Quantcast

Call for Music Critics and Music Bloggers

Matt Pond PA

(25 Mar 2011: Subterranean — Chicago)

I have always been an adamant fan of Matt Pond for the subtle hooks and echoing percussion he puts out with the help of a full band in some of my favorite records, like The Nature of Maps and If You Want Blood. Though Pond himself has been the only consistent member behind Matt Pond PA, the full band sound this project brings has always carried over a distinct style in its songwriting and instrumentals from line-up change to line-up change. I’ve had the pleasure of catching Matt Pond PA several times in different incarnations as members have come and gone. But at Chicago’s Subterranean I caught Matt Pond playing live as just Matt Pond with no PA tagged on. If it weren’t clear where the distinction in the band’s songwriting came from already, the evening’s performance pointed it out tenfold.


Having spent the last month on tour alongside Rocky Votolato, Matt Pond walked onto the Sub-T stage and almost immediately professed his love for the time he had spent on the road, saying the tour had been the best he’d ever been on. It was apparent that the show was bittersweet for the songwriter as he began to play to a room he was obviously ecstatic to see filled but was also sorry to say would be his last stop on the tour.


Though this wasn’t a performance as a complete band, Matt was not entirely alone on stage. Joining his guitar/vocals combo were a cello and a second electric guitar, providing just enough support to giving Matt’s songs the body they need to stand out, but not so much that the set didn’t have the stripped down quality that usually comes out when a front man plays apart from his band. The lack of formal percussion emphasized the vulnerability that Matt Pond has so perfectly managed to hone in his vocals. The warm earnestness that pours out of this musician makes every song seem incredibly personal without ever seeming too wounded or self-pitying, like you’ve walked in on him practicing and he hasn’t noticed you standing in the door just yet.


After announcing that he has finally decided to accept an apology from the room of Chicagoans for the Blackhawks beating out the Flyers last year, the East Coast native sipped from a bottle of Stella Atrois, and said, “Rocky fucking Votolato!” to welcome his tour-mate on stage to sing “New Hampshire”. After a pretty performance of “Lily”, Matt wrapped up the night with the appropriately titled “Last Song” and said goodnight with very little fanfare or showboating.


I’ve been told that it’s no coincidence that the most admirable people are also the most modest and Matt Pond is the definition of that phrase personified. I have always thought that it would be impossible to find something to genuinely dislike about this musician and this night with him at Subterranean confirmed my suspicions. For those of you that didn’t catch this tour, I strongly suggest you be better prepared to catch Matt Pond next time he’s in town; his is a show that should not be missed.

Tagged as: matt pond pa
Media
Related Articles
20 Jun 2011
The latest EP from the chamber pop quintet falls short of being the companion piece to 2004's superb Winter Songs EP.
13 May 2010
With a full-length album out and a new EP on the way, Matt Pond talks to PopMatters about how he doesn't discriminate against science fiction universes, how he has his power to talk animals out of eating him, and why he enjoys drinking with his good buddy Stress ...
5 Apr 2010
More of the same lush, tour-ready indie rock tunes that Matt Pond PA has been trafficking since they actually lived in PA.
26 Sep 2007
Matt Pond releases yet another record of milquetoast power pop.
Comments
Now on PopMatters
Call for Music Critics and Music Bloggers (Announcements) [Tue, 3:00 pm]
Bone and Bell Release Second EP (Mixed Media) [Tue, 10:00 am]
Cannes 2012: Day 9 - 'Student' + 'In the Fog' (Notes from the Road) [Tue, 9:00 am]
The 10 Greatest Aspects of the 'Star Wars' Franchise (Short Ends and Leader) [Tue, 8:00 am]
Devil May Cry: HD Collection (Reviews) [Tue, 6:45 am]
The Walkmen: Heaven (Reviews) [Tue, 2:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. Like 'Doom', In Heels (Moving Pixels)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  9. She's a Rainbow: A Tribute to Donna Summer (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  12. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  13. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  14. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  15. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  16. Killer Mike: R.A.P. Music (Reviews)
  17. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  18. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  19. Sergio Leone: Something to Do with Death (Columns)
  20. Early Summer 2012 New Music Playlist (Mixed Media)
  21. The 10 Greatest Aspects of the 'Star Wars' Franchise (Short Ends and Leader)
  22. In Support of Supports (Moving Pixels)
  23. Flash Points: Chicks, Sluts and Facebook (Features)
  24. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  25. The Cult: Choice of Weapon (Reviews)
  26. Garbage: Not Your Kind of People (Reviews)
  27. Saint Etienne: Words and Music (Reviews)
  28. Willie Nelson: Heroes (Reviews)
  29. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  30. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.