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Owl City

Ocean Eyes

(Universal Republic; US: 28 Jul 2009; UK: 28 Jul 2009)

Even if his major-label debut, Ocean Eyes, is a bit simplistic and sentimental with lines like, “If the bombs go off, the sun will still be shining”, Minnesota native Adam Young, the one-man band behind Owl City, has crafted an incredibly upbeat album filled with starry-eyed lyrics and electro-pop fluff. Young’s soughing delivery seems to borrow from Ben Gibbard of airy electro-pop stalwarts the Postal Service and Death Cab for Cutie, while his nasal enunciation sounds strikingly similar to that of Blink-182/Angels & Airwaves frontman Tom DeLonge. Ocean Eyes is wrought with adolescent-safe references of romantic beachside excursions, aquatic friendships, and nature walks with that special someone. Although its first single “Fireflies” is a deeply textured, atmospheric, and wanderlust anthem, the album is not without its missteps, as “Dental Care” feels quite ham-fisted in its attempt to integrate dreamy soundscapes with an altogether mundane topic of oral hygiene. Musically speaking, such stargazing naïveté seems a welcome change given the times we live in—but very rarely does it ever have a long shelf life.

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By PopMatters Staff
14 Dec 2011
These artists didn't just disappoint, they offered up the listening public albums of utter awfulness across the board. Some of the acts just need to hang it up already, while others have made some sorry mis-steps here along the path of otherwise decent careers.
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After getting tackled by biker chicks and shying away from the "emo-pop" label, Owl City mastermind Adam Young is still adjusting to his newfound fame, but is taking it all in with a level-head and even more ideas for future nighttime synth-pop creations ...
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