Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Thunderheist + Winter Gloves

(27 Nov 2009: Chop Suey — Seattle)

Autumn in Seattle is not an hour in life that lends itseld to dancing. It is mid-November moving towards late when Canadian music makers Thunderheist and Winter Gloves take the stage at Seattle’s Chop Suey. Winter is knocking on the door, prowling the shadows and not quite ready to topple fall. Gold and brown leaves turn into a slurry beneath drizzling skies and thousands of shoes robbed of the proper, satisfying crunch of November underfoot. Many of those in attendance, myself among them, have spent our days answering upset phone calls, responding to innumerable e-mails, sifting through reams of arcane paperwork and entering numbers into forms laid out like quiet, well-groomed suburban neighborhoods. Our sort are scattered around the lounge before the show, looking like faded snap shots of Good Times.


We are not, one would gather, a crowd given naturally to the getting of down. If we are to dance, and we need to dance, all of us, some more than others, are going to need powerful motivation.


I should probably pause to clarify a point here. A reader could, at this juncture, infer that I feel ours is a region, or at least a bar, which is like a region, representing as it does a peculiar brand of sociological micro-climate, that is distinctly lacking in mirth. This is not the case. I am confident that, geographically speaking, we are possessed of as much mirth as any other place. It is just that some days, this one counting among their number, it is a sort of mirth that is harder to get to, an aptitude for merry-making accessible only after a long thaw.


If one was to make a list of things that most effectively speed that thaw, one would be remiss if they did not include the line item “Party Time Music”. This is precisely what Montreal-based openers Winter Gloves delivered. Their set, a blend of tunes from their debut About a Girl played like a soundtrack to reckless fun and occasionally questionable decision-making. Playing to a house that was something less than packed, Winter Gloves took the stage with joie de vivre to spare and a palpable love of being on stage.


Creating a landscape of swirling keyboards, swooning falsettos and driving drumbeats, Winter Gloves largely embrace the sensibilities of the Montreal pop sound, but temper it with a liberal dose of charisma and a refusal to take themselves too seriously. Perhaps borne out of their origins as a sort of “what the hell” side project that took on a life of it’s own, it’s comes across as a dedication to making the most of a performance. Going to town on keyboards and guitars, tambourines and glockenspiel, Winter Gloves live show is a great place to lose yourself. The foursome seems to naturally harness a live energy that a lot of bands never quite manage to capture despite their best efforts; the sort of performance in which playing a keyboard with your foot while slapping away at a tambourine seems like the most natural thing in the world to do.


After Winter Gloves set events and bodies throughout the club in motion, electro infused hip-hop duo Thunderheist took the stage and promptly made a scene not soon to be forgotten. Consisting of regulars MC Isis and DJ Grahm Zilla buoyed on stage by a talented percussionist, Thunderheist had the entire house dancing within moments, owning the stage with presence to burn and the endearing charm of someone who doesn’t know how well they’re doing something. Isis made for a commanding force on the mic, while Grahm Zilla’s beats consistently threaten to overwhelm the powerful lyrics, but always pull back at the last moment. Seamlessly transitioning from song to song, pausing only to occasionally carouse with the audience, Thunderheist were at their best manipulating the tenets of hip-hop and turning them to their own purpose, whether encouraging a crowd of people to put their hands down for a change of pace or singing the infrequently heard praises of “little booty girls”. The two great sets, along with a few strong drinks, proved just the trick for melting hard hearts and reminding a room full of folks of an old truth: the best way to fight off the cold is to move together.

Media
Related Articles
8 May 2009
It's almost impossible not to get up and get down when Thunderheist shows up on the stereo -- it's positively infectious.
Comments
Now on PopMatters
The Walkmen: Heaven (Reviews) [Tue, 2:00 am]
King Tuff: King Tuff (Reviews) [Tue, 2:00 am]
Lake Street Dive: Fun Machine EP (Capsule Reviews) [Tue, 2:00 am]
Theresa Andersson: Street Parade (Reviews) [Tue, 2:00 am]
AlunaGeorge: You Know You Like It EP (Capsule Reviews) [Tue, 2:00 am]
Mean Jeans: Mean Jeans on Mars (Reviews) [Tue, 2:00 am]
Yarn: Almost Home (Capsule Reviews) [Tue, 2:00 am]
Lee Bannon: Fantastic Plastic (Reviews) [Tue, 2:00 am]
Devil May Cry: HD Collection (Reviews) [Tue, 1:00 am]
'Battleship': What Did You Expect? (Short Ends and Leader) [Mon, 2:00 pm]
East Meets Least: 'Thirteen Women' (Short Ends and Leader) [Fri, 4:00 pm]
'Man to Man' is an Early Talkie that's Not Stagey at All (Short Ends and Leader) [Fri, 4:00 pm]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  7. Like 'Doom', In Heels (Moving Pixels)
  8. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  9. She's a Rainbow: A Tribute to Donna Summer (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  12. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  13. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  14. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  15. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  16. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  17. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  18. Something’s Wrong with the Black Widow! (Graphic Novelties)
  19. Sergio Leone: Something to Do with Death (Columns)
  20. Killer Mike: R.A.P. Music (Reviews)
  21. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  22. Early Summer 2012 New Music Playlist (Mixed Media)
  23. In Support of Supports (Moving Pixels)
  24. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  25. Flash Points: Chicks, Sluts and Facebook (Features)
  26. The Cult: Choice of Weapon (Reviews)
  27. Willie Nelson: Heroes (Reviews)
  28. Garbage: Not Your Kind of People (Reviews)
  29. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  30. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.