By Gentry BoeckelThere’s been so much said about this record, I’m at a loss. It also doesn’t help that I don’t speak the lingo of techno. What I do know is that the 13 songs on Chromophobia are as colorful as the album artwork. Each song has a corresponding hue: “Shebang” is swampy green; “Chromophobia” is tubular gray; “Mr Decay” is LED red; and “The Verdict” is night brake-light yellow. The latter third of the record jumps ship almost entirely into electro-shoegazing terrain. “Beautiful Life” resembles a subtler Ulrich Schnauss song while “Xilo” has a Peter Hook-ish bass line at its core. Those looking for a little more evocative (obvious) emotion with their techno should definitely check out Boratto’s colorscapes. 16 July 2007Gui Boratto - Beautiful Life Related ArticlesGui BorattoBy Lisa Torem29.Apr.09 Gui Boratto’s solid frame pulses in reaction to the audience and he senses when they want more beat, more psychedelia or more riff.
Gui Boratto: Take My Breath AwayBy Alan Ranta07.Apr.09 Critics practically did back flips for The Field's From Here We Go Sublime in 2007, and so they should for this.
Gui Boratto: Take My Breath AwayBy Dominic Umile06.Mar.09 Gui Boratto's full-length follow-up to Chromophobia is nothing short of mesmerizing. And check out that cover art. |
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