Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Music
cover art

Cougar

Patriot

(Ninja Tune; US: 15 Sep 2009; UK: 31 Aug 2009)

Cougar are a five-member instrumental band from Madison, Wisconsin, and their second album Patriot is one of the best albums I’ve heard this year. Regardless of whether you label this sort of music instrumental rock or “post-rock”, Cougar know their way around a good song. The songs on Patriot are sticky, but it’s a different kind of sticky than when a pop song’s hook stays in your head for weeks. Once you’ve listened to Patriot once or twice, it’s the sticky where you go, “Oh yeah! This is a cool one”, each time a new track starts. And it goes that way for every song on the album.


Cougar do a couple of things that make them stand out among their instrumental rock peers. The band has a strong knack for variety. Each of the album’s 11 tracks stands on its own as a distinct composition. So the hard-rocking opener “Stay Famous”, with its fuzz bass and dual guitar lines, doesn’t sound much like the similarly hard-edged “Thundersnow”, with its Lightning Bolt-style drum craziness and sloppy distorted guitar noise. And neither of those songs sounds like “Heavy Into Jeff”, a slow, dirty-sounding, synth-dominated track with one of the album’s heaviest riffs. Cougar also know how to do soft and delicate. “Pelourinho” starts with high-pitched plucked strings on what sounds like a harp, before it’s joined by a pleasant major-key acoustic guitar accompaniment, soft, skittering drums, and atmospheric synth background. Some digital manipulation breaks things up in the middle of the song, before it comes back together with a more rhythmic groove in the track’s second half. “This is an Affidavit” is full of simple, intertwining clean electric guitar riffs and quiet drums. It owes an obvious debt to Explosions in the Sky, but Cougar avoid the typical slow buildup to a major climax, instead opting to add subtle piano, French horn, trombone, and bass clarinet to give the track a fuller sound.


Cougar’s other strength is brevity. The longest song on Patriot lasts five minutes and thirty-five seconds. I’m all for long compositions, especially when a band can pull it off. But just as often, those tracks that get up above the seven-minute mark tend to meander and lose focus. Not every post-rock, instrumental, or progressive band needs an epic every time out. Instead, the band packs its ideas into shorter songs. The upbeat “Endings” starts with a simple guitar riff and is gradually joined by synth sounds and then a simple drumbeat. This is one of the times when the band does go for the build-up to a big climax, but they do it in the space of four minutes and twenty seconds. A second guitar adds notes on top of the first, and a synth on a distorted guitar setting carries a lot of the melody before the whole thing explodes three minutes in, then gradually calms down over the final 30 seconds, returning to the opening arrangement.


“Daunte vs. Armada” is a stealth drum feature that finds the rest of the band working on a couple of simple riffs. Drummer David Henzie-Skogen’s snare drum beat isn’t even audible for the first 40 seconds of the song, and even then, it’s quietly in the background until around the 2:10 mark. The quality of the drum sounds start to change at that point, until you’re starting to wonder if you’re hearing a marching band percussion section in the background in addition to Henzie-Skogen. At 3:00, it becomes clear that yes, that is a marching band, complete with super-tight snares, quint tom players, different-sized bass drums, and crash cymbals, all playing along with the band. The way the song sneaks up on the listener is quite ingenious.


Most of all, Patriot is flat-out entertaining. Cougar are full of good ideas, and they present them in a fun way throughout the album. There isn’t a dull moment among the album’s 11 tracks, regardless of whether the band is rocking out or playing a laid-back, quiet shuffle. Some of these songs have strong melodies, while others get by on a couple of guitar riffs that ebb and flow throughout the track. This is a band that knows what it’s doing, and succeeds at everything it tries.

Rating:

Media
Related Articles
By PopMatters Staff
25 Jan 2010
Slipped Discs kicks off with Britpop princess Lily Allen, the late great Vic Chesnutt, the Balkan beats of [dunkelbunt], the hypnotic sounds of the Field and many more. All records that missed our top 60 list last year.
Comments
Now on PopMatters
Bone and Bell Release Second EP (Mixed Media) [Tue, 10:00 am]
Cannes 2012: Day 9 - 'Student' + 'In the Fog' (Notes from the Road) [Tue, 9:00 am]
The 10 Greatest Aspects of the 'Star Wars' Franchise (Short Ends and Leader) [Tue, 8:00 am]
Devil May Cry: HD Collection (Reviews) [Tue, 6:45 am]
The Walkmen: Heaven (Reviews) [Tue, 2:00 am]
King Tuff: King Tuff (Reviews) [Tue, 2:00 am]
Lake Street Dive: Fun Machine EP (Capsule Reviews) [Tue, 2:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. Like 'Doom', In Heels (Moving Pixels)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  9. She's a Rainbow: A Tribute to Donna Summer (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  12. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  13. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  14. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  15. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  16. Killer Mike: R.A.P. Music (Reviews)
  17. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  18. Sergio Leone: Something to Do with Death (Columns)
  19. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  20. Early Summer 2012 New Music Playlist (Mixed Media)
  21. In Support of Supports (Moving Pixels)
  22. Flash Points: Chicks, Sluts and Facebook (Features)
  23. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  24. The Cult: Choice of Weapon (Reviews)
  25. Garbage: Not Your Kind of People (Reviews)
  26. Willie Nelson: Heroes (Reviews)
  27. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  28. Saint Etienne: Words and Music (Reviews)
  29. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
  30. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.