Suede

Head Music

(Columbia)

by Sarah Zupko

PopMatters Editor & Publisher

Being labelled Britpop these days in the UK is a certain kiss of death, which may be one reason why Suede—the original NME poster boys of Britpop—has gone and funkified their sound. No longer haunted by the defection of axman Bernard Butler, Suede has de-emphasized the ringing and cutting sound of the guitar, so out front in their earlier music, and brought out the keyboards and the sass. Predictably reaction to Head Music has been decidedly mixed. Then there’s the accusations of mediocrity and, dare I say it, the charges of closet Britpoppery. I fall somewhere in the middle—I need Head Music as a dyed-in-the-wool Suede fan and love about half the album, but regretfully acknowledge Suede has had much finer moments, such as the “essential-for any-good-record-collection” Dog Man Star

TODAY ON POPMATTERS
Columns | recent
Suffragette City: The Secret Life of Bees
Rabble Without a Cause: The Manitobian Candidate
Events | recent | archive
:. Nick Cave and the Bad Seeds — 28.September.08: Chicago, IL
Books | recent | archive
:. When Will There Be Good News? by Kate Atkinson
:. Electronic Tribes: The Virtual Worlds of Geeks, Gamers, Shamans, and Scammers by Tyrone L. Adams and Stephen A. Smith, Editors
RECENT MUSIC

In bold are PopMatters Picks, the best in new music.