Art by Eric Schiller

Sound Affects

The PopMatters Music Blog

Music / Synesthesia 

4 May 2008

Mindless violence or something deeper?

Yet the biggest question that lingers after seeing Justice's "Stress" video is simply this: what's the point?

Justice’s last two music videos—“D.A.N.C.E.” and “DVNO”—were graphic, fun-filled affairs that were visually engaging, culturally satirical, and just damn fun to watch. With “Stress”, however, the group winds up taking a turn for something much darker.

As you stream it below, you see something that’s very primal and very unpleasant: act after act of mindless, pointless violence. Romain Garvis’ clip features a gang of young hoodlums (all donning jackets with the Justice “cross” logo on it) going about town and destroying bars, throwing tourists cameras away, smashing street performers guitars, hijacking a car and much, much more. It will never get play on MTV, and its violence is tough to swallow: even the one shot at this gang’s come-uppance is foiled after the kids break off from a security guard sneak attack, leaving just one guard to try and stop them ... only to find himself on the floor being kicked repeatedly.

The video ends with the kids torching the car they stole, some of the flame even landing on the videos boom mic operator. They don’t even acknowledge his pain: they soon turn to the camera man, spit on his lense, and after what appears to be a brief struggle, everything turns to black.

Yet the biggest question that lingers after is simply this: what’s the point?

It’s doubtful that a video as well-crafted as this was done simply to provide an unfunny version of Jackass. Instead, given that Justice originated from France, this video could perhaps be seen as an expression of the outrage that the French youth felt during their tumultuous riots a few years back, the ones that shocked and outraged a nation: politicians calling said rioters “scum” and the youth of France returning the sentiment in kind by destorying millions upon millions of dollars worth of property. The “Stress” video could be seen as the youth having bottled up rage, societal resentment brewing in their blood ... and yet not having a single outlet of which to pour their energy. So, the kids in this video take to vandalism, crime, asserting their authority in any/all contexts possible, lapping up their camera-captured spotlight before, ultimately, turning on those who are documenting their accomplishments. Is the implication that such unfocused, unbridled rage will ultimately collapse in on itself, leading to one’s own destruction instead of on exterior, worldly things?

It’s hard to say, and this video does not provide any easy answers. It’s a polarizing clip, but it only goes to show that art of any kind—yes, even big-beat techno—can ignite a serious, pointed discussion.

(Oh, and yeah ... it’s also a great song to boot).

Evan Sawdey

Justice -- Stress
 
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Comments

Just saw this earlier today, and then stumbled across this post.  Curious video for all the references: La Haine, Man Bites Dog, the riots, etc.  For me it’s the anti-Amelie, mainly for that scene at Montmartre, and that is part of its visceral pleasure (an antidote to the bloodless, sanitized, twee Paris we’re presented with).  Curiously affectless and aggro at the same time, which sometimes sums up Justice’s music for me as well.

Comment by TV DiSKO from New Zealand — May 5, 2008 @ 1:52 am

Snuff films are probably very “anti-Amelie”, but I wouldn’t give them any particular credit for being so.  Personally, I have no idea how to turn this voyeurism on violence into commentary and the more work I have to do so, the more I suspect it of being intellectually barren in the first place.  I mean, if it’s social commentary on the riots of the unassimilated, outlier youth of France, then what is it saying about them?  These kids need activity centers or they will sexually assault women in the subway?  It’s like huffing the visceral ecstasy of a rampage for people who get off on that sort of thing.  It’s Bum Fights with better art direction. 

I agree with TV DiSKO in the sense that this kind of dilapidated, urban France is not the representation we’re normally given of that country in the states, but I can barely think of a country, including our own, that’s accurately represented in the U.S. media.  The cynic in me says that this is just a good branding device for JUSTICE who can use the ominous, violent disaffection of young men as a masculinizing device for their image. I think there’s still a big of hip-hop cred envy in the techno crowd (which is why their recent collab with Spank Rock also makes branding sense).  And the JUSTICE gang has its own members only jackets.  Now, I think the next logical step is for Miley Cyrus to put her initials on a line of pink brass knuckles.

Comment by Terry Sawyer — May 5, 2008 @ 10:45 am

The Justice logo is not a ‘Cross’ it is a dagger; more commonly used in footnotes.

Comment by Alan Zeino from Sydney, Australia — May 6, 2008 @ 4:03 am

I don’t understand the polemic around this video… I think JUSTICE just wanted to show something else and that’s it. This not especially anti-Amélie, this is just another side of France. I don’t think this is a “good branding device” as Terry said because some of the “bobo” fans of Justice won’t understand. Anyway nothing new on earth, IAM did the same 10 years ago with “Petit Frère” but allowed on MTV…

Comment by Pierre from France, Paris — May 10, 2008 @ 7:01 am

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