Quantcast
Music
cover art

Sweatshop Union

Water Street

(Look; US: 14 Oct 2008; UK: 20 Oct 2008)

This album is miraculous for many reasons. For a start, Battle Axe Records—through whom the Sweatshop Union collective released their first three albums—dominated western Canadian hip-hop of the early naughties. The label was a spawn of Mad Child and Prevail (a.k.a. Swollen Members) who scored a handful of minor hits with the help of Moka Only. Sadly, time has charted the interest in the duo’s chest beating bombast on a distinctly downward curve, while Battle Axe has tanked worse than the stock market, now running two years since its last release and counting. Sadly, by association, several decent acts have been dragged through the mud with it (Gawd help you, Character Traits). The mere fact that Sweatshop Union was able to come out the other side with another label willing to rep their rhymes from their new Bay Area home base is a miracle in itself, let alone their adamantly principled demeanor.


Named after a heritage heavy area in downtown Vancouver where free-ranting crackheads rub shoulders with Gucci clad trend slaves, Water Street boldly carries the brutal truth of its namesake. It’s 23 tracks (no skits) that in true Sweatshop Union style preach basic human understanding and fairness in the face of society wide wealth worship. In a rap marketplace built on inequity, greed, and amazing stupidity, continuing to lyrically assault the shortcomings of such abusive social conditioning in continued semi-obscurity is rare form and evidence of some serious backbone. Lines like “I make money / money don’t make me” are guaranteed to get you beat down at the next G-Unit stockholders meeting.


Multiply those lyrics by the fact the record’s tasty boom-bap beats, mostly produced by union cardholders, could make KRS-One boogie down productively and you’ve got a true miracle in your hands. Sweatshop Union isn’t getting bitter; they’re getting better. Rob The Viking and Moka Only both continue to lend their support, as well as the underrated Mat The Alien, but this is no longer a BC thing. These are the words of the street, not those trying only to milk it for profit, and they will shine in the indie hip-hop Mecca. Water Street has landed in San Francisco.

Rating:

Ranta is a music geek from East Vancouver. He spends most of his time researching, procuring, listening to, and writing about music. Since 2004, his work has appeared in such publications as Exclaim!, CBC Music, Tiny Mix Tapes, and PopMatters, and he has been a Polaris Music Prize juror since 2010. He graduated from SFU's Contemporary Arts program with a BFA in music in Summer 2011.


Media
Sweatshop Union - Oh My
Comments
Now on PopMatters
‘The Artist’ dominates BAFTAs (PopWire) [Mon, 9:01 am]
Your Anti-Valentine's Day Playlist. (Mixed Media) [Mon, 8:30 am]
Hip Hop Es Mi Cultura (Columns) [Mon, 1:00 am]
Van Halen: A Different Kind of Truth (Reviews) [Mon, 1:00 am]
Eyvind Kang: The Narrow Garden (Reviews) [Mon, 1:00 am]
The Soft Hills: The Bird Is Coming Down to Earth (Capsule Reviews) [Mon, 1:00 am]
Matthias Sturm: Blood and Thunder (Capsule Reviews) [Mon, 1:00 am]
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  3. Slipped Discs 2011 - Part 1: From 13Ghosts to Friendly Fires (Features)
  4. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  5. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  6. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  7. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  8. Lana Del Rey: Born to Die (Reviews)
  9. The Top 15 Madonna Singles of All Time (Sound Affects)
  10. Get Off of My Cloud!: 'Collecting' Music in the Digital Age (Features)
  11. Leonard Cohen: Old Ideas (Reviews)
  12. Bored This Way: The 54th Annual Grammy Awards (Features)
  13. Google and the Production of Curiosity (Marginal Utility)
  14. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  15. “Don’t Let Me Fall”: Hip-Hop in the Age of Austerity (Features)
  16. Tower Songs: Townes Van Zandt (Columns)
  17. Black Bananas: Rad Times Xpress IV (Reviews)
  18. Paul McCartney: Kisses on the Bottom (Reviews)
  19. The Gay Ole Countryside (Columns)
  20. Of Montreal: Paralytic Stalks (Reviews)
  21. Nick Cave’s The Death of Bunny Munro: A Rock Star’s Midlife Crisis or Valid Literature? (Features)
  22. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  23. A Look to the Past, An Insight Into the Present: The Use of Gender in 'Mad Men' (Features)
  24. The 10 Best John Coltrane Solos (Sound Affects)
  25. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
  26. Chairlift: Something (Reviews)
  27. Mark Lanegan Band: Blues Funeral (Reviews)
  28. After Cease to Exist: The Far-from-Final Report of Throbbing Gristle (Features)
  29. Mitt Romney Can Reside at Today's Proverbial 'Downton Abbey'... Newt Gingrich Cannot (Features)
  30. The Barbaric (and Poetic) Yawp of Shelby Lynne (Notes from the Road)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.