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The Tallest Man on Earth

Sometimes the Blues Is Just a Passing Bird

(Dead Oceans; US: 9 Nov 2010; UK: 8 Nov 2010)

Following close on the heels of the excellent album The Wild Hunt, The Tallest Man on Earth offers this equally impressive EP of front-porch folk songs. It may turn out to be one of the year’s best. Sometimes the Blues Is Just a Passing Bird finds Swedish-born Kristian Matsson carving a trail through wide meadows and acres of wheat fields, leaving in his wake gorgeous meditations on loneliness and longing. “Like the Wheel” opens with a vocal melody that’s a dead ringer for the Magnetic Fields’ “Papa Was a Rodeo”, but Matsson gives us a chorus that he can proudly call his own: “And I said, ‘Oh, my Lord, why I am I not strong?’ / Like the wheels that keeps travelers traveling on”.  On “The Dreamer”, Matsson is paired nicely with a full-bodied electric guitar, the EP’s only detour from meticulous finger-picking. This EP won’t help the Swedish bard to shed the frequent comparison to Bob Dylan (see Matsson’s vocal slides at the end of phrases on “Thrown Right At Me”), but Sometimes the Blues Is Just a Passing Bird is still the sound of a man who’s totally comfortable in his own skin. You’re also likely to find great comfort across these five tracks.

Rating:

Freeden is a graduate student in sociology. He lives in Oakland, CA. A former sixth grade teacher in Philadelphia, he once took some of his students to a Dizzee Rascal concert. They met the rapper after the show and found his accent perplexing.


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By PopMatters Staff
24 Dec 2010
PopMatters is on its annual publishing break until 3 January 2011, except for some film reviews and blogs. In the meantime, enjoy some of the year's best...
The year's best albums are highlighted by the emergence of a future superstar, two veteran and virtuoso rappers, and a Dream Team of indie bands releasing career peaks.
4 Oct 2010
The Tallest Man on Earth, though solo, had no problems selling out Webster Hall Monday night or conveying complete control alone onstage.
By Ryan Lester
13 May 2010
Matsson has carved himself a place as one of modern folk music’s most important artists, and his performance at Stubb’s handily proved that he is a live act that is not to be missed.
16 Apr 2010
On The Wild Hunt, we can keep early Dylan in mind, as long as we don't give him too much sway over the record. Because Matsson is very much in his own musical world.
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