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Gui Boratto

Chromophobia

(Kompakt; US: 13 Mar 2007; UK: Available as import)

There’s been so much said about this record, I’m at a loss. It also doesn’t help that I don’t speak the lingo of techno. What I do know is that the 13 songs on Chromophobia are as colorful as the album artwork. Each song has a corresponding hue: “Shebang” is swampy green; “Chromophobia” is tubular gray; “Mr Decay” is LED red; and “The Verdict” is night brake-light yellow. The latter third of the record jumps ship almost entirely into electro-shoegazing terrain. “Beautiful Life” resembles a subtler Ulrich Schnauss song while “Xilo” has a Peter Hook-ish bass line at its core. Those looking for a little more evocative (obvious) emotion with their techno should definitely check out Boratto’s colorscapes.

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Tagged as: gui boratto
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Gui Boratto - Beautiful Life
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5 Oct 2011
When he’s on his game, Gui Boratto can let timbre subsume rhythm without sounding languorous. On III, he sounds languorous.
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Kompakt artist gives us more of the moody progressive house that we've come to expect from him, but with a hint of darkness and drama.
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We have no idea where the hell electronic music is going in the next decade, but if you can't find something in the wide stew of sonics out there to get excited about, check your pulse. You're probably dead.
29 Apr 2009
Gui Boratto’s solid frame pulses in reaction to the audience and he senses when they want more beat, more psychedelia or more riff.
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