National Eye

Roomful of Lions

(Park the Van)

by Dave Heaton

PopMatters Associate Music Editor

Was it one of the city’s weekly papers that called National Eye Philadelphia’s version of Radiohead? Not so fast… Though National Eye have an obvious interest in making rock music about mood and texture, they’re not on that level. Less than a work of vision, A Roomful of Lions seems more like a vision of nonchalance—in the singing, the lyrics, the way the music meanders and floats more than it strikes or paints. That meandering feeling can be alluring in moments across the album, especially when pop hooks shine through the fog, just enough the give the feeling of a fairy tale or a circus. Or when a sense of immediacy takes hold. Tracks like “Halo” seem like well-formed dreams, in a way that suggests they might be closer to being actual visionaries. But those are just glimpses of a spark; as the album proceeds, it gets especially drifty, sounding more and more like a far-off-the-mark attempt to be the next Pink Floyd.

National Eye at Turtle Studios
— 14 November 2006
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