Quantcast

Call for Feature Essays About Any Aspect of Popular Culture, Present or Past

My beef with the media

Tuesday, Aug 21, 2007
by Edward Wasserman

What’s the worst thing about the media?


Everybody has a favorite peeve: Bias in reporting, hyper-commercialization, encouraging people to buy things they don’t need and can’t afford, undermining core values, nurturing cynicism.


There are others, and Web sites are refilled daily with fresh angles on the case you can make against the media—here, I mean specifically the U.S. media. A case can also be made for the media, but that’s not my interest today.


I’m interested in introducing my nominee for the very worst thing about the U.S. media, the single greatest harm the media do to American society. That, in my opinion, is to hang a for-rent sign on our political system.
  
The latest in that story came in a recent article that reported on the growing battle between TV broadcasters and cable owners over the record amounts candidates, parties and interest groups are poised to spend on campaign advertising in the current electoral cycle, which began moments after the last one ended.


The article estimates 2008 spending by candidates and interest groups on TV alone will top $2 billion, out of total expenditures on advertising and marketing of all kinds of $4.5 billion. That’s up 64 percent from 2004, in part because this will be the first race for the White House since 1928 without a sitting president or vice president—a presumed front-runner—among the candidates.


Those estimates, staggering as they are, may be on the low side—if a major independent enters the presidential race, if control of either congressional chamber hangs in the balance, if local candidates take advantage of cheap production costs and divert money from producing ads to buying more airtime, if interest groups heavy up on advertising right before the vote, which is now legal thanks to a recent Supreme Court ruling.


Now that windfall is great news for the companies that own local TV stations or cable operations, which will be the main beneficiaries, and to a lesser extent for newspaper publishers and local radio.


It’s the rest of us who pay. We pay by living under an electoral system that at every level is shaped by an unrelenting obligation among elected public servants to raise fabulous amounts of money. As a result, months or even years before they come before us for final selection, candidates must be pre-approved by tiny numbers of very rich donors in Hollywood, on Wall Street, in Silicon Valley, in the oil patch. It is from those early signs of fundraising prowess that the viability of a candidacy is assessed, and it is only by continuing to bring in money that anyone can hope to succeed.


That’s all well known. But somehow this problem, of an insatiable need for campaign dollars, has been turned into an indictment of politicians: It is their fault, it’s their greed and hunger for money, that has turned electoral democracy into a livestock auction in which public policy is led around by the nose.


But, in fact, politicians aren’t the problem at all, for once. To get re-elected the average senator must raise $20,000 every week in office, members of Congress a half-million a year. (That was for the last election cycle. We’re looking at a nearly two-thirds increase this time.) They don’t keep the money, and they don’t spend it on luxuries. They don’t get rich—not until they leave office. For now, all they get is to keep their jobs.


Where does the money go? Most of it goes to media, to making and airing those sharp, memorable, exquisitely produced and invariably deceitful TV spots that are the hard currency of modern, pay-as-you-go electoral jihad. In that respect we pay again, through a debased campaign discourse that is compressed, refined and distorted to comply with a corporate-owned media commons that ladles out opportunities to address the public in fractions of a second.


Tweaking the rules of raising money is a perennial cause among reformers, but doing something about why anybody needs all that money rarely comes up. Every once in a while some no-hope politician raises the possibility that media might actually be compelled—in exchange for all the public largesse they feast on, whether airwaves or terrestrial rights-of-way—to do what media do in other republican systems, and provide real, serious, free air time for office-seekers to talk to each other and to us.


And surprise—when those proposals are floated, the media ignore them.


Edward Wasserman
McClatchy Newspapers (MCT)

Comments
Now on PopMatters
A Painting Come to Life: 'The Mill & the Cross' (Short Ends and Leader) [Fri, 4:00 pm]
A Far Too Safe... and Strained... 'House' (Short Ends and Leader) [Fri, 9:00 am]
'Safe House' Is Ersatz Edgy (Reviews) [Fri, 8:06 am]
The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader) [Fri, 7:50 am]
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  3. Slipped Discs 2011 - Part 1: From 13Ghosts to Friendly Fires (Features)
  4. The Best Games of 2011 (Features)
  5. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  6. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  7. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  8. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  9. Lana Del Rey: Born to Die (Reviews)
  10. The Top 15 Madonna Singles of All Time (Sound Affects)
  11. Get Off of My Cloud!: 'Collecting' Music in the Digital Age (Features)
  12. Leonard Cohen: Old Ideas (Reviews)
  13. Google and the Production of Curiosity (Marginal Utility)
  14. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  15. “Don’t Let Me Fall”: Hip-Hop in the Age of Austerity (Features)
  16. Tower Songs: Townes Van Zandt (Columns)
  17. Black Bananas: Rad Times Xpress IV (Reviews)
  18. The Gay Ole Countryside (Columns)
  19. Paul McCartney: Kisses on the Bottom (Reviews)
  20. Of Montreal: Paralytic Stalks (Reviews)
  21. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  22. The 10 Best John Coltrane Solos (Sound Affects)
  23. A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men' (Features)
  24. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
  25. Chairlift: Something (Reviews)
  26. Nick Cave’s The Death of Bunny Munro: A Rock Star’s Midlife Crisis or Valid Literature? (Features)
  27. The Asteroids Galaxy Tour - "Heart Attack" (Cosmic Kids Remix) (PopMatters Premiere) (Mixed Media)
  28. Mark Lanegan Band: Blues Funeral (Reviews)
  29. The Barbaric (and Poetic) Yawp of Shelby Lynne (Notes from the Road)
  30. After Cease to Exist: The Far-from-Final Report of Throbbing Gristle (Features)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.