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Books / Upside-down Notes 

7 October 2008

Searching for Spinoza

There’s a funny scene in P.G. Wodehouse’s classic Joy In The Morning, in which Bertie Wooster tries to find a copy of Spinoza in a bookshop.  On asking the bookshop employee, he’s met with blank incomprehension.

`You do not mean “The Spinning Wheel”?’

`No.’

`It would not be “The Poisoned Pin”?’

`It would not.’

`Or “With Gun and Camera in Little Known Borneo”?’ he queried, trying a long shot.
`Spinoza,’ I repeated firmly. That was my story, and I intended to stick to it.
He sighed a bit, like one who feels that the situation has got beyond him.

I think of this story a lot when dealing with the staff in bookshops.  To be honest, I’ve never had much use for them.  These days I’ve got a pretty good idea what I’m looking for in the way of books.  I’ve got my magazines and newspapers and websites that give me tips.  Sometimes I just want to browse and I’m pretty sure that I can read a blurb unaided.  I need someone to scan my selection and take my money, but that’s about the extent of it.

Sure, the presence of staff can help you out with identifying the location of a book—particularly something that’s difficult to classify.  Even this isn’t strictly necessary in some branches of Borders, with their library-style computer terminals.

Getting advice and recommendations, though, is another matter.  There are thousands and thousands of books in the world—who’s to say that the taste of a random person in a bookstore is anything like yours?  How can they be expected to be even aware of the kind of book you might be after?

For all that, I have a certain affection for the “Staff recommendations” that some shops attach on cardboard under the shelves.  At the very least, it’s interesting to see how they line up with my favourite books.  I get a small feeling of companionship with the staff when I see a glowing referral for the works of Kazuo Ishiguro or Vikram Seth or Jeffrey Eugenides’ Middlesex.

There’s an element of snobbery at work.  I’m inclined to think that I’m the expert when it comes to the kind of book that I’ll enjoy.  Maybe I’m underrating the taste and discernment of the average bookshop clerk.

My feeling of superiority did take a beating recently while in the George St, Sydney branch of Dymocks and was looking for the next volume of Proust’s In Search Of Lost Time.  Now, I never expected to get through the first volume and it sat unread on my shelves for five years.  The fact that I read it and enjoyed it still astonishes me.  I picture the kind of people who read and enjoy Proust as being grey-haired and wise-looking—English professors at the end of a long and distinguished career.

So picture my surprise when a young-looking employee with an American accent came up behind me and intoned, “Ahh, Marcel Proust.  That was my favourite volume.”

“Oh yeah?” I responded, only half processing what he had said to me.

“Yeah.  I really enjoyed the next one, The Guermantes Way, too but I thought it went downhill after that.  You know, he only edited the first couple of volumes in his lifetime.  The rest were done by his brother or something.”

I couldn’t believe what I was hearing.  A guy about my brother’s age had apparently read all the volumes of a gigantic work of French literature and had a favourite volume.

My friend Tim was unsurprised by this story.  He used to work at that very bookstore and said more than half of the staff were completing postgrad studies in literature.  Tim was the marketing student who read Robert Ludlum.

So maybe there’s a role for them after all, at least the staff who have read the later volumes of massive novels and can save you the trouble.

David Pullar

 
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Comments

Obviously if you shop at an independent you’re likely to find better, more committed, knowledgeable booksellers… let’s face it, most part-time shelf-stackers at the major booktailers are probably no more likely to be familiar with the work and shelf-location of Proust or this Spinoza chap than you are.  However, either way you are very much reliant on either the quality of the buyer or the mileage of the shelving.  If you’re at a shop with a good buyer (by which I mean good for your tastes) then you’ll have to wade through fewer volumes to discover what you were looking for, and are much more likely to truffle out undiscovered gems whilst you’re at it.  Given your highbrow tastes I’d recommend this relatively unknown literary text by a chap called Dan Brown… don’t let the long words put you off.

Comment by The Bookseller from Edinburgh, UK — October 9, 2008 @ 3:22 am

I hate to be the one to tell you this - it upset me for days when I discovered it. So brace yourself. Those “staff picks” labels in chain bookshops? These days, they’re faked. Publishers buy them for selected books.

Comment by lily — October 9, 2008 @ 4:39 am

I hate to tell you this Lily, but: No they’re not. Most people work in bookshops not because they fancy a career in retail but because they really love books. so what if their taste doesn’t chime with yours? It’s always interesting to see what other people think.

So please don’t make the mistake of thinking that, simply because a huge multiple bookseller is anodyne and bland, their staff are too. Usually they are attempting to subvert from within.

Comment by Matthew from Edinburgh, UK — October 9, 2008 @ 12:53 pm

Well, Matthew, I know from the horse’s mouth that publishers buy staff picks - but I meant no disrespect to bookshop staff in reporting that. Not their fault - I don’t suppose for a minute that shopfloor staff are involved in the transaction, and I’d guess that some of the picks are genuine. I’ve had some great encounters with staff in Borders and Waterstones (and some dull ones in small indies for that matter).

Comment by lily — October 9, 2008 @ 1:17 pm

I’ve worked for the first 20 years of my career for two large book chains and it genuinely wasn’t happening then. For the last two and a half years I’ve worked for someone else (still in books) so my information may be out of date.

A lot of booksellers here worked for me over that time and still work in bookshops that I ran. I know that the bulk of the picks are still generated in store. The implication that all of them are fake in untrue. It doesn’t surprise me that some are “bought”, but ALL of them? No.

Comment by Matthew from Edinburgh, UK — October 9, 2008 @ 3:53 pm

Don’t believe your Proust friend. It doesn’t go “downhill” after that. It gets more complicated and sad and the narrator is less likeable as an adult than he was as a child. That’s all. As for editing: the only book I’d touch would be the last one, which has a party that goes on for more than a hundred pages and makes the same point (that people change with time) more often than it needs to. The rest I’d leave alone. In my opinion Lost Time is about moments, narrative moments, not volumes. It springs surprises on you, but the surprises won’t work unless you’ve read everything that led up to them. Don’t let him put you off. Enjoy it.

Comment by Deanne Sole — October 9, 2008 @ 4:56 pm

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