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Clutchy Hopkins

Walking Backwards

(Ubiquity; US: 5 Feb 2008; UK: 24 Mar 2008)

Clutchy Hopkins is a weird one. No one knows who or what it is, and this is already whoever-it-is’ second official album. Now, anonymity may be something of a standard marketing ploy, one that usually fades away quickly and forgotten (like the initial identity confusion behind the first Gorillaz and Prozzäk albums), but it’s actually kinda painful here. You see, Clutchy makes about the sickest jazzy funk, live hip-hop fusion this side of Galactic’s From the Corner to the Block. The more you hear, the more the question of who brought it to you burns in your mind. Who is Keyser Söze?


Walking Backwards is the sound of Miles Davis (late ‘60s) and Fink jamming with ?uestlove (The Roots), and that is not a generous comparison. While moments here and there on the debut arguably hinted at a possible bedroom producer amongst the warm bass, electric piano, booty guitar, and lounge drumming, this album is practically flawless and genre-less. Style wise, only the Darondo assisted “Love Of A Woman” features any words and, though they express the aching soul of the search for and the inspiring presence of women, those vocals are not in rap form. Clutchy Hopkins is its own brand. Better buy in now while the price is low.

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Greetings, brothers and sisters. Like you, I'm a fan of music. I spend most of my time researching, investigating, making, and exploring music. Since 2004, my music reviews, essays, and columns have appeared in publications such as Exclaim!, Tiny Mix Tapes, PopMatters, and I've been a Polaris Music Prize juror since 2010. I graduated from Simon Fraser University's Contemporary Arts program with a BFA in music in Summer 2011. I am happy to live in East Vancouver with my sketchy but sweet cat Isobel.


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12 May 2010
Clutchy Hopkins' multicultural downtempo is as routine as ever, but the glimpses of true quality hint at something he's been hiding better than his identity: an unusual talent for songwriting.
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