Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Secrets of the Emperors Club

Wednesday, Mar 12, 2008

Perhaps you are wondering, as I am, why Eliot Spitzer needed to pay $4,300 for a prostitute. I’m no sex-trade expert, but surely the sex couldn’t be 43 times better or the woman 43 times better looking than the average $100 hooker. My initial thought was that purchasing expensive women to have sex with is a way of making love to your own net worth, which is probably far more arousing than mere flesh could be when you have reached certain rarefied heights of social prominence. By paying far more for them than anyone would have to, one asserts a kind of profligate power of sheer wastefulness that supplants the tired pleasures of sex, which any poor slob can enjoy—perhaps this absurd expenditure compensates for the inability to consume hookers conspicuously. It’s akin to the phenomenon of wine seeming to taste better when we believe it cost more money.


But Tyler Cowen has a different theory.


It’s not so hard to explain:
  “The conditions under which transactors can use the market (repeat-purchase) mechanism of contract enforcement are examined.  Increased price is shown to be a means of assuring contractual performance.  A necessary and sufficient condition for performance is the existence of price sufficiently above salvageable production costs so that the nonperforming firm loses a discounted stream of rents on future sales which is greater than the wealth increase from nonperformance.  This will generally imply a market price greater than the perfectly competitive price and rationalize investments in firm-specific assets.  Advertising investments therefore becomes a positive indicator of likely performance.”
That’s Klein and Leffler, JPE, 1981



In other words, Spitzer had to pay an extreme amount to ensure the prostitute’s silence and trustworthiness. Sort of the same reason umpires make a lot of money, to discourage them from fixing games.


I wonder if people happen upon such a strategy subconsciously, or if actual extortion is involved.

Comments
Now on PopMatters
Bone and Bell Release Second EP (Mixed Media) [Tue, 10:00 am]
Cannes 2012: Day 9 - 'Student' + 'In the Fog' (Notes from the Road) [Tue, 9:00 am]
The 10 Greatest Aspects of the 'Star Wars' Franchise (Short Ends and Leader) [Tue, 8:00 am]
Devil May Cry: HD Collection (Reviews) [Tue, 6:45 am]
The Walkmen: Heaven (Reviews) [Tue, 2:00 am]
King Tuff: King Tuff (Reviews) [Tue, 2:00 am]
Lake Street Dive: Fun Machine EP (Capsule Reviews) [Tue, 2:00 am]
Theresa Andersson: Street Parade (Reviews) [Tue, 2:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. Like 'Doom', In Heels (Moving Pixels)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  9. She's a Rainbow: A Tribute to Donna Summer (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  12. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  13. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  14. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  15. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  16. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  17. Killer Mike: R.A.P. Music (Reviews)
  18. Sergio Leone: Something to Do with Death (Columns)
  19. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  20. Early Summer 2012 New Music Playlist (Mixed Media)
  21. In Support of Supports (Moving Pixels)
  22. Flash Points: Chicks, Sluts and Facebook (Features)
  23. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  24. The Cult: Choice of Weapon (Reviews)
  25. Garbage: Not Your Kind of People (Reviews)
  26. Willie Nelson: Heroes (Reviews)
  27. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  28. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
  29. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
  30. Saint Etienne: Words and Music (Reviews)
Categories
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.