Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Music
cover art

Dead Prez

Let's Get Free

(Loud; US: 8 Feb 2000)

Stic and M1, who make up the duo Dead Prez, see themselves as hip-hop freedom fighters following in the footsteps of the Black Panthers, always gearing up for the inevitable struggle. They’re training in martial arts, living a health-conscious lifestyle, and gathering like-minded people to their side. Their enemies are the gargantuan forces of capitalism, imperialism, and white supremacy, manifested in tangible form by police, schools, politicians, and giant corporations. Dead Prez are looking for a few good revolutionaries, and their debut Let’s Get Free is the invitation for you to join the team.


Dead Prez aggressively and articulately attack the forces that contribute to inequality in modern society. While there are current hip-hop groups who are just as politically motivated, I can’t think of another act in the hip-hop game right now who is quite as outspokenly Afrocentric. They see themselves as Africans stranded in a land where they don’t belong, living in a thoroughly unequal society where the deck is consistently stacked against them. Let’s Get Free recalls the day when strongly Afrocentric groups like X-Clan, Poor Righteous Teachers, and Brand Nubian not only existed, but were successful. This is a relief for those of us who miss that side of hip-hop, who understand Dead Prez’ concern that capitalism is invading music to too great an extent. A key difference between Dead Prez and the Afrocentric groups of the past is that they have more concrete goals and plans; they’re calling for community building and grassroots activism. They also give their message a deeper layer by focusing on the economic roots of injustice instead of just complaining about the surface-level problems.


Dead Prez don’t pull punches; these are two MC’s who deliver their message as forcefully as possible. The big shame here is that they have such a dull musical backdrop for such bold statements. The album’s beats and musical flourishes have nothing distinct or interesting about them whatsoever. Maybe this is intentional; all the attention is drawn to their voices, since there’s hardly anything else of interest to listen to. But even their rhyming skills aren’t all that exciting. They make their points, yes, but it’s all direct communication. There are no rhymes delivered in a way that makes your jaw drop or makes you want to rewind and catch that last verse again.


As a means of delivering a message, Let’s Get Free is effective. The extent to which Dead Prez rely on messages to carry them means your taste for their music might depend on how much you agree with what they have to say. Dead Prez have unbreakable conviction that what they’re saying is true and important. For this very reason, this album is powerful enough that it can’t help but spark discussions, which seems to be one of Dead Prez’ goals. On the track “Mind Sex” they express the desire to have good conversations. With Let’s Get Free, they’ve created quite a tool for getting people to talk about timely issues.

Dave Heaton has been writing about music on a regular basis since 1993, first for college newspapers and DIY fanzines and now mostly on the Internet. In 2000, the same year he started writing for PopMatters, he founded the online arts magazine ErasingClouds.com, for which he is still the editor and main writer. He also writes music reviews for the print magazine The Big Takeover and has a blog column on their website, BigTakeover.com. He has a Bachelors degree in Journalism (1996) and a Masters degree in English (1999), both from Truman State University, in the underrated town of Kirksville, Missouri, Though he does enough music-listening and writing for it to be a full-time job, it is not one. He has held a series of editing, writing and business communications positions at small and large companies in Kansas, Michigan and Pennsylvania. He currently lives in Kansas City.


Related Articles
24 Aug 2009
Dead Prez again attempt to ignite our revolutionary passions, but end up inspiring only the already-faithful.
Comments
Now on PopMatters
Early Summer 2012 New Music Playlist (Mixed Media) [Fri, 12:00 pm]
Paranormal (Radio)Activity: 'Chernobyl Diaries' (Short Ends and Leader) [Fri, 11:00 am]
'Men in Black 3' Looks Back, Again (Reviews) [Fri, 9:20 am]
Poliça: 11 May 2012 - Rochester, NY (Reviews) [Fri, 6:25 am]
'The Witcher 2' Does the Exposition Dump Right (Moving Pixels) [Fri, 6:00 am]
Saint Etienne: Words and Music (Reviews) [Fri, 2:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Beach House: Bloom (Reviews)
  3. Tea with 'Sherlock': Investigating the Investigators (Features)
  4. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. Tenacious D: Rize of the Fenix (Reviews)
  7. 20 Questions: Kate Bornstein (Features)
  8. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  9. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. She's a Rainbow: A Tribute to Donna Summer (Features)
  12. Like 'Doom', In Heels (Moving Pixels)
  13. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  14. This Is All There Is: The Boredom of Lessened Expectations (Short Ends and Leader)
  15. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  16. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  17. Best Coast: The Only Place (Reviews)
  18. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  19. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  20. Something’s Wrong with the Black Widow! (Graphic Novelties)
  21. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  22. Sergio Leone: Something to Do with Death (Columns)
  23. Killer Mike: R.A.P. Music (Reviews)
  24. Willie Nelson: Heroes (Reviews)
  25. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
  26. Various Artists: Occupy This Album (Reviews)
  27. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
  28. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  29. The Cult: Choice of Weapon (Reviews)
  30. Garbage: Not Your Kind of People (Reviews)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.