, “It’s all one big plastic hassle.”



  
I would add that Web 2.0 has become the technological expression of that system, the means of production that allows consumers to make meanings on a sort of industrial scale, thanks to the increasingly hegemonic notion that identity (or individuality) must be mediated online to secure the requisite social recognition and the sense of sovereignty.


Holt thinks that eventually brands will exhaust all possible tropes of authenticity and will have to turn to genuine community action and resource provision to secure customer loyalty and make their brands stand for something admirable. I am skeptical of this; I think the contrivance of pseudo-authenticity is limitless, and the absorption of millions of new mini-brand managers on social networks and the like serves to manufacture new ruses at an inexhaustible rate. We have become the brainstorming consultants for corporations, only they don’t have to pay us for the labor.

Comments
Now on PopMatters
Devil May Cry: HD Collection (Reviews) [Tue, 6:45 am]
The Walkmen: Heaven (Reviews) [Tue, 2:00 am]
King Tuff: King Tuff (Reviews) [Tue, 2:00 am]
Lake Street Dive: Fun Machine EP (Capsule Reviews) [Tue, 2:00 am]
Theresa Andersson: Street Parade (Reviews) [Tue, 2:00 am]
AlunaGeorge: You Know You Like It EP (Capsule Reviews) [Tue, 2:00 am]
Mean Jeans: Mean Jeans on Mars (Reviews) [Tue, 2:00 am]
Yarn: Almost Home (Capsule Reviews) [Tue, 2:00 am]
Lee Bannon: Fantastic Plastic (Reviews) [Tue, 2:00 am]
'Battleship': What Did You Expect? (Short Ends and Leader) [Mon, 2:00 pm]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  7. Like 'Doom', In Heels (Moving Pixels)
  8. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  9. She's a Rainbow: A Tribute to Donna Summer (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  12. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  13. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  14. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  15. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  16. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  17. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  18. Sergio Leone: Something to Do with Death (Columns)
  19. Killer Mike: R.A.P. Music (Reviews)
  20. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  21. Early Summer 2012 New Music Playlist (Mixed Media)
  22. In Support of Supports (Moving Pixels)
  23. Flash Points: Chicks, Sluts and Facebook (Features)
  24. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  25. The Cult: Choice of Weapon (Reviews)
  26. Garbage: Not Your Kind of People (Reviews)
  27. Willie Nelson: Heroes (Reviews)
  28. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  29. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
  30. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
Categories
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.