Quantcast

Call for Feature Essays About Any Aspect of Popular Culture, Present or Past

Books
cover art

The Routledge Dictionary of Modern American Slang and Unconventional English

Tom Dalzell, ed.

(Routledge; US: Nov 2008)

Slang dictionaries perform a playful if sometimes unproductive role in the reference book section. While the slang thesaurus offers a proactive source for expanding one’s slang vocabulary, the dictionary is a reactive volume, requiring you to know the word before you can investigate it. (For instance, when then-unknown singer Susan Boyle spoke of being gobsmacked by her sudden television fame, the meaning of the word was missing from Webster’s Unabridged Dictionary, but available from The New Partridge Dictionary of Slang and Unconventional English.) 


Compounding any attempt at reference relevance is the sheer breadth of the subject matter. While traditional dictionaries offer a standard list of words, expanded or contracted to fit the desired volume size (with occasional proprietary faux-words), slang dictionaries have a much greater challenge to achieve comprehensiveness. With so many regions, so many subcultures, so many dialects occupying pockets of real estate large and small across America, how could one volume accurately transcribe the colloquialisms of everyone from Maine’s coastal fisherman to Southern California’s surfers? (Thought the phonics of “ayuh” and “brah” are much closer than their geography would imply.) 


Yet for fans of the genre, it’s wonderful when a publisher tries. The Routledge Dictionary of Modern American Slang and Unconventional English, an impressive entry into the field of slang documentation, defies the difficulty of corralling this massive subset of English. According to the foreword, the book seeks to offer “high standards of lexicography while producing an accessible work informed by, and infused with, the humor, mischief, and energy that are endemic to slang.” That humor, mischief, and energy shine in this book.


The most notable delight is the format of the information: Words include a short definition followed by, in most cases, up to three contextual cultural references that illuminate the word’s meaning and color. Examples are cited from journalism (from Tallahassee to Honolulu, Ebony to Life), popular culture (from Abbie Hoffman to Captain Kangaroo to Eldridge Cleaver), literature (Mickey Spillane to Elmore Leonard), movies (hyper-verbal Quentin Tarrantino gets multiple references), media personalities (from Howard Stern to Tim Russert) music (from Tone Loc to the Wu Tang Clan), and a wide range of dictionaries of hackers, convicts, chefs, gamblers, gamers and most every other subcategory you can imagine.


What the rich array of sources reveals is slang’s ubiquitous role in our language. Whether you view slang as a bastardization of English, words to be challenged the moment they appear on the Scrabble board, or side with Carl Sandburg’s assertion that “slang is the language that takes off its coat, spits on its hands, and goes to work,” language is a constantly evolving form, and slang is as essential to communication as anything Mr. Webster officially documented. (Of course, the venerable O.E.D. is replete with so-called slang terms that have earned their pedigree by virtue of common usage.)


The Routledge Dictionary of Modern American Slang and Unconventional English embraces the gamut of possible contents without pulling punches for the sake of political correctness: the F-word gets most of five full pages for its various forms (noun, verb, adjective, interjection), not counting its reprisal as part of other words; racial and ethnic slurs abound; drug terminology is fully represented.  In fact, every word which I searched was represented, with one exception: gobsmacked. Hardly an oversight, however—it’s British slang, and thus outside the scope of the book’s title. (Though thanks to Miss Boyle, it may well appear in the next edition.)


While the convenience of Internet search engines threaten to make reference books an erstwhile delight, the pleasure of flipping through the pages of this smartly conceived, well-researched book extend far beyond acquiring the mere meaning of the word: The definition may be available elsewhere, but the humor, mischief, and energy of the words are on full display here.

Rating:

William Reagan is a freelance advertising copywriter specializing in compressing large concepts into short sentences. He enjoys observing the American political system in the same way voyeurs stare at car wrecks on the side of the highway, less concerned with who was involved than with the particulars of how it happened. (It's best not to drive behind him during an election year.) He squirrels away his literary acorns at WilliamReagan.com.


Comments
Now on PopMatters
Ben Gazzara and The End Of An Aura (Short Ends and Leader) [Thu, 5:00 am]
Sharon Van Etten: Tramp (Reviews) [Thu, 1:00 am]
Dierks Bentley: Home (Reviews) [Thu, 1:00 am]
WhoMadeWho: Inside World EP (Capsule Reviews) [Thu, 1:00 am]
Lawrence Ball: Method Music (Reviews) [Thu, 1:00 am]
Orchestra of Spheres: Nonagonic Now (Reviews) [Thu, 1:00 am]
Cosmin TRG: Simulat (Capsule Reviews) [Thu, 1:00 am]
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. 10 Songs That Will Make You Love U2 (Sound Affects)
  3. Slipped Discs 2011 - Part 1: From 13Ghosts to Friendly Fires (Features)
  4. The Best Games of 2011 (Features)
  5. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  6. Counterbalance No. 66: Carole King’s 'Tapestry' (Sound Affects)
  7. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  8. 'Amy' Is a Horror Game That Is Broken in All the Right Ways (Moving Pixels)
  9. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  10. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  11. Different Flavored Skulls: An Intimate Chat with the Flaming Lips' Wayne Coyne (Features)
  12. Lana Del Rey: Born to Die (Reviews)
  13. 'Library After Air Raid': On the Survival of Culture Amid the Barbarity of War (Columns)
  14. The Future Is a Faded Song: Douglas Rushkoff on the Groundbreaking "ADD" (Features)
  15. Get Off of My Cloud!: 'Collecting' Music in the Digital Age (Features)
  16. Leonard Cohen: Old Ideas (Reviews)
  17. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  18. Google and the Production of Curiosity (Marginal Utility)
  19. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  20. The Top 15 Madonna Singles of All Time (Sound Affects)
  21. Various Artists: T Bone Burnett Presents the Speaking Clock Revue (Reviews)
  22. Tower Songs: Townes Van Zandt (Columns)
  23. Black Bananas: Rad Times Xpress IV (Reviews)
  24. The Gay Ole Countryside (Columns)
  25. Of Montreal: Paralytic Stalks (Reviews)
  26. 'Namath': Broadway Joe Looks Back (Reviews)
  27. Paul McCartney: Kisses on the Bottom (Reviews)
  28. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  29. The Asteroids Galaxy Tour - "Heart Attack" (Cosmic Kids Remix) (PopMatters Premiere) (Mixed Media)
  30. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
PM Picks
Books Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.