Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Music
cover art

Ozomatli

Fire Away

(Mercer Street Records/Downtown Records; US: Unknown)

Ozomatli Chills Out

For over a decade, Ozomatli’s genre-defying music has either delighted or befuddled, with every recorded moment seemingly designed for maximum crowd elation. With shows frequently ending with the band and its fans pouring into the streets, it makes sense the band would want to put that foot forward.


On their fifth album, Fire Away, Ozomatli—for better or worse—are still all about expertly diluting the music of a thousand cultures with the ultimate result the shaking of as many asses as possible. But does that familiar modus operandi still have an impact? The answer is, yes…most of the time.


“Malagasy Shock” and “Nadas Por Free”, for example, are precisely the sort of horn-and-percussion-driven, arms-aloft crowd pleasers that have been the band’s bread and butter since they still counted the now defunct Jurassic 5’s Chali 2Na and Cut Chemist among their ranks all those years ago.


“Elysian Persuasion”, if you’re okay with it sounding as though it’s got Lenny Kravitz singing lead, is an amiable future-funk jam, but two songs later “Yeah Yeah Yeah Yeah” pretty much covers the same territory. Fire Away’s first single, the languid Jack Johnson collaboration “It’s Only Paper,” survives slipping into 311 territory by the simple fact that Ozomatli have personality to burn, where 311 do not.


Though it might pain those fans who prefer Ozomatli to be Ozomatli, the album’s best tracks are those on which the band finally comes to realize they can be whatever they want to be. And with the exception of the excellent soul-infused “45”, that means chilling out a bit. The ‘50s smooth soul sounds of “Gay Vatos in Love” may or may not prove controversial among Ozomatli’s fans, but as far as taking a stand, it follows an appropriately low-key, romantic approach.


Romance is also in bloom on “It’s Only Time”, its spare guitar opening building into a subtly lush swell of strings, trickling piano, brushed drums and vocal harmonies. “Love Comes Down” follows a similarly warm and whimsical journey, proving Ozomatli has it in them to find their way into mellow grounds with honest results.

Rating:

Crispin Kott is a father, writer/editor, drummer and gadfly living in Brooklyn, NY. You can find some of his published professional work unprofessionally archived at crispinkott.blogspot.com


Related Articles
20 Apr 2010
“We’re here to celebrate a festival and we’re here to celebrate an ice cream.” -- Ozomatli
30 Mar 2007
The Grammy-winning Latin rock/hip-hop collective keeps their political priorities in order while pulling off a multi-faceted musical coup on their most pop-friendly record to date.
By Matthew Wheeland
14 Jul 2004
Comments
Now on PopMatters
Bone and Bell Release Second EP (Mixed Media) [Tue, 10:00 am]
Cannes 2012: Day 9 - 'Student' + 'In the Fog' (Notes from the Road) [Tue, 9:00 am]
The 10 Greatest Aspects of the 'Star Wars' Franchise (Short Ends and Leader) [Tue, 8:00 am]
Devil May Cry: HD Collection (Reviews) [Tue, 6:45 am]
The Walkmen: Heaven (Reviews) [Tue, 2:00 am]
King Tuff: King Tuff (Reviews) [Tue, 2:00 am]
Lake Street Dive: Fun Machine EP (Capsule Reviews) [Tue, 2:00 am]
Theresa Andersson: Street Parade (Reviews) [Tue, 2:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. Like 'Doom', In Heels (Moving Pixels)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  9. She's a Rainbow: A Tribute to Donna Summer (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  12. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  13. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  14. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  15. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  16. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  17. Killer Mike: R.A.P. Music (Reviews)
  18. Sergio Leone: Something to Do with Death (Columns)
  19. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  20. Early Summer 2012 New Music Playlist (Mixed Media)
  21. In Support of Supports (Moving Pixels)
  22. Flash Points: Chicks, Sluts and Facebook (Features)
  23. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  24. The Cult: Choice of Weapon (Reviews)
  25. Garbage: Not Your Kind of People (Reviews)
  26. Willie Nelson: Heroes (Reviews)
  27. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  28. Saint Etienne: Words and Music (Reviews)
  29. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
  30. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.