Quantcast
Music
cover art

Voodeux

The Paranormal

(Mothership; US: 10 Jun 2009; UK: 7 Jun 2009)

A glance at the cover should give you a good clue as to what expect from your experience with The Paranormal. There is something amiss in a dusky woodland trail scene, as a figure reminiscent of the possessed Ash from Evil Dead II is seen wandering onto the path ahead. He is slinking out of the darkness toward you, coming to run his greasy hand up your spine, swallow your soul, and make you move in uncouth ways. The debut album from Tanner Ross and KiloWatts’ new project, Voodeux captures this level of unease with an eerie grace. Listen to it at high volume after dark and alone, and you will hear it all. The Paranormal is a creepy, creepy record.


To be fair, Tanner Ross and James “Kilo” Watts are not exactly reinventing the wheel with this record. At its root, The Paranormal is a straightforward techno long-player, ignoring the slippery downtempo intro “The End” and loping yet sickly beautiful oddball breaks anomaly “3rd Floor”. What makes Voodeux work and puts them over the top is their attention to detailed, pure sound. While their song structures are often typical for the genre, the sounds they find and create to ornament them are extremely well chosen and composed to create a palpable sense of ominous dread.


Listening to The Paranormal is like watching a new Alfred Hitchcock film inside your own head. I can still see flashes… and the smells, Jim! They’d melt your face… burning flesh… buckets of puss and bile… pickled appendages… eyeballs on skewers… pestilent, boiling tubs of rendering human fat… it’s like a demon shawarma plate. So… um… let’s just say The Paranormal should not be messed with unless you’re prepared to become uncomfortable and love every second of it. Expect the nasty business.

Rating:

Ranta is a music geek from East Vancouver. He spends most of his time researching, procuring, listening to, and writing about music. Since 2004, his work has appeared in such publications as Exclaim!, CBC Music, Tiny Mix Tapes, and PopMatters, and he has been a Polaris Music Prize juror since 2010. He graduated from SFU's Contemporary Arts program with a BFA in music in Summer 2011.


Media

Voodeux - Bones (Live at Mothership Party)
Comments
Now on PopMatters
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  3. Slipped Discs 2011 - Part 1: From 13Ghosts to Friendly Fires (Features)
  4. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  5. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  6. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  7. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  8. Lana Del Rey: Born to Die (Reviews)
  9. The Top 15 Madonna Singles of All Time (Sound Affects)
  10. Get Off of My Cloud!: 'Collecting' Music in the Digital Age (Features)
  11. Leonard Cohen: Old Ideas (Reviews)
  12. Google and the Production of Curiosity (Marginal Utility)
  13. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  14. Bored This Way: The 54th Annual Grammy Awards (Features)
  15. “Don’t Let Me Fall”: Hip-Hop in the Age of Austerity (Features)
  16. Tower Songs: Townes Van Zandt (Columns)
  17. Black Bananas: Rad Times Xpress IV (Reviews)
  18. Paul McCartney: Kisses on the Bottom (Reviews)
  19. The Gay Ole Countryside (Columns)
  20. Of Montreal: Paralytic Stalks (Reviews)
  21. Nick Cave’s The Death of Bunny Munro: A Rock Star’s Midlife Crisis or Valid Literature? (Features)
  22. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  23. A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men' (Features)
  24. The 10 Best John Coltrane Solos (Sound Affects)
  25. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
  26. Chairlift: Something (Reviews)
  27. Mark Lanegan Band: Blues Funeral (Reviews)
  28. Mitt Romney Can Reside at Today's Proverbial 'Downton Abbey'... Newt Gingrich Cannot (Features)
  29. After Cease to Exist: The Far-from-Final Report of Throbbing Gristle (Features)
  30. The Barbaric (and Poetic) Yawp of Shelby Lynne (Notes from the Road)
PM Picks
Music Archive
Announcements

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.