Quantcast

Call for Feature Essays About Any Aspect of Popular Culture, Present or Past

Music

The great thing about most country music, much like processed cheese food, is that it never really goes bad. Of course, it is only cheese. Slap it on a sandwich, and it does okay, mixed in with the hamburger meat. But sometimes, you really want a nice Brie. And when you want good country music, you look up Waylon Jennings.


From his days as a bass player for Buddy Holly, to the “Texas Outlaw” movement and on and on, Jennings has created some of the greatest moments country music has enjoyed. Now, he pulls the tour bus up to the Holy Land of country music, the Ryman Auditorium, (the original Grand Ole Opry), invites a few friends (Travis Tritt, John Anderson) and belts out a few. And damn, he’s good. Backed up by country’s best backing band-featuring guitarist Reggie Young and Robby Turner on steel, Jennings sounds as vital-and unique-as he ever has.


From “Never Been To Spain” to “Good Hearted Woman”, his gruff road-hardened voice and singular guitar takes us to that place in the soul that few performers can reach, but one in which Waylon seems to live, along with his neighbors Willie Nelson, Johnny Cash and only a few others. The 14 songs here sound fresh, in large part to the new arrangements featuring brass. Horns in a country song? Well, as Waylon would say, “Hell yes, hoss.” Never say die? Try not even breathing hard.

Comments
Now on PopMatters
The Dark Pop-Punk of the Shadow Delivers (Sound Affects) [Thu, 11:00 am]
Q&A with Dickens scholar (PopWire) [Thu, 8:05 am]
Faith vs. Sonic (Moving Pixels) [Thu, 7:00 am]
Ben Gazzara and The End Of An Aura (Short Ends and Leader) [Thu, 5:00 am]
  1. 'Nebraska': Bruce Springsteen's 'Heart of Darkness' (Columns)
  2. Slipped Discs 2011 - Part 1: From 13Ghosts to Friendly Fires (Features)
  3. Counterbalance No. 66: Carole King’s 'Tapestry' (Sound Affects)
  4. The Best Games of 2011 (Features)
  5. Not-So-Central Casting: Kevin Smith and the Birth of the Reality Podcast (Features)
  6. The 10 Greatest Movie Spies Ever (Short Ends and Leader)
  7. 'Amy' Is a Horror Game That Is Broken in All the Right Ways (Moving Pixels)
  8. The 10 Greatest Shakespeare Film Adaptations of All Time (Short Ends and Leader)
  9. Slipped Discs 2011 - Part 2: From the Go! Team to the Phoenix Foundation (Features)
  10. Slipped Discs 2011 - Part 3: From Real Estate to Youth Lagoon (Features)
  11. Different Flavored Skulls: An Intimate Chat with the Flaming Lips' Wayne Coyne (Features)
  12. Lana Del Rey: Born to Die (Reviews)
  13. 'Library After Air Raid': On the Survival of Culture Amid the Barbarity of War (Columns)
  14. The Future Is a Faded Song: Douglas Rushkoff on the Groundbreaking "ADD" (Features)
  15. Get Off of My Cloud!: 'Collecting' Music in the Digital Age (Features)
  16. The Top 15 Madonna Singles of All Time (Sound Affects)
  17. Leonard Cohen: Old Ideas (Reviews)
  18. Google and the Production of Curiosity (Marginal Utility)
  19. Carole E. Barrowman’s Authorial Journey to Hollow Earth (Features)
  20. Various Artists: T Bone Burnett Presents the Speaking Clock Revue (Reviews)
  21. Tower Songs: Townes Van Zandt (Columns)
  22. Black Bananas: Rad Times Xpress IV (Reviews)
  23. The Gay Ole Countryside (Columns)
  24. Of Montreal: Paralytic Stalks (Reviews)
  25. Paul McCartney: Kisses on the Bottom (Reviews)
  26. “Don’t Let Me Fall”: Hip-Hop in the Age of Austerity (Features)
  27. Counterbalance No. 67: John Coltrane’s 'A Love Supreme' (Sound Affects)
  28. 'Namath': Broadway Joe Looks Back (Reviews)
  29. A Tale of How Great Journalism Became Revisionist History: Grambling State U Football (Columns)
  30. Chairlift: Something (Reviews)
PM Picks
Music Archive
Announcements

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.